Grit(19)

Moving to Ithaca, New York, from Evanston, Illinois, Jeff, at eighteen years old, could not have predicted his future career. At Cornell, he ended up majoring in philosophy, in part because “it was the easiest to fulfill the requirements.” Then, the summer after freshman year, he visited East Africa. And that was the beginning of the beginning: “I don’t know how to explain it. This place just blew my mind. There was a spirit here that I wanted to connect with, and I wanted to make it a part of my life.”

As soon as he got back to Cornell, Jeff started taking courses in Swahili, and after sophomore year, he took a year off to backpack around the world. During that trip, he returned to East Africa, experiencing the same wonder he’d felt the first time he visited.

Still, it wasn’t clear how he’d make a life there. How did he hit on journalism as a career path? A professor who admired Jeff’s writing suggested as much, and Jeff remembers thinking, “That is the dumbest idea I had heard . . . who wants to work for a boring newspaper?” (I remember thinking the same thing once about becoming a professor: Who wants to be a boring professor?) Eventually, Jeff did work for the student paper, the Cornell Daily Sun—but as a photographer, not a writer.

“When I got to Oxford, I was pretty lost academically. It was shocking to the Oxford professors that I didn’t really know what I wanted to do. They were like, ‘Why are you here? This is a serious place. You should have a firm sense of what you want to study or you shouldn’t be here.’?”

My guess at the time was that Jeff would pursue photojournalism. He reminded me of Robert Kincaid, the worldly, wise photographer played by Clint Eastwood in The Bridges of Madison County, which was released around the time we became friends. In fact, I can still remember the photographs Jeff showed me twenty years ago. I thought they were from National Geographic, but he’d actually taken them himself.

By his second year at Oxford, he figured out that journalism was an even better fit: “Once I learned more about being a journalist and how that could get me back to Africa, and how that actually would be fun, and I could write more creatively than I first imagined journalism was, then I was like, ‘Screw it, this is what I’m going to do.’ I set out a very deliberate path that was possible, because the journalism industry was very hierarchical, and it was clear how to get from A to B to C to D, et cetera.”

Step A was writing for Oxford’s student newspaper, Cherwell. Step B was a summer internship at a small paper in Wisconsin. Step C was the St. Petersburg Times in Florida on the Metro beat. Step D was the Los Angeles Times. Step E was the New York Times as a national correspondent in Atlanta. Step F was being sent overseas to cover war stories, and in 2006—just over a decade since he’d set himself the goal—he finally reached step G: becoming the New York Times’ East Africa bureau chief.

“It was a really winding road that took me to all kinds of places. And it was difficult, and discouraging, and demoralizing, and scary, and all the rest. But eventually, I got here. I got exactly where I wanted to be.”

As for so many other grit paragons, the common metaphor of passion as fireworks doesn’t make sense when you think of what passion means to Jeff Gettleman. Fireworks erupt in a blaze of glory but quickly fizzle, leaving just wisps of smoke and a memory of what was once spectacular. What Jeff’s journey suggests instead is passion as a compass—that thing that takes you some time to build, tinker with, and finally get right, and that then guides you on your long and winding road to where, ultimately, you want to be.



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Seattle Seahawks coach Pete Carroll puts it this way: “Do you have a life philosophy?”

For some of us, the question makes no sense. We might say: Well, I have a lot of things I’m pursuing. A lot of goals. A lot of projects. Which do you mean?

But others have no problem answering with conviction: This is what I want.

Everything becomes a bit clearer when you understand the level of the goal Pete is asking about. He’s not asking about what you want to get done today, specifically, or even this year. He’s asking what you’re trying to get out of life. In grit terms, he’s asking about your passion.

Pete’s philosophy is: Do things better than they have ever been done before. Like with Jeff, it took a while to figure out what, in the broader sense, he was aiming for. The pivotal moment came at a low point in his coaching career: just after getting fired as head coach of the New England Patriots. This was the first and only year in his life when Pete wasn’t playing or coaching football. At that juncture, one of his good friends urged him to consider something more abstract than which job to take next: “You’ve got to have a philosophy.”

Pete realized he didn’t have one and needed to: “If I was ever going to get the chance to run an organization again, I would have to be prepared with a philosophy that would drive all my actions.” Pete did a lot of thinking and reflecting: “My life in the next weeks and months was filled with writing notes and filling binders.” At the same time, he was devouring the books of John Wooden, the legendary UCLA basketball coach who won a record-setting ten national championships.

Like a lot of coaches, Pete had already read Wooden. But this time, he was reading Wooden and understanding, at a much deeper level, what the coaching icon had to say. And the most important thing Wooden said was that, though a team has to do a million things well, figuring out the overarching vision is of utmost importance.