Girls of Paper and Fire (Girls of Paper and Fire #1)(3)



“Well,” I reply with a knowing smile, “Mistress Zembi is here for her consultation, and that is urgent. So unless you want Tien to threaten to skin you alive…”

He shudders. “Don’t remind me. The things that woman can do with a fish-gutting knife.”

Laughing, we head back into the house, our steps falling in line. For a moment, it’s almost like before—when our family was still whole, and our hearts. When it didn’t hurt to think of my mother, to whisper her name in the middle of the night and know she can’t answer. But despite his joking, Baba’s smile doesn’t quite reach his eyes, and it reminds me that I’m not the only one haunted by their memories.


I was born on the first day of the New Year, under the watchful gaze of the full moon. My parents named me Lei, with a soft rising tone. They told me they chose it because the word makes your mouth form a smile, and they wanted to smile every time they thought of me. Even when I’d accidentally knocked over a tray of herbs or let Bao in to paw muddy footprints across the floor, the corners of their mouths couldn’t help but tuck up, no matter how loudly they shouted.

But these past seven years, even my name hasn’t been able to make my father smile often enough.

I look a lot like her, my mother. I catch Baba startling some mornings when I come down, my raven hair long and loose, my short frame silhouetted in the doorway. Though neither of my parents knew where I inherited my eyes.

How did they react when they first saw them? What did they say when baby-me opened her eyes to reveal luminous, liquid gold?

For most, my eye color is a sign of luck—a gift from the Heavenly Kingdom. Customers request for me to make their herbal mixtures, hoping my involvement will make them more potent. Even demons visit our shop occasionally, like the deer-woman today, lured by the rumor of the human girl with golden eyes.

Tien always laughs about that. “They don’t believe you’re pure Paper,” she tells me conspiratorially. “They say you must be part demon to have eyes the color of the new year’s moon.”

What I don’t tell her is that sometimes I wish I were part demon.

On my rare days off, I head into the valleys surrounding our village to watch the bird-form clan that lives in the mountains to the north. Though they’re too far to be anything more than silhouetted shapes, dark cutouts of wings spread in motion, in my mind’s eye I make out every detail. I paint their feathers in silvers and pearls, sketch the light of the sun on their wing tips. The demons soar through the sky over the valley, riding the wind in effortless movements as graceful as dance, and they look so free it aches some part deep in me.

Even though it isn’t fair, I can’t help but wonder whether, if Mama had been born with wings, she’d have escaped from wherever she was taken to and flown back to us by now.

Sometimes I watch the sky, just waiting, and hoping.


Over the next few hours, the bubble of the mixing pots and Bao’s little barks play a familiar soundtrack while we work. As usual, my father takes consultations with new clients and meets with farmers and rare-plant traders from out of town, Tien deals with the general running of the store, and all the odd jobs nobody wants to do are handed to me. Tien frequently bustles over to chide me on the roughness of my chopped herbs and could I be any slower when picking up a customer’s package from the storeroom? Or do I need reminding that she’s a distant descendant of the legendary Xia warriors, so if I don’t work any harder she’ll be forced to practice her deadly martial arts skills on me?

“Still sounds a lot more fun than this,” I grumble as I swelter in the storeroom sorting out deliveries—though I wait until she’s out of earshot before saying it.

My last task of the day is refilling the herb boxes lining the walls of the store that contain ingredients for our medicines. Hundreds of them are stacked from floor to ceiling. Behind the countertop that rings the room, a ladder on metal rollers runs along the walls to access the boxes. I slide the ladder to the back wall and climb halfway up, arms aching from the day’s work. I’m just reaching for a box marked GINSENG ROOTS, my thoughts drifting to what Tien will be cooking for dinner, when a noise sounds in the distance.

A low, carrying horn blow.

At once, everything falls quiet. Conversations, the slap of sandals, even the simmer of the mixing barrels seems to drop. All thoughts of food are whipped away as I freeze where I am, arm still outstretched. Only my mind moves, lurching back, returning to that day.

To fire.

To claws, and screaming, and the feel of my mother’s fingers being torn from mine.

For a few moments, nothing happens. It’s just long enough to hesitate. For a flutter of doubt to lift a hopeful wing. Then the horn sounds again, closer this time—and with it comes the pound of hooves.

Horses, moving fast. They draw nearer, their heavy hoof-fall growing louder and louder, until the noise of it is almost deafening, and all of a sudden hulking shadows in the street block the windows at the front of the shop, casting the room into darkness.

Distorted shadows, like the nightmare version of what a human should be.

Stillness, and the dark pulse of terror. A baby wails in a house nearby. From further away comes a dog bark—Bao. A shiver runs down my back. He went off a while ago, probably to the food stalls to beg for treats or play with the children who ruffle his hair and giggle when he licks their faces.

Natasha Ngan's Books