Homegoing(91)
“You ain’t into the ‘Back to Africa business,’ but you using an African name?” Sonny had put his politics behind him but could feel them creeping up. Amani was nearly half his age. The America she was born into was different from the one he had been born into. He resisted the urge to wag his finger at her.
“We can’t go back, can we?” She stopped walking and touched his arm. She looked more serious than she had all night, like she was only just considering that he was a real person and not someone she had dreamed up when he found her asleep. “We can’t go back to something we ain’t never been to in the first place. It ain’t ours anymore. This is.” She swept her hand in front of her, as though she were trying to catch all of Harlem in it, all of New York, all of America.
They finally got to a housing project way out in West Harlem. The building wasn’t locked, and when they entered the hallway, the first thing Sonny noticed was the row of dope fiends lining the walls. They looked like dummies, or like the corpse Sonny had seen when he walked into a funeral home to find the mortician manipulating a body, hooking the elbow up, turning the face left, bending the body at its back.
No one was manipulating these bodies in the hallway—no one that Sonny could see—but he knew immediately that it was a dope house, and suddenly what he hadn’t wanted to know about Amani’s slow, sleepy movements, her dilated pupils, became all too apparent. He grew nervous, but swallowed it down, because it was important to him that Amani not see that the longer he was with her, the more he began to feel that he had no control over himself.
They entered a room. A man cradling his own body curled up against the wall on a dirty mattress. Two women were tapping their arms, readying themselves for the needle a second man was holding. They didn’t even look up as Sonny and Amani entered.
Everywhere he looked, Sonny saw jazz instruments. Two horns, a bass, a sax. Amani set her things down and sat next to one of the girls, who finally looked up, nodded at them. Amani turned to Sonny, who was still hanging back, his hand still grazing the doorknob.
She didn’t say anything. The man passed the needle to the first girl. That girl passed the needle to the second. The second passed the needle to Amani, but she was still looking at Sonny. She was still silent.
Sonny watched her plunge the needle into her arm, watched her eyes roll back. When she looked at him again, she didn’t have to speak for him to hear her say, “This is me. You still want it?”
*
“Carson! Carson, I know you in there!”
He could hear the voice, but at the same time, he couldn’t hear it. He was living in his own head, and he could not tell where that ended and where the world began, and he didn’t want to answer the voice until he was sure he knew which side of things it was coming from.
“Carson!”
He sat quietly, or at least what he thought was quietly. He was sweating, his chest heaving up and down, up and down. He would need to go score soon to keep himself from dying.
When the voice outside the door started praying, Sonny knew it was his mother. She had done it a few times before, when he was still mostly sober, when dope was still mostly fun and he felt like he had some control over it.
“Lord, release my son from this torment. Father God, I know he done gone down to Hell to take a look, but please send him back.”
Sonny might have found it soothing if he weren’t feeling so sick. He heaved, nothing at first, but soon he was vomiting in the corner of the room.
His mother’s voice grew louder. “Lord, I know you can deliver him from what ails him. Bless him and keep him.”
Deliverance was exactly what Sonny wanted. He was a forty-five-year-old dope fiend, and he was tired but he was also sick, and the sickness of trying to come off the dope outweighed his exhaustion with staying on it every single time.
His mother was whispering now, or maybe Sonny’s ears were no longer working. Soon he couldn’t hear anything at all. Before long, somebody would be home. One of the other fiends he lived with would come in and maybe they would have scored something, but probably they wouldn’t have and Sonny would have to begin the ritual of trying to score himself. Instead, he began it now.
He pushed himself up off the ground and put his ear against the door to make certain his mother had gone. Once he knew, he went out to greet Harlem.
Harlem and heroin. Heroin and Harlem. Sonny could no longer think of one without thinking of the other. They sounded alike. Both were going to kill him. The junkies and the jazz had gone together, fed each other, and now every time Sonny heard a horn, he wanted a hit.
Sonny walked down 116th Street. He could almost always score on 116th Street, and he had trained himself to spot junkies and dealers as quickly as possible, letting his eyes scan the folks walking by until they landed on the people who had what he needed. It was a consequence of living inside his own head. It made him aware of others who were doing the same thing.
When Sonny came across the first junkie, he asked if she was holding, and the woman shook her head. When he came across the second one, he asked if he would let him carry, and the man shook his head too, but pointed him along to a guy who was dealing.
Sonny’s mother didn’t give him money anymore. Angela sometimes did if her Bible-slinging husband had made some extra cash on the revival circuit. Sonny gave the dealer every last dollar he had, and it bought him so little. It bought him next to nothing.