Homegoing(68)
In the beginning, Asamoah did not want to touch her and she did not want to be touched. The space where his leg had been taunted her. She could not figure out how to situate her body next to his while they lay in bed at night. In the past, she would curl into him, one of her legs intertwined between his two, but now she could not get comfortable, and her restlessness fed his restlessness. Akua no longer slept through the night, but Asamoah hated to see her awake and tortured and so she pretended to sleep, allowing the waves of her breasts to rise and fall to the current of breaths. Sometimes Asamoah would turn and stare at her. She could feel him considering her while she pretended to sleep, and if she slipped, opened her eyes or lost her breathing rhythm, his big booming voice would command her to sleep. If she convinced him, she would wait for his real breathing to match her contrived one, and then she would lie there, wishing the firewoman away. If she slept, she would do so only lightly, dipping the ladle of sleep into the shallow pool of dreamland, hoping she would not see the firewoman there before she beckoned herself awake.
Then, one day, Asamoah no longer wanted to sleep. He nuzzled Akua’s neck.
“I know you’re awake,” he said. “I know you do not sleep these days, Akua.”
And still she tried to pretend, ignoring his hot breath against her skin, breathing still and the same.
“Akua,” he said. He had turned his body so that his mouth now met her ear, and the sound of her name was a strong stick hitting a hollow drum.
She did not answer as he continued to speak her name. The first day she’d left the house after her week of exile, the townspeople had looked away as she passed, embarrassed and ashamed of how they had let Nana Serwah treat her. Her mother-in-law too could not see her without bursting into tears, her pleas for forgiveness muffled by the sound. It was only Kofi Poku, the child who had pointed out the white man, the evil one, and so consigned him to burn, who saw the silent Akua and whispered “Crazy Woman.” Crazy Woman. Wife of Crippled Man.
That night, Crippled Man turned Crazy Woman onto her back and entered her, forcefully at first, and then more timidly. She opened her eyes to see him working more slowly than he used to, using his arms to push off, push in, his sweat dripping slowly off the bridge of his nose to land on her forehead and trickle down to meet the floor.
When he finished, Asamoah turned away from her and wept. Their daughters were asleep across from them, thumbs in mouths. Akua turned too. Exhausted, she slept. And in the morning, when she realized that she had not dreamed of fire, she felt that she would be all right. And weeks later, when Nana Serwah snatched baby Yaw from between Akua’s legs with one hand and sliced the cord with the other, when Akua heard his loud and mewling cry, she knew that her son would be all right too.
—
Slowly Akua began to speak more. She slept rarely, but when she did, she would wander. Some days she woke up at the door, other days curled up between her daughters. The sleep time was short, quick, so that as soon as she had moved she was awake again. She would return to her place beside Asamoah, stare at the straw and mud of the roof above them until the sun began to peek through the cracks. Rarely, Asamoah would catch her in her night wanderings while he himself was in midsleep. He’d reach for his machete, then remember his missing leg and give up. Defeated, Akua thought, by his wife and his own misery.
Akua was wary of the villagers, and the only people who brought her any joy were her children. Ama Serwah was speaking real words now, leaving behind the fast and frantic nonsense speech of her early twos. Now no one questioned Akua when she wanted to take long walks with her children. They didn’t question her when she thought a stick was a snake or when she left the food in the fire to burn. When they whispered “Crazy Woman,” they had to do it behind Nana Serwah’s back, because if the woman heard them, she would give them a tongue-lashing that would sting almost as much as the real thing.
Akua would start each walk by asking her daughters where they wanted to go. She would sling baby Yaw in a wrapper around her back and wait for the girls to direct her. Often, they would say the same things. They wanted to walk by Yaa Asantewaa’s palace. The place had been preserved in her honor, and the girls liked to stand outside the gate, singing the postwar songs. Their favorite one was:
Koo koo hin koo
Yaa Asantewaa ee!
Obaa basia
Ogyina apremo ano ee!
Waye be egyae
Na Wabo Mmoden
Sometimes Akua would sing along softly, rocking Yaw back and forth in time with the music as she praised the woman who fought before cannons.
The girls would need to rest often, and their favorite spot to do it was underneath trees. Akua would spend long afternoons with them, napping in the small slices of shade provided by impossibly large trees.
“I want to be like Yaa Asantewaa when I am an Old Lady!” Ama Serwah declared on one such day. The girls had grown too tired to keep walking, and the only tree nearby was the one where the white man had burned. The blackness of the charred bark seemed to crawl up from the roots and toward the lowest branches. Akua resisted stopping there at first, but the baby’s weight made her feel like she was carrying ten handfuls of yam. Finally she stopped, lying flat on her back, the small mountain of her not-yet-deflated belly hiding her girls from sight as they lay at her feet, Yaw at her side.
“Will they sing songs about you, my dear?” Akua asked, and Ama Serwah burst into giggles.