Game (Jasper Dent #2)(49)


Emerging dripping and freezing, he wrapped a towel around his waist and headed back to Billy’s old room. His clothes were scattered on the bed, so he picked through them for an outfit, shoving aside the sheets of paper.

But he just couldn’t let them go. Every time he touched those papers, it was as though they had some sort of psychic/magnetic attraction to him. He felt compelled to read them every time. This time was no different—cold and half-naked, he scanned his father’s letter, then looked over the Impressionist’s vile “shopping list” and its strange appendix.

And that’s when he saw it. And once he saw it, he couldn’t unsee it. In fact, he wondered how he could have possibly not seen it until now.


UNDER NO CIRCUMSTANCES ARE YOU TO

GO NEAR THE DENT BOY.

LEAVE HIM ALONE.

YOU ARE NOT TO ENGAGE HIM.

JASPER DENT IS OFF-LIMITS.



He blinked and looked again. It was so obvious:


UNDER NO CIRCUMSTANCES ARE YOU TO

GO NEAR THE DENT BOY.

LEAVE HIM ALONE.

YOU ARE NOT TO ENGAGE HIM.

JASPER DENT IS OFF-LIMITS.





In his relatively short life, Jazz had disturbed crime scenes, stolen and tampered with evidence, broken into the morgue, and illegally photocopied official police files. Now he broke most of Lobo’s Nod’s speed limits on his way to the sheriff’s office and compounded his criminal career by breaking the state law about cell phone use while driving; he just kept getting G. William’s voice mail.

“Lana?” he demanded, now having gotten through to the police dispatch line. “Lana, it’s Jasper Dent. Where’s G. William?”

Lana had a thing for Jazz—even seeing him handcuffed late that one night for breaking into the morgue with Howie hadn’t dissuaded her. Now she was flustered, stuck halfway between trying to make small talk with him and answering his question. “Well, he’s—he just stepped—are you okay, Jasper? Can I help you, maybe?”

“I need to see G. William. Is he coming back to the office?”

“Sure. I just saw him pull up. He’s—”

“Tell him I’m on my way,” Jazz said, and hung up. Soon, he pulled into the sheriff’s department lot, parking Billy’s old Jeep right next to G. William’s cruiser. Someone should get a picture of that, he thought.

Inside, he blew past the reception desk, blowing off Lana, who smiled and tried to get his attention. He found G. William in his office, grinning and leaning back in his chair. The sheriff saluted Jazz with a massive mug of coffee that said SUPERCHARGED! on it.

“G. William—”

“Settle down, Jazz. You got ants in your pants again.”

“Is Thurber still here? Has he been transferred yet?”

G. William slurped some coffee. “He’s here. Catch your breath. Stroke at your age is a hell of a thing.”

Jazz took a deep breath and compelled himself to calm down.

“You come on a social call, or is this business?” G. William asked. “ ’Cause I do have some news for you. Somethin’ you might find interesting.”

Okay, sure. Jazz let out that deep breath and let the tension all along his spine dissipate. “Is it about the new coffee cup?” he said with forced friendliness.

“And there’s the keen powers of observation that brought down the Impressionist.”

“You’re stoned on caffeine, aren’t you?”

“I gotta admit—when there’s more coffee in the cup, I tend to drink more coffee. You think this is why my leg feels all numb and tingly?”

“Could be.” Without being asked or invited, Jazz slid into one of the chairs across from G. William’s desk.

“In all seriousness, though,” G. William said, leaning forward, “I should tell you about a couple of things been going on in town.”

“Oh?”

“Yeah. We had three cars parked in no-parking zones yesterday. And Erickson pulled over the Gunnarson girl for texting while driving.”

“And…?”

“Not a goddamn serial killer among ’em!” G. William guffawed, slapping a meaty palm on his desk. “Not a murder, not a maiming, not a missing person! It’s almost like being the sheriff of a small town!”

Jazz allowed himself a tiny grin. “You’re positively giddy.”

“I think I’m entitled. Don’t you?”

It was true. For a small-town sheriff to go after two serial killers in one career was unprecedented, as far as Jazz knew. A return to the petty, mundane crimes of Lobo’s Nod should be celebrated, and G. William had every right to do so.

“I’m glad for you. I really am. But I need—”

“You need something so big and important that you called my cell half a dozen times and then scared the poop outta Lana and then barreled in here like you were on fire. Jazz, you’re seriously gonna give yourself a stroke.”

“Please listen to me,” Jazz said, and then quickly explained Connie’s discovery in New York, along with the acrostic he’d uncovered in the Impressionist’s pocket.

G. William listened, occasionally sipping at his coffee.

“It could be the world’s most incredible coincidence,” he said.

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