Everything I Never Told You(73)

In this moment of silence, something touches James’s hand, so light he can barely feel it. A moth, he thinks. The sleeve of his shirt. But when he looks down, he sees Marilyn’s fingers curled over his, the merest curve as they squeeze. He has almost forgotten what it felt like, to touch her. To be forgiven even just this much. He bows his head and rests it on the back of her hand, overwhelmed with gratitude at having one more day.

In bed, they touch each other gently, as if it’s the first time they’ve ever been together: his hand sliding carefully across the small of her back, her fingers careful and deliberate as she undoes the buttons of his shirt. Their bodies are older now; he can feel his shoulders sagging, he can see the silver scars from childbirth crisscrossing just below her waistline. In the dark they are careful of each other, as if they know they are fragile, as if they know they can break.

? ? ?



In the night, Marilyn wakes and feels her husband’s warmth beside her, smells the sweet scent of him, like toast, mellowed and organic and bittersweet. How lovely it would be to stay curled here against him, to feel his chest rising and falling against her, as if it were her own breath. Right now, though, there is something else she must do.

At the doorway to Lydia’s room, she pauses with her hand on the knob and rests her head against the frame, remembering that last evening together: how a glint of light had caught Lydia’s water glass and she’d looked at her daughter across the table and smiled. Spinning out her daughter’s future, brimming with confidence, she’d never imagined even for a second that it might not happen. That she might be wrong about anything.

That evening, that sureness, feels ancient now, like something grown small with the distance of years. Something she’d experienced before her children, before marrying, while she was still a child herself. She understands. There is nowhere to go but on. Still, part of her longs to go back for one instant—not to change anything, not even to speak to Lydia, not to tell her anything at all. Just to open the door and see her daughter there, asleep, one more time, and know all was well.

And when at last she opens the door, this is what she sees. The shape of her daughter there in the bed, one long lock of hair stretched across the pillow. If she looks hard, she can even see the rise and fall of the flowered comforter with each breath. She knows she’s been granted a vision, and she tries not to blink, to absorb this moment, this last beautiful image of her daughter sleeping.

Someday, when she’s ready, she’ll pull the curtains, gather the clothing from the bureau, stack the books from the floor and pack them away. She’ll wash the sheets, open desk drawers, empty the pockets of Lydia’s jeans. When she does, she’ll find only fragments of her daughter’s life: coins, unsent postcards, pages torn from magazines. She’ll pause over a peppermint, still twisted in cellophane, and wonder if it’s significant, if it had meant something to Lydia, if it was just overlooked and discarded. She knows she’ll find no answers. For now, she watches the figure in the bed, and her eyes fill with tears. It’s enough.

? ? ?



When Hannah comes downstairs, just as the sun is rising, she counts carefully: two cars in the driveway. Two rings of keys on the hall table. Five sets of shoes—one Lydia’s—by the door. Though this last causes a sting, just between the collarbones, these sums bring her comfort. Now, peeking through the front window, she sees the Wolffs’ door open and Jack and his dog emerge. Things will never be the same again; she knows this. But the sight of Jack and his dog, heading for the lake, brings her comfort, too. As if the universe is slowly returning to normal.

For Nath, though, at his window upstairs, the opposite is true. Awaking from his deep and drunken sleep, the whiskey purged from his body, everything seems new: the outlines of his furniture, the sunbeams slicing across the carpet, his hands before his face. Even the pain in his stomach—he hasn’t eaten since yesterday’s breakfast, and that, like the whiskey, is long gone—feels bright and clean and sharp. And now, across the lawn, he spots what he’s sought every day for so long. Jack.

He does not bother to change his clothes, or to grab his keys, or to think at all. He simply pulls on his tennis shoes and barrels down the stairs. The universe has given him this chance, and he refuses to squander it. As he yanks open the front door, Hannah is merely a startled blur in the front hall. For her part, she does not even bother to put on shoes. Barefoot, she darts after him, the asphalt still cool and damp against her feet.

“Nath,” she calls. “Nath, it’s not his fault.” Nath doesn’t stop. He’s not running, just marching with a fierce and angry stride toward the corner, where Jack has just disappeared. He looks like the cowboys in their father’s movies, determined and tense-jawed and unshakable in the middle of the deserted street. “Nath.” Hannah grabs his arm, but he keeps walking, unmoved, and she scurries to keep up. They’re at the corner now, and both of them see Jack at the same moment, sitting on the dock, arms wrapped around his knees, the dog lying beside him. Nath pauses to let a car go by and Hannah tugs his hand, hard.

“Please,” she says. “Please.” The car passes and Nath hesitates, but he’s been waiting for answers so long. Now or never, he thinks, and he jerks himself free and crosses the street.

If Jack hears them coming, he doesn’t show it. He stays there, looking out over the water, until Nath is standing right over him.