Fool's Errand (Tawny Man, #1)(30)
I awoke to the morning sounds of Jinna ladling water into a kettle. When I came out into the kitchen, she had already set the kettle to boil over the stirred fire. She looked over her shoulder as she was slicing bread. “I hope you don't feel that I've made myself too much at home,” she offered.
“Not at all,” I replied, but it did feel a bit odd. By the time I had seen to my animals and returned with the day's eggs, hot food was steaming on the table. When we had eaten, she helped with the tidying up.
She offered me thanks for the hospitality, and added, “Before I go, perhaps we might do a bit of trading. Would you consider a charm or two from my stock in exchange for some of your yellow and blue inks?”
I found that I was glad to delay her leaving, not only because her company was pleasant, but because I had always been intrigued by hedgemagic. Here was an opportunity, perhaps, for a closer look at the tools of her trade. We went first to my workbench in the shed, where I packaged up pots of yellow, blue, and a small quantity of red ink for her. As I sealed the pots with wooden stoppers and wax, she explained that using colors on some of her charms seemed to increase their efficacy, but that this was an area in which she was still making discoveries. I nodded to her words, but much as I longed to, I refrained from asking more details. It did not seem polite.
When we returned to the house, she set the pots of dye on the table, and opened her own pack. She spread a number of her bagged charms on the table. “What will you choose, Tom Badgerlock?” she asked with a smile. “I have charms for verdant gardens, for hunter's luck, for healthy babes that's small use to you, let me put that one back. Ah. Here's one you might find useful.”
She whisked the cover off a charm. As she did so, Nighteyes let out a low growl. His hackles stood as he stalked to the door and nosed it open. I found myself backing away from the object she revealed. Short rods of wood marked with shrieking black symbols were fastened to each other at chaotic angles. Ominous beads were dangerously interspersed with them. A few tortured tufts of fur, twisted and fixed with pitch, clung to it. The object both offended and distressed me. I would have fled if I had dared take my eyes off it. I abruptly felt the wall of the cabin against my back. I pressed against it, knowing that there was a better path to escape, but unable to think what it was.
“I beg your pardon.” Jinna's gentle words came from a vast distance. I blinked, and the object was gone, mantled in cloth and hidden from my sight. Outside the door, Nighteyes' low growl rose to a whistling whine and ceased. I felt as if I had surfaced from deep waters. “It had not occurred to me,” Jinna apologized as she thrust the charm deep into her pack. “It's intended to keep predators away from chicken houses and sheep pens,” she explained.
I got my breath back. Her gaze did not meet mine. Apprehension hung like a miasma between us. I was Witted, and now she knew it. How would she employ that knowledge? Would she merely be disgusted ?Trightened? Scared enough to bring destruction down on me? I imagined Hap returning to a burnedout cabin.
Jinna suddenly looked up and met my eyes as if she had overheard my thoughts. “A man is as he is made. A man can't help how he's made.”
“That's so,” I muttered in response, shamed at how relieved I felt. I managed to step away from the wall and toward the table. She didn't look at me. She rooted through her pack as if the incident had never occurred.
“So, then, let's just find you something a bit more appropriate.” She sorted through her bagged charms, stopping sometimes to pinch at the contents to freshen her memory of what was inside. She chose one in a green pouch and placed it on the table. “Will you take one to hang near your garden, to encourage your green things to prosper?”
I nodded mutely, still recovering from my fear. Moments ago, I would have doubted the power of her charms. Now I almost feared their potency. I clenched my teeth as she unveiled the garden charm, but as I stared at it, I felt nothing. When I met her eyes, I found sympathy there. Her gentle smile was reassuring.
“You'll have to give me your hand so I can tune it to you. Then we'll take it outside and adjust it for your garden. Half this charm is for the garden, and half for the gardener. It's that which is between the gardener and his bit of soil that makes a garden. Give me your hands.”
She seated herself at my table and held her own hands out to me, palms up. I took the chair opposite hers and, after an awkward hesitation, placed my palms atop hers.
“Not that way. A man's life and ways are told in the palms of his hands, not the backs.”
Obediently, I turned my hands over. In my apprentice days, Chade had taught me to read hands, not to tell fortunes, but to tell a man's past. The calluses of a sword differed from those of a scribe's pen or a farmer's hoe. She bent close over my hands, staring at them intently. As she scanned my palms, I wondered if her eyes would discover the axe I had once borne, or the oar I had wielded. Instead, } she studied my right hand intently, frowned, then transferred her gaze to my left. When she looked up at me, her face was a picture. The smile that twisted her face was a j. rueful one. r“You're an odd one, Tom, and no mistake! Were they not both at the ends of your arms, I'd say these were the hands of two different men. It's said that your left hand tells what you were born with, and your right hand what you ; have made of yourself, but even so, such differences in a man's two hands I've seldom seen! Look what I see in this hand. A tenderhearted boy. A sensitive young man. And, then . . . Your lifeline stops short on your left hand.” As she spoke, she let go of my right hand. She set her forefinger to my left palm, and her nail traced a tickling line to where my life ended. "Were you Hap's age, I'd be fearing I was looking i at a young man soon to die. But as you're sitting there ! across from me, and your right hand bears a nice long life- j.