High Voltage (Fever #10)(3)

I sighed. This was my best friend—the last remaining Hel-Cat in existence. Powerful, often brilliant beyond comprehension, most of the time he was a wildly emotional hot mess. I adored him. Sometimes, when he flashed like wildfire between feral and neurotic, feeling every facet of his life so intensely, I saw myself as a kid—too much to handle.

I’d been kept in a cage for most of my childhood.

I didn’t own a cage and never would.

I moved across the damp grass, sank down beside the sobbing, shaggy-pelted chimera with traits of an Iberian lynx and the supple lazy posture of a koala bear, and tugged the fifty-pound beast toward me. The moment I touched him, he howled bloody murder and began to growl, then made himself stiff, unwieldy, and mysteriously heavier. With all four legs sticking straight up in the air, sharp black claws extended, spine rigid, hoisting a hostile hyena onto my lap might have been easier.

He stopped growling long enough to snap, “Don’t touch me. Find your own dimension. You’re cramping my space.” Then he collapsed across my legs and his head lolled back. “Comb my neck, it’s tangled again,” he wailed.



I bit my lip to keep from laughing; Shazam got his feelings hurt easily in this state. Using my nails, I groomed the thick pelt of his chin, his shaggy neck, and around behind his ears until I heard a deep, contented rumble in his chest.

We sprawled in the grass in the graveyard behind Arlington Abbey, beneath a cobalt sky glittering with rose-gold stars and a full amber moon, enjoying the moment. It was the middle of March but fat-blossomed velvety poppies bobbed in nearby urns, and exotic, trellised roses adorned graves, scenting the night air with indefinable Fae fragrances. A night symphony of crickets and frogs filled the air.

Dublin’s climate had been uncharacteristically mild since the queen of the Fae used the Song of Making to heal our world last November. We’d had no winter; a long, fertile spring had morphed seamlessly into an extraordinary summer, splashed with brilliant Fae colors and new species of plants.

There’d been little peace in my life. I tended to find myself embroiled in one melodrama after the next but, aside from a broken heart that wasn’t healing on the timetable I would have preferred, life was good. I had Shazam, I had friends, I would heal and there was endless potential for new adventures once I did.

Eventually the Hel-Cat squinted a lavender eye open and peered up at me. I caught my breath. There was nothing feral or neurotic in his gaze now, only an ancient wisdom wed to remote, timeless-as-the-stars patience. I’d learned to listen carefully when he looked at me like this.

“Remains of the one who danced you into love are in the ground, Yi-yi. That’s why you don’t want me to eat the bones. Do what you came for. I will hunt only the tasty night moths.” Smirking, he added, “And I will kill as you do—with love.” He surged from my lap in a suspiciously graceful leap, given the heft of his body, and bounded into the darkness beyond the graves.



I rolled my eyes as he vanished. I’d been trained to kill at the age of nine. Before then I’d killed without training. Shortly after I rescued Shazam from Planet X, he asked how my killing was different from the killing I’d forbidden him to do, aside from me wasting food by not eating my prey. I told him that when I killed, it wasn’t with the hatred that once blazed in my heart, but with love for the world I was trying to protect. I did it only when necessary, as quickly and mercifully as possible. Killing with violence in your heart, or worse, a complete dearth of emotion, made you a killer, plain and simple. Killing because it had to be done, because there was no other way and it was the right thing to do, made you a necessary weapon.

Do what you came here for. I wasn’t sure what that was. Nothing of Dancer remained in this macabre memorial to the dead behind Arlington Abbey. I found that a terrible thought—that his essence might be trapped in a box buried beneath the dirt. When I die, cremate me and cast me to the stars.

Still, I pushed to my feet, skirted a bank of low hedges and wide planters, and moved to stand at the foot of his grave.

Time slid away; it was four months ago and I was kissing Dancer’s cold lips and closing the lid of his casket.

God, I missed him.

We’d played with the innocence and impunity of kids who believed themselves immortal (at least I had), conquering video games, watching movies, dreaming together about what our futures might hold, gorging on ice cream and candy and sodas, racing out into the night in search of adventure.



I smiled faintly. We’d found plenty. We’d plunged into life with similar enthusiasm and devil-may-care bravado. Caring, thoughtful, and brilliant, he’d been one of only two people I’ve ever met that I thought was as smart, possibly smarter, than me.

We’d grown up, become lovers.

Dancer Elias Garrick, never the sidekick, always the hero.

I shoved my hands into my pockets and stared down. I’m not a woman who often looks back. I measure actions by results, and peering into the past rarely yields any. Reflecting on something that hurts you only prolongs your pain, and when death is involved, the pain is often compounded by a relentless sense of guilt that attacks the moment you start to heal, as if duration of grief somehow proves the depth of your love for the person you lost.

If that were true, I’d have to grieve Dancer forever.

Born with a flawed heart, he’d lived fearlessly. The unfairly penalized muscle in his chest had given out on him before he’d turned eighteen, while I was sleeping next to him in bed. I’d woken after a night of lovemaking to find him forever gone.