Hamnet(29)
The son bends over, drawing in air, rubbing at his neck. As he draws himself upright, he sees Ned, the apprentice, looking at him. The two stare at each other for a moment, then Ned turns away, back to the bench, leaning in to examine his work.
John walks directly to Hewlands. He doesn’t stop at his stall to chivvy Eliza, to mete out criticisms and judgements, or to check on the stock. He doesn’t pause to exchange words with a guildsman he meets on Rother Street. He takes the path to Shottery and hurries along it, almost as if the girl might have the baby at any minute and somehow nullify this opportunity. His steps are quick and, he is pleased to think, sprightly, especially for a man of his years. He feels the anticipation of a good deal ahead of him, senses that particular pleasure run through his veins, like a cup of wine. John knows this is the moment, that a deal must be struck without delay, lest things change and the advantage slip away from him, as well it might. He has the upper hand, yes, he does. He has possession of the girl, in his house; he has the boy, who will require a special licence to wed because of his youth, the signed permission of his parents. There is the matter of the old debt between them, but their most pressing issue will be the girl. They need her to be married, in her state, and no marriage can take place unless he, John, agrees to it. It is the perfect position. He holds every card. He allows himself, as he walks the path, to whistle out loud, an old dancing tune from his youth.
He finds the brother in a distant field; he must pick his way through the filth to reach him, the brother leaning on his crook, watching him approach, without moving.
Groups of sheep shift around him, turning their bulging eyes on him, veering from him, as if he is a large and terrifying predator. Gloves, he mutters to them, under his breath, without letting his smile drop, you’ll all be gloves before ye know it. You’ll be worn on the hands of the Warwickshire gentry before the year is out, if I have anything to do with it. It is difficult, as he steps over the field, to prevent the glee from showing on his face.
The puddles, beneath his town boots, are frozen white clouds, solidified into the ridges and furrows of mud.
John reaches the sheep-farming brother. He holds out his hand. The brother looks at it for a moment. He is a huge man, with a look of Agnes about the eyes, with black hair tied back from his face. He is dressed in a sheepskin cape, like the father used to wear, and carries a carved cudgel. Another fairer, younger lad, also with a crook, hovers in the background, watchful, and for a moment, John feels a slight qualm. What if these men, these brothers, these people, mean to harm him, to wreak vengeance on him for his wastrel son who has taken the maidenhead of their sister? What if he has misread the situation and it is not, after all, to his advantage, and he has made a grave mistake in coming? He sees, for a fleeting moment, death coming for him, here, in a frosty Shottery field. Sees his corpse, the head stoved in by a shepherd’s crook, his brain spattered and spent, steaming in the frozen earth. His Mary a widow, his young children, little Edmond and Richard, fatherless. All the fault of his errant son.
The farmer shifts his cudgel to his opposite hand, spits emphatically on the ground, and takes John’s fingers, giving them a painfully strong squeeze. John hears himself give a high, almost girlish cry.
‘Well,’ John says, with the deepest, manliest chuckle he can muster, ‘I believe, Bartholomew, we have matters to discuss.’
The brother looks at him for a long moment. Then he nods, looking past him at something over John’s shoulder.
‘That we do,’ he says and, points. ‘Here comes Joan. She will want to have her say, I’ll warrant.’
Joan comes hurrying over the fields, flanked by daughters, a small boy perched on her hip.
‘You,’ she calls, as though he were one of her farm-boys. ‘A word with you, if you please.’
John waves his hand at her cordially, then turns to include Bartholomew in a smile and a head tilt. It is a knowing, sideways, male nod that John offers him, one that says, Women, eh? Always wanting their way. We men must let them feel included.
Bartholomew holds his gaze for a moment, his flecked eyes so like his sister’s, but expressionless, cold. Then he drops his gaze and, with an imperceptible gesture, bids his brother to leave, to open the gate for Joan, whistling for the dogs to go with them.
They stand in the field for a long time, Bartholomew, Joan and John. The other children watch, unseen, hidden behind a wall. After a while, they begin to ask each other, Is it settled, is it done, has Agnes gone to their house, will she be wed, is she never to come back? The smallest brother tires of this game of standing at a wall and whines to be put down. The sisters’ eyes never leave the three figures standing among the sheep. The dogs scuffle and yawn, dropping their heads on to their paws, raising them, every now and again, to check with Thomas, awaiting his orders.
Their brother is seen to shake his head, to turn sideways, as if to leave the talk. The glover seems to make an entreaty, uncurling first one hand, then the other. He counts something off on the fingers of his right hand. Joan speaks animatedly for a long time, waving her arms, pointing towards the house, gripping her apron. Bartholomew looks long and hard at the sheep, before reaching out to touch the back of one, turning his face to look at the glover, as if proving a point about the animal to the other man. The glover nods vigorously, gives a long speech, then smiles as if in triumph. Bartholomew taps his cudgel against his boot, a sure sign that he is unhappy. The glover steps closer; Joan holds her ground. The glover puts a hand on Bartholomew’s shoulder; the farmer lets it remain.