Heartless (Chestnut Springs, #2)(34)
Then the smooth hum of the strings fills the kitchen. I immediately recognize it as a slowed down acoustic version of the song that was just playing.
I stop and put down the peeler in my hand. I’d be the first person to confess that I leave my radio tuned to the country station. I’m no connoisseur. And when I’m out in the pastures, the soundtrack is the snorts of our mounts and the thrum of the cows’ hooves against the land.
Truthfully, silence doesn’t bother me in the least.
But she’s impossible to look away from. I figured she’d have some basic knowledge of the guitar, but this is impressive. Or maybe it’s just because it’s her.
There’s something soulful, something that warms me to my bones as I watch her.
“Wait! You missed the part where you sing!” Luke’s tone is accusatory.
Willa peeks up, timidly pushing her hair behind her ear. “I don’t sing, Luke. I just like playing guitar.”
“You sang during our dance party the other day.”
She drops her eyes, lips pressing together, cheeks flushing the prettiest shade of pink. “That was just for fun.”
“Sing! Sing! Sing!”
A deep laugh bubbles up out of me. Luke is so damn persistent.
Willa’s eyes widen on mine, and I cross my arms with a shrug. “Sing, Willa. Let’s hear it.”
Her blush deepens, crawling down her neck onto her chest. It’s how she’d look with beard burn on her.
My beard burn.
“Fine. But I don’t have a good voice, so no making fun.”
“You do too!”
She points at Luke. “This was supposed to be background music while you cooked, not a concert.”
“It sounds so good, Willa. I want to play the guitar as good as you.”
The shy smile that touches her lips as her head dips down has me softening toward her. She’s so brash sometimes, and then there’s this sweet side. This bashful side. This insecure side.
And she has no business feeling that way at all.
“It’s beautiful, Willa,” I add, hoping to reassure her, but her cheeks go darker.
What I want to say is wholly inappropriate.
You’re beautiful.
How was your night out?
I’m sorry I haven’t been leaving enough coffee for you in the morning.
Words that lodge in my throat. Turn to cotton batting on my tongue. Words and feelings I don’t know what to do with anyway.
She pulls the hair back down to cover her a little and starts the song again from the beginning. A tiny part of me thinks I should turn and keep peeling, but a bigger part of me can’t take my eyes off her smooth legs bent under the guitar. One bare foot propped on the lower bar of the chair. Slender ankle flexed, the curved arch of her foot somehow sensual. I run into this problem where she’s concerned a lot.
The most trivial little details have me obsessing over her.
The tune sounds just as good as it did the first time. Sultry and slow. It’s like she took some teenybopper song and made it sexy.
Her lean fingers move across the string seamlessly, stretching and flexing with every note she strums.
And then her voice kicks in, and it’s a shot to the gut.
Raspy and sweet, all at once.
Shy and sure.
Quiet and strong. Just like her.
The first line is something about strawberries and summer evenings, which is fitting, because her strawberry red lips move, and I’m entranced.
Luke sways to the song, happy and oblivious. But not me. I can feel my precious control slipping where she’s concerned. And who knew some stupid song would be the thing to do it?
She peeks up and her voice breaks ever so slightly when she catches me staring her down.
She doesn’t look away though.
The lyrics talk about breathing in and breathing out—which is a great reminder for me at this current juncture.
My stomach bottoms out, and I worry about what’s written on my face. My carefully practiced poker face is slipping, like she’s peeling it back, piece by piece. All the armor, all the protection.
I’m not ready to be laid bare. Not by her. Not by anyone.
Luke’s mom may not have been the right woman for me, but she was a woman for me. And I did my best to keep her happy. I tried to love her. And in my own way, I did. It wasn’t cinematic but I was faithful. I provided for her. I worked myself to the bone to build us a good life.
And she left.
It wasn’t enough. Even today, I don’t have much more than I did then.
And at the end of August, Willa will leave too. Back to her city existence. Back to bars and famous musicians. Back to an exciting life that doesn’t include a moody rancher with a chip on his shoulder.
Maybe it would be fine. Maybe I could let her go and move on.
Luke will be sad either way. But he’ll be devastated if I let him think there’s more here than a seasonal arrangement. And his heart isn’t one I’m willing to gamble.
So, I turn my back on her and get back to peeling potatoes.
I listen to every note, hang on every word, and feel grateful that she can’t see my face as I do.
“Again! Again!” Luke exclaims, and I just shake my head. I won’t say no because I’m enjoying it way too much to stop her.
“How about another song?” she asks him.