Finding It (Losing It, #3)(68)



“Me too.”

He whistled as he retreated to the shower, and a smile burst open on my mouth, impossible to contain. I closed my eyes, and stretched out my arms like I’d just finished the only race that mattered.

God, he was perfect.

Well, except for the mess factor, but I could live with that. He’d dumped his things by the door, and I began moving them to the desk.

I could see his phone in the open outside pocket of his backpack, and in a small moment of curiosity and desperation, I picked it up.

I unlocked it. Not to search it, not really. Just to see.

My stomach sank.

Twenty-nine voice-mail messages.

Twenty-nine.

My finger hovered over the screen, and I wanted to listen. Just a quick check, just to make sure they were really nothing to worry about. I touched my finger to the screen, but then immediately pulled it back.

I wasn’t going to be that way. Jackson had been so good about respecting my privacy as we got closer. He hadn’t pushed even though it had been obvious from the very beginning that that went against his nature. He’d done so much for me, more than I could put into words.

I wouldn’t betray him like that. I couldn’t.

I returned the phone as I caught sight of his sketchbook. Somehow the impulse to know what he drew in there was even stronger than the one that wanted to listen to the phone calls.

I told myself I was just going to pick it up, but when I did, a few loose sheets of paper drifted to the floor. I scrabbled to pick them up. I picked up a few sheets, sliding them back into the book. When I turned the last one over, I froze.

For a few seconds, I thought it was the drawing that I’d gotten from that little boy in Budapest. It was the same fountain. I recognized the man at the top, proud and bare like he’d risen up right out of the sea. The same thoughtful women sat below him, their shoulders hunched, their bodies smoothly sculpted.

The drawing was different, though. Darker. Whereas the boy had drawn the world as he saw it, trying to capture the reality of the curves and the physicality of nature, this drawing seemed … sad. The shadows melted into each other, throwing the statues into sharp relief. This drawing gave words to the stone women, frozen forever in time, unable to do anything but exist. The boy had only begun to sketch me into the picture, so that I was almost a ghost, little more than a smile, blonde curls, and a flowing dress.

I was a ghost in this drawing, too. Not because I wasn’t fully realized, but because I was. I sat on that bench, both stiff and somehow wilted at the same time, and I watched the world around me with longing buried beneath detachment, covered over with a paper-thin smile that was little more than a smudge on the page.

I looked to the bathroom, where Jackson was currently just on the other side of a door. Maybe I hadn’t imagined him that day. There’d been a glimpse, just the briefest sight of a head that might have been his, but I’d written it off as wishful thinking.

But if he had this, if he drew this, he had to have been there.

I stopped worrying about getting the chair wet, and I stopped worrying about privacy as I took a seat to scan through the rest.

I’d thought I might find comfort in his sketches. He’d seen right through me with his sketch of Budapest. He’d seen that I was hurting when I was only just coming to terms with it. I wanted to see what he saw now. He was so confident that I could beat the darkness in me. Maybe he saw something I didn’t.

I flipped open the sketchbook, full of hope and fear, wishing that somewhere in those pictures I would find my next foothold, a hand to pull me up.

Instead, they sent me tumbling over the edge.





28


“YOUR TURN, SWEETHEART.”

I couldn’t look at him. I was barely holding it together, and I knew if I looked at him, I was going to fall to pieces. I just wanted to rewind time, take back a few more precious seconds of happiness. I would have cherished them more if I’d known they were coming to an end. But that’s life, I guess. We’re always a half a second late and one word short of what we really need.

“Kelsey? You okay?”

Jackson walked toward me. He reached out, skin to skin, and I moved so fast that my chair toppled over.

“Don’t touch me. Don’t you dare.”

His expression crumpled like a discarded ball of paper, and it looked so authentic, so real that my heart jerked.

I threw my gaze up to the ceiling so that I wouldn’t have to see, so that I wouldn’t get fooled again.

“I don’t understand,” he said. “Did I do something?”

There weren’t words for the horror I felt, so I grabbed the sketchbook off the seat of the stool next to me, and slapped the picture of the fountain in Budapest onto the bar.

“That was the day after we met.”

I covered it with a second picture of me sleeping on the train from Budapest to Prague. My face was soft, angelic even, but still sad.

“A few days later.”

“I—” He opened his mouth, maybe to make an excuse, but I cut him off with another sketch.

“And that’s me in front of the monastery in Kiev. Now, I’m not great with time and dates, but that’s roughly a month ago. A month.”

“Kelsey, I can—”

I slammed down another page, and I felt the force echo up through my elbow to my chest.

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