Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race(11)

Whether or not Dorothy and Katherine ever realized that the brilliant Claytor was one of their shared connections—Dorothy almost never discussed her Howard admittance—Katherine’s path following her graduation from the college, with a summa cum laude degree in math and French, must have felt to Dorothy like an alternate version of her own story. In 1936, the NAACP Legal Defense Fund, led by Charles Hamilton Houston, successfully argued the Supreme Court case Murray v. Pearson, ending graduate school admission policies that explicitly barred black students. Building on that victory, the organization scored again at the high court with 1938’s Missouri ex rel. Gaines v. Canada, requiring states either to provide their black students with separate (but “equal”) graduate and professional school programs or to allow them to integrate the white schools. Some states, like Virginia, simply refused to comply: in 1936, a black student from Richmond named Alice Jackson Houston applied to the University of Virginia to study French, but she was denied admission. The NAACP sued on her behalf, and in response, the state of Virginia set up a tuition reimbursement fund, subsidizing the graduate educations of black students in any place but Virginia, a policy that continued until 1950.

West Virginia, however, decided to integrate. Quietly, quickly, and without protest, three “unusually capable” Negro students began graduate studies at West Virginia University in Morgantown in the summer of 1940. The Colemans’ daughter Katherine was one of them, a testament to both her academic talent and a strength of character that could stand up to the isolation and scrutiny that came along with being a black student on the front lines of desegregation. But a master’s degree in math would elude Katherine just as it had Dorothy. After the summer session, Katherine decided to leave WVU’s graduate program for a life as a full-time wife and mother, the call of domestic life winning out over career ambition.

Katherine’s parents loved their son-in-law, Jimmy, a chemistry teacher whom Katherine met at her first teaching assignment, and they doted on their three granddaughters. Her choice to prioritize family life did nothing to dampen her parents’ pride in her academic achievements. Did she, like Dorothy, ever wonder about where the opportunity might have taken her? Did she imagine what her talent might look like if it were pushed to the limit? Katherine had made her choice only two years earlier. Dorothy’s first big chance was now fifteen years in the past, long enough ago to assume that the die of her life had been irrevocably cast.

And yet at the end of November 1943, at thirty-two years old, a second chance—one that might finally unleash her professional potential—found Dorothy Vaughan. It was disguised as a temporary furlough from her life as a teacher, a stint expected to end and deposit her back in the familiarity of Farmville when her country’s long and bloody conflict was over. The Colemans’ youngest daughter would eventually find the same second chance years in the future, following Dorothy Vaughan down the road to Newport News, turning the happenstance of a meeting during the Greenbrier summer into something that looked a lot more like destiny.

Out the window of the Greyhound bus, the gentle hills of the Piedmont flattened and broadened and the state capital came and went, and as the coastal plain of the Tidewater region advanced toward Dorothy at forty miles per hour, one of the country’s busiest war boomtowns opened its arms to receive its newest resident.





CHAPTER FOUR

The Double V

Dorothy Vaughan entered the Greyhound bus in one America and disembarked in another, no less anxious, hopeful, and excited than if she were an immigrant arriving from foreign shores. The cluster of cities and hamlets around the harbor of Hampton Roads—Newport News and Hampton to the north, Portsmouth, Norfolk, and Virginia Beach to the south—boiled over with in-migrants. The region’s day as a rustic land had retreated against the rolling tide of newcomers. From the forests and fisheries and farmlands of an Arcadian state dawned a powerful military capital, a nerve center that had welcomed residents by the hundreds of thousands since the start of the conflict. Now, the chief business of the people of Hampton Roads was the war.

Whether approached by land or by sea, Newport News, with its vast complex of coal piers and scaffolding, cranes and smoke-belching stacks, rails and elevators and berths laid out on the James River, gave a sense of the great power concentrated in America’s military, the scope of a manufacturing and production machine of nearly inconceivable proportions, the consummation of a military-industrial empire unparalleled in the history of humankind. Stevedores and riggers by the hundreds strained against winches and loaded crates of rations and ammunition into the holds of the warships snugged into their berths. Lines of jeeps drove onto the ships, creating traffic jams on the piers greater than any that had been seen on land. Soldiers forced teams of mules up gangways, K9 dogs boarded vessels with their faithful two-legged companions. Allied troops staged at Camp Patrick Henry, five miles up the military highway, then were delivered by train to the pier. The American mosaic was on full display, youngsters barely over the threshold of adolescence and men in the sinewy prime of manhood, fresh from the nation’s cities, small towns, and countrysides, pooling in the war towns like summer rain. Negro regiments piled in from around the country. One detachment was composed entirely of Japanese Americans. Enlistees from Allied countries, like Chinese medical officers and the first Caribbean Regiment, presented themselves to the port’s commanding officers before shipping out. Companies of the Women’s Army Corps (WACs) stood ramrod straight and saluted. The port band sent soldiers off with “Boogie Woogie Bugle Boy,” “Carolina in My Mind,” “La Marseillaise”—the melodies of a hundred different hearts and hometowns.