Harlem Shuffle(14)
The knock at the window startled him. Two men got into the backseat and Freddie panicked—then he realized the disguises had thrown him off. “Settle down,” Pepper said. Arthur wore a long, conked wig and a pencil mustache that made him look like Little Richard. Shaved twenty years off him, the time he spent in the joint refunded. Pepper was in a Hotel Theresa bellhop uniform, which Betty had stolen from the laundry two months ago. The night she grabbed it, she asked Miami Joe to put it on and say some dialogue before she permitted him to kiss her. It was all in the overhead.
Pepper had the uniform altered. He didn’t change his facial appearance. He had gravel eyes that made you stare at your feet. The aluminum toolbox sat on his lap.
Thirty seconds before four a.m., Arthur got out of the car and crossed the median. His tie was loose, jacket rumpled, his stride erratic. A musician calling it a night or an out-of-town insurance salesman after a night in the Big City—in short, a Hotel Theresa guest. The night man saw him and unlocked the front door. Chester Miller was in his late fifties, slim-built except for his belly, which perched on his belt like an egg. A little sleepy. After one o’clock, when the bar closed, hotel policy only permitted registered guests inside.
“Perry? Room 512,” Arthur told the night man. They’d booked a room for three nights. The clerk wasn’t at the front desk. Arthur hoped Miami Joe had that situation in hand.
The night man flipped through the papers on his clipboard and pulled the brass door wide. Arthur had the gun in the man’s rib cage when he turned to lock the door. He told him to take it easy. Freddie and Pepper were on the red carpet outside—the night man let them in and locked the door as directed. Freddie held the three leather valises. A rubber Howdy Doody mask covered his face; the crew had bought two of them at a Brooklyn five-and-dime two weeks earlier. Pepper carried the heavy toolbox.
The door to the fire stairs was open. A crack. They were halfway to the registration desk when Miami Joe opened the door the rest of the way and entered the lobby. He’d been hiding in the stairwell for three hours. The Howdy Doody mask had come on five minutes earlier, but as far as he was concerned he’d been in disguise all night because he wasn’t wearing a purple suit. There were no hard feelings about who got masks and who didn’t. Some of the crew needed their faces revealed in order to do their jobs, and some didn’t.
The arrow above the door indicated the elevator was on the twelfth floor. Then the eleventh.
For most of the day the hotel lobby bustled like Times Square, guests and businessmen crisscrossing the white-and-black tiles, locals meeting for a meal and gossip, their number multiplied by the oversize mirrors on the green-and-beige floral wallpaper. The doors to the phone booths by the elevator folded in and unfolded out, weird gills. At night, the swells congregated in the leather club chairs and sofas and drank cocktails and smoked cigarettes as the door to the bar swung open and shut. Porters ferrying luggage on carts, teams of clerks at registration handling crises big and small, the shoe-shine man insulting people in scuffed shoes and arguing for his services—it was an exuberant and motley chorus.
All that was done now and the cast had shrunk to thieves and captives.
The night man was pliable, as Miami Joe had promised. Miami Joe knew Chester from his nights at the hotel; he would do as he was told. It was one of the reasons Miami Joe covered his face. The mask smelled like piney ointment and pushed his breath back at him, gusting up hot and rotten.
Arthur nodded toward the bell on the desk, a signal for the night man to ding the clerk. When the clerk emerged from the offices, Miami Joe was upon him, one hand over his mouth and the other jabbing the nose of the .38 beneath the man’s ear. One school held that the base of the skull was the best spot, the cool metal initiating a physical reaction of fear, but the Miami School, of which Joe was a disciple, liked below the ear. Only tongues went there and metal made it eerie. There was an alarm with a wire to the police station, activated by a button beneath where the guest book rested. Miami Joe stood between the clerk and the button. He motioned for the night man to come around so Pepper could watch him and the clerk.
“Elevator on four,” Freddie said.
Miami Joe grunted and went into the back. To the left was the switchboard, where an unexpected visitor waited. Some nights the switchboard operator’s friend kept her company. They were eating pea soup.
The weeknight operator was named Anna-Louise. She had worked at the Hotel Theresa for thirty years, since before it was desegregated, routing calls. Her chair swiveled. She liked the night work, joking with and mothering the succession of young desk clerks through the years, and she liked listening to the guests’ calls, the arguments and arrangements of assignations, the lonely calls home through the cold, cold wires. The disembodied voices were a radio play, a peculiar one where most of the characters only appeared once. Lulu visited her at the switchboard some nights. They had been lovers since high school and around their building referred to themselves as sisters. The lie made sense when they first moved in, but it was silly now. No one really cares about other people when you get down to it—their own struggles are too close-up. The women screamed, then shut their mouths and put their hands up when Miami Joe aimed the gun. To the right was the manager’s office. “Get the key,” he said.
Pepper brought the clerk and the night man into the office area. Miami Joe stood by the wall of iron bars that separated the room from the vault, far enough away to cover both the men and the women if they tried anything funny. He didn’t think that was going to happen. They were rabbits, quivering and afraid. Miami Joe’s voice was level and calm when he spoke to them, not to soothe but because he thought it more sadistic. He felt the erotic rush he always got on jobs, it kicked in when the caper got going and dissipated when it was over and then he didn’t remember it until the next job. Never could get ahold of it when he wasn’t thieving. It told him his idea for the job and its practical execution were in harmony.