Four Seconds to Lose (Ten Tiny Breaths, #3)(5)
I’m about to slip on the holster when the door creaks open. “Cain?”
I need to start locking my damn office door again, I tell myself. Stifling a curse, I slide the gun back into the safe and stand, struggling to keep the venom from my voice as I growl, “Ginger, you really need to learn—” How to knock is how that sentence is supposed to end.
But instead it ends in a sharp hiss, as I find myself staring at my past.
At Penny.
chapter two
■ ■ ■
CHARLIE
Plan A—Turn myself in and beg for immunity in exchange for information.
I don’t have enough concrete information to nail him. I’ll probably end up in jail for the next twenty-five years. If I even make it there, alive.
Plan A – Turn myself in and beg for immunity in exchange for information.
Plan B—Lose all my identification and fake amnesia so the government will be forced to create new documentation for me . . . eventually.
What if they put my picture up on the news? He’ll find me. Plus, I could end up locked in a psych ward for an indefinite length of time. And I don’t know that my acting abilities are quite that convincing.
Plan B—Lose all my identification and fake amnesia so the government will be forced to create new documentation for me . . . eventually.
Plan C—Buy a new identity and make Charlie Rourke disappear.
He’s just standing there, boring holes into my face.
Given that I’ve never laid eyes on him before, I don’t know what his normal complexion looks like, but I’ll bet it’s not the sickly white pallor that I see now.
As if he’s seen a ghost.
I try to catch Ginger’s eye, to see if she thinks his reaction is strange, but I can’t.
“Sorry. I knocked but you didn’t answer,” she offers in apology. It’s true, she did knock, and we waited for close to a minute before entering. I don’t know what he was doing in his office—behind the closed door with a sign that reads “boss man” and pair of lacy underwear pinned to it—but, by the stunned expression on his face, we’ve interrupted something. A glance down confirms that his belt is at least buckled.
“This is my friend, Charlie, who I told you about.” Ginger’s long, slender fingers point to me and I force a bright smile. “Friend” sounds a bit misleading, seeing as everything I’ve ever told Ginger about me is a deliberate lie.
I met her only three weeks ago. Her beginner pole-dancing class was just finishing up and she stayed on to watch the advanced class. I guess I impressed her, because she sat through the entire hour and then talked my ear off in the change room afterward about how good I am. I took her proffered number with no intentions to call. The next week, Ginger cornered me after class and wouldn’t leave until I went out to lunch with her. Last week, she coerced me into shopping. There’s nothing wrong with her. She’s twenty-six, but she doesn’t act like it most of the time. She has an easy, genuine laugh and a sarcastic sense of humor. She’s persistent, too. I just didn’t plan on getting to know people, seeing as I won’t be in Miami long. But I guess you could say that we’ve become friends—lies and all.
It’s ironic that we met when we did, actually. By my pole-dancing skills and looks, Ginger automatically assumed I was a stripper. There was no judgment in those bright green eyes when she asked which club I worked at. That’s why I admitted to the few unappealing adult clubs I had applied to and the appalling “interview” at one called Sin City. The one I had run out of. Her pixie-like face lit up, which was not the reaction I was expecting. Then she explained that she bartended at the best club in Miami and offered to get me a job. She asked about my experience and I, of course, lied. I told her that I had worked in Vegas.
I left Vegas when I was six. I have certainly never stripped there.
After my experience with Sin City, I wasn’t sure if I could go through with it. But when I saw the unusually elegant sign out front—void of any big-breasted caricatures or flashing lights, just the name, Penny’s Palace—I knew instantly that this was the place for me. And Ginger promised me that the owner, Cain, is like none other. The way she talks about him, I’d think he holds some sort of “boss of the millennium” award.
But he’s still staring me down.
He hasn’t blinked once.
I catch the almost indiscernible shake of his head before he offers in a clipped tone, “Charlie. Right. Hi.”
“Hi.” I was cool and confident coming in here, leveraging countless hours of acting classes to ready my wide, friendly smile. Now, though, under this man’s steely gaze, I hear the wobble with that one tiny word. I step forward and hold my hand out.
His coffee-colored eyes finally pry themselves from my face to glare down at my hand—without moving—and I fight the urge to retract it. Ginger swore that this guy was first class, but he still makes his money off the sex trade. A lot of things get shaken under this roof and hands are probably not one of them. I never did shake the hand of that slimeball at Sin City—Rick—before he instructed me to climb onto his lap two minutes into my interview. I shouldn’t be surprised by this guy’s reaction.
These owners are all the same.
I take a deep breath, reminding myself that I’ve handled my fair share of degenerates and can do this.