Four Seconds to Lose (Ten Tiny Breaths, #3)(36)

Ginger hasn’t left my side all afternoon. She insisted on going grocery shopping with me, doing laundry with me, waiting on furniture with me, unpacking with me. Either she’s lying and she really is hoping I swing her way or that whisper I caught from Cain to her earlier was a directive to not let me out of her sight.

I follow the movers, begrudgingly handing them a thirty-dollar tip on account of Ginger’s demands, and stay a few minutes to look out over what she told me is called the commons. Beads of sweat instantly form on my skin from this crazy Miami summer heat, and I remind myself to be thankful for the air conditioner in my apartment. It’s almost six and Tanner is out there—his plaid shorts showing off those knobby knees—spraying a flaming hibachi with a two-handed children’s water gun. He looks absolutely outrageous but quite content. The air smells of burgers again. I’m guessing Tanner is one of those bachelors with a very uncreative meal plan comprised of grilled meat.

I’m still watching him when an apartment door across the way opens and a dark-haired man strolls out.

My breath hitches.

Cain.

He doesn’t look my way, so he doesn’t see me as he strides quickly past Tanner with a half-salute, seemingly in a rush to get out of there. When I glance back to the apartment he left, I find China leaning in her doorway, in the tiniest, tightest pair of short shorts and tank top, watching his retreating back, her hair tousled, a secretive smile softening her features.

She turns to go back into her apartment but stops, her stony eyes locking on mine. A wide smirk of satisfaction spans her face and I assume she has figured out that I saw Cain leave her apartment. Stretching her arms over her head, she slowly turns and saunters back inside. I’m instantly hit with an image of a cat, gratified after devouring a can of salmon and ready to mosey over to bathe in a patch of sun.

“Never, my ass, Ginger,” I mutter. I’m pretty sure Cain was her can of salmon.

China may be unfriendly and arrogant, but she’s probably very talented. I’m not surprised and yet I can’t ignore the heaviness of disappointment, knowing that Cain would be interested in someone like her.

“Hey! Why do you have all these wigs?” I hear Ginger call out. I deny my panic from surfacing as I spin around and stalk back in, finding her prancing around with my long black wig on her head.

Bloody hell! At least she hasn’t found my gun yet. “I’m in theater. Those are props,” I answer simply.

“Huh . . . theater. You know, I have a thing for dark-haired women,” she says with an exaggerated wink.

I sigh.





chapter eleven


■ ■ ■

CAIN

Charlie doesn’t trust me.

Though she kept her face carefully controlled, she couldn’t hide the hard look in those eyes as we stood in her new apartment.

I should have warned Ginger against telling her that I owned the building. Fuck, I wish no one had ever found out to begin with! I know what I look like, having several of my dancers live there. And now Charlie, too.

Still, I’m relieved that she’s questioning my motives. That tells me she’s smart and less likely to get taken advantage of. I thought about swinging by her apartment after finishing up with China but decided against it. Ginger’s there, anyway. I asked her to stay—to help Charlie get settled in but, more importantly, to make sure she’s really okay after what happened earlier today.

I’ll get to see her again tonight, anyway.

I grit my teeth against the unwanted excitement that goes along with that thought.





chapter twelve


■ ■ ■

CHARLIE

“One minute, Charlie,” Terry mouths, just like he did last night. I stand within the shadows, just like I did the first night, waiting for the first chords of my song to blast through the speakers—“Supermassive Black Hole” by Muse this time. Only tonight, I’m no longer on trial. I have the job. Despite my relatively modest outfit, my lack of crowd interaction, and my strange song selection, Cain hired me. I should be happy. I should be less nervous.

So, why am I seconds away from having pee run down my leg?

I instinctively curl my arms over my chest.

I’ve been at the bar for several hours now. Given that I have absolutely no experience behind a bar and, some would argue no business being anywhere near a bar, I stuck to cleaning, stocking, and cashing out. It was a good distraction.

But now I’m here, cowering. I’m about to get on that scary-ass roller coaster for the second time, even though I know just how scary-ass it is. Maybe it won’t be so crowded tonight. Maybe . . . Holding my breath, I peek out around the divider and see a sea of heads. They may have multiplied in the last ten minutes.

This is ridiculous. I’m playing a part. Charlie Rourke is a confident pole-dancing diva. That’s all this is. An acting role. Actors do uncomfortable scenes all the time. I am an actor and this is merely an uncomfortable scene.

That I will play over and over again.

Six nights a week.

For months.

Oh, God. I’m going to be sick.

I take a deep, calming breath and remind myself with a mutter, “You deserve this, you drug-trafficking wench.”

“How’s your stage-fright thing?” a husky voice calls out behind me.

“Ginger!” I shriek—partly in happiness, mostly in panic that she may have heard my little pep talk. By the smile on her face, I know she didn’t. I throw my arms around her neck, as I did the previous night. “I hate doing this,” I admit in a rare burst of weakness.