Grit(5)

Spellbound got me wondering: To what extent is flawlessly spelling words like schottische and cymotrichous a matter of precocious verbal talent, and to what extent is grit at play?

I called the Bee’s executive director, a dynamic woman (and former champion speller herself) named Paige Kimble. Kimble was as curious as I was to learn more about the psychological makeup of winners. She agreed to send out questionnaires to all 273 spellers just as soon as they qualified for the finals, which would take place several months later. In return for the princely reward of a $25 gift card, about two-thirds of the spellers returned the questionnaires to my lab. The oldest respondent was fifteen years old, the absolute age limit according to competition rules, and the youngest was just seven.

In addition to completing the Grit Scale, spellers reported how much time they devoted to spelling practice. On average, they practiced more than an hour a day on weekdays and more than two hours a day on weekends. But there was a lot of variation around these averages: some spellers were hardly studying at all, and some were studying as much as nine hours on a given Saturday!

Separately, I contacted a subsample of spellers and administered a verbal intelligence test. As a group, the spellers demonstrated unusual verbal ability. But there was a fairly wide range of scores, with some kids scoring at the verbal prodigy level and others “average” for their age.

When ESPN aired the final rounds of the competition, I watched all the way through to the concluding suspenseful moments when, at last, thirteen-year-old Anurag Kashyap correctly spelled A-P-P-O-G-G-I-A-T-U-R-A (a musical term for a kind of grace note) to win the championship.

Then, with the final rankings in hand, I analyzed my data.

Here’s what I found: measurements of grit taken months before the final competition predicted how well spellers would eventually perform. Put simply, grittier kids went further in competition. How did they do it? By studying many more hours and, also, by competing in more spelling bees.

What about talent? Verbal intelligence also predicted getting further in competition. But there was no relationship at all between verbal IQ and grit. What’s more, verbally talented spellers did not study any more than less able spellers, nor did they have a longer track record of competition.

The separation of grit and talent emerged again in a separate study I ran on Ivy League undergraduates. There, SAT scores and grit were, in fact, inversely correlated. Students in that select sample who had higher SAT scores were, on average, just slightly less gritty than their peers. Putting together this finding with the other data I’d collected, I came to a fundamental insight that would guide my future work: Our potential is one thing. What we do with it is quite another.





Chapter 2


DISTRACTED BY TALENT





Before I was a psychologist, I was a teacher. It was in the classroom—years before I’d even heard of Beast—that I began to see that talent is not all there is to achievement.

I was twenty-seven when I started teaching full-time. The month before, I’d quit my job at McKinsey, a global management consulting firm whose New York City office occupied several floors of a blue-glass skyscraper in midtown. My colleagues were a bit bewildered by my decision. Why leave a company that most of my peers were dying to join—one regularly singled out as one of the world’s smartest and most influential?

Acquaintances assumed I was trading eighty-hour workweeks for a more relaxed lifestyle, but of course, anyone who’s been a teacher knows that there’s no harder job in the world. So why leave? In some ways, it was consulting, not teaching, that was the detour. Throughout college, I’d tutored and mentored kids from the local public schools. After graduation, I started a tuition-free academic enrichment program and ran it for two years. Then I went to Oxford and completed a degree in neuroscience, studying the neural mechanisms of dyslexia. So when I started teaching, I felt like I was back on track.

Even so, the transition was abrupt. In a single week, my salary went from Seriously? I actually get paid this much? to Wow! How the heck do teachers in this city make ends meet? Dinner was now a sandwich eaten hurriedly while grading papers, not sushi ordered in at the client’s expense. I commuted to work on the same subway line but stayed on the train past midtown, getting off six stops farther south: the Lower East Side. Instead of pumps, pearls, and a tailored suit, I wore sensible shoes I could stand in all day and dresses I wouldn’t mind getting covered in chalk.

My students were twelve and thirteen years old. Most lived in the housing projects clustered between Avenues A and D. This was before the neighborhood sprouted hip cafés on every corner. The fall I started teaching there, our school was picked for the set of a movie about a rough-and-tumble school in a distressed urban neighborhood. My job was to help my students learn seventh-grade math: fractions and decimals and the rudimentary building blocks of algebra and geometry.

Even that first week, it was obvious that some of my students picked up mathematical concepts more easily than their classmates. Teaching the most talented students in the class was a joy. They were, quite literally, “quick studies.” Without much prompting, they saw the underlying pattern in a series of math problems that less able students struggled to grasp. They’d watch me do a problem once on the board and say, “I get it!” and then work out the next one correctly on their own.

And yet, at the end of the first marking period, I was surprised to find that some of these very able students weren’t doing as well as I’d expected. Some did very well, of course. But more than a few of my most talented students were earning lackluster grades or worse.