I Will Find You(24)
“It’s time,” Carlos says.
Hal takes out a small key. He unlocks my ankles first, then my wrists. Carlos and Lester stand over me as though they expect me to break for it. I obviously don’t. I massage my wrists.
“Get up,” Hitch Hal snaps.
I feel woozy. I sit up slowly—too slowly for Hitch. He reaches down and grabs me by the hair and pulls me up. Blood rushes south. My head reels in protest.
“I said,” Hitch spits out between clenched teeth, “get up.”
Hitch rips the blankets off me. I hear Sumner start laughing again. Then Hitch picks up my feet and throws them to the side. I swing with them so that they land on the floor. I manage to get myself to a standing position. My legs are rubber. I take a step and stumble like a marionette before I’m able to get my footing.
Ross Sumner is enjoying this. He sings, “Nah nah nah, nah nah nah, hey hey hey…”
My skull aches. “Where are we going?” I ask.
Carlos puts a hand on my back and gives me a gentle shove. I almost trip and fall.
“Let’s go,” Carlos says.
Hitch and Lester stand on either side of me. They take hold of my arms, making sure they grip that pressure point beneath both elbows hard. They half escort, half drag me out of the infirmary.
“Where are you taking me?”
But the only reply is Ross Sumner finishing up his repeat of the opening stanza and waving, “…Goodbye!”
I try to clear my head, but the cobwebs cling stubbornly to the corners. Carlos leads the way. Lester is on my right arm, Hitch on my left. Hitch’s stare is palpable, a beating thing of hate. My pulse picks up. What now? Where the hell are we going? And a reminder: A guard tried to kill me last night.
That’s the headline here, right? Curly had taken me into an abandoned corridor in the hospital and tried to stick me with a shiv. The wound on my forearm from that blade is wrapped now in thick gauze, but I can feel it pulsating.
The four of us trudge down a corridor and through a tunnel lined with light bulbs protected by metal cages. The walk is doing me some good. My head clears. Not completely. But enough. At the end of the tunnel, we head up a flight of stairs. I see daylight through a window. Okay, so the clock was at eight a.m., not p.m. Made sense. A sign lets me know we are now in the ADMINISTRATIVE WING. It is quiet, but office hours don’t start, I know, until nine a.m.
So what are we doing here now?
I debate trying to make a move of some kind, just to make sure someone would know where I am. But what good would that do? Like I said, it’s just after eight in the morning. No one is even here yet.
Carlos stops in front of a closed door. He knocks and a muffled voice tells him to come in. Carlos turns the knob. The door opens. I peer inside.
Curly is standing there.
My stomach drops. I try to backpedal, but Hal and Lester have both my arms. They shove me forward.
Curly sneers at me. “You son of a bitch.”
Our eyes lock. He is trying yet again to look so tough, but I can see that once again, Curly is scared and close to tears. I am about to protest, to ask him why he tried to kill me, but again, what’s the point? What’s the play here?
Then I hear a familiar voice say, “Okay, Ted, that’s enough.”
Relief floods my veins.
I lean into the room and turn to the right. It’s Uncle Philip.
I’m safe. I think.
I try to catch the old man’s eye, but he does not so much as glance in my direction. He is dressed in a blue suit and red tie. He stands by the window for another second before crossing the room and shaking Curly Ted’s hand.
“Thank you for your cooperation, Ted.”
“Of course, Warden.”
Philip Mackenzie’s gaze sweeps past me and finds the three guards who escorted me here. “I’ll handle the prisoner now,” he says. “You all go back to your regular duties.”
Carlos says, “Yes, Warden.”
I hadn’t really thought about this before, but I am still clad only in my flimsy hospital smock, which opens in the back. I wear socks that I assume are hospital issue. I don’t have my canvas shoes anymore. I feel suddenly exposed and near naked, but to them, all of them, I must also appear like no threat.
Curly heads toward either me or the door, it is hard to know which. He slows as he gets closer to me and tries again to give me his toughest gaze, but there is nothing behind it. It’s for show.
The man is terrified.
As Curly reaches the door, Philip Mackenzie says, “Ted?”
He turns back toward the warden.
“The prisoner will be with me for the rest of the day. Who is working your block?”
“I am,” Ted said. “I’m on until three.”
“You’ve been up all night.”
“I feel fine.”
“Are you sure? You can take this shift off. No one would blame you.”
“I’d rather work, Warden, if that’s okay.”
“Very well then. I doubt we’ll be done with him before your shift is through. Just as well. Tell your replacement.”
“Yes, Warden.”
Curly steps out of the room. Hitch Hal greets him with a buddy-clap on the back. Philip has still not so much as glanced my way. Curly and Hal start down the corridor. Lester follows. Carlos leans his head in and says, “You need me, Warden?”