End of Watch (Bill Hodges Trilogy #3)(43)

‘Sliced her arms and wrists and bled out,’ says Two. ‘That’s what I’m hearing, anyway.’

‘Did she leave a note?’

They have no idea.

Hodges heads for the duty desk. Babineau is still there, going over files with Wilmer (who looks flustered at her apparent battlefield promotion), but he can’t wait. This is Hartsfield’s dirt. He doesn’t know how that can be, but it has Brady written all over it. The fucking suicide prince.

He almost calls Nurse Wilmer by her first name, but instinct makes him shy from that at the last moment. ‘Nurse Wilmer, I’m Bill Hodges.’ A thing she knows very well. ‘I worked both the City Center case and the Mingo Auditorium thing. I need to see Mr Hartsfield.’

She opens her mouth, but Babineau is there ahead of her. ‘Out of the question. Even if Mr Hartsfield were allowed visitors, which he is not by order of the District Attorney’s office, he wouldn’t be allowed to see you. He needs peace and calm. Each of your previous unauthorized visits has shattered that.’

‘News to me,’ Hodges says mildly. ‘Every time I’ve been to see him, he just sits there. Bland as a bowl of oatmeal.’

Norma Wilmer’s head goes back and forth. She’s like a woman watching a tennis match.

‘You don’t see what we see after you’ve left.’ Color is rising in Babineau’s stubble-flecked cheeks. And there are dark circles under his eyes. Hodges remembers a cartoon from his Sunday school Living with Jesus workbook, back in the prehistoric era when cars had fins and girls wore bobby sox. Brady’s doc has the same look as the guy in the cartoon, but Hodges doubts if he’s a chronic masturbator. On the other hand, he remembers Becky telling him that the neuro doctors are often crazier than the patients.

‘And what would that be?’ Hodges asks. ‘Little psychic tantrums? Do things have a way of falling over after I’m gone? The toilet in his bathroom flushes by itself, maybe?’

‘Ridiculous. What you leave is psychic wreckage, Mr Hodges. He’s not so brain damaged that he doesn’t know you’re obsessed with him. Malevolently so. I want you to leave. We’ve had a tragedy, and many of the patients are upset.’

Hodges sees Wilmer’s eyes widen slightly at this, and knows that the patients capable of cognition – many here in the Bucket are not – have no idea that the Head Nurse has offed herself.

‘I only have a few questions for him, and then I’ll be out of your hair.’

Babineau leans forward. The eyes behind his gold-rimmed glasses are threaded with snaps of red. ‘Listen closely, Mr Hodges. One, Mr Hartsfield is not capable of answering your questions. If he could answer questions, he would have been brought to trial for his crimes by now. Two, you have no official standing. Three, if you don’t leave now, I will call security and have you escorted from the premises.’

Hodges says, ‘Pardon me for asking, but are you all right?’

Babineau draws back as if Hodges has brandished a fist in his face. ‘Get out!’

The little clusters of medical personnel stop talking and look around.

‘Gotcha,’ Hodges says. ‘Going. All good.’

There’s a snack alcove near the entrance to the skyway. Intern Two is leaning there, hands in pockets. ‘Ooh, baby,’ he says. ‘You been schooled.’

‘So it would seem.’ Hodges studies the wares in the Nibble-A-Bit machine. He sees nothing in there that won’t set his guts on fire, but that’s okay; he’s not hungry.

‘Young man,’ he says, without turning around, ‘if you would like to make fifty dollars for doing a simple errand that will cause you no trouble, then get with me.’

Intern Two, a fellow who looks like he might actually attain adulthood at some point in the not-too-distant future, joins him at the Nibble-A-Bit. ‘What’s the errand?’

Hodges keeps his pad in his back pocket, just as he did when he was a Detective First Class. He scribbles two words – Call me – and adds his cell number. ‘Give this to Norma Wilmer once Smaug spreads his wings and flies away.’

Intern Two takes the note and folds it into the breast pocket of his scrubs. Then he looks expectant. Hodges takes out his wallet. Fifty is a lot for delivering a note, but he has discovered at least one good thing about terminal cancer: you can toss your budget out the window.





12


Jerome Robinson is balancing boards on his shoulder under the hot Arizona sun when his cell phone rings. The houses they are building – the first two already framed – are in a low-income but respectable neighborhood on the southern outskirts of Phoenix. He puts the boards across the top of a handy wheelbarrow and plucks his phone from his belt, thinking it will be Hector Alonzo, the job foreman. This morning one of the workmen (a workwoman, actually) tripped and fell into a stack of rebar. She broke her collarbone and suffered an ugly facial laceration. Alonzo took her to the St Luke’s ER, appointing Jerome temporary foreman in his absence.

It’s not Alonzo’s name he sees in the little window, but Holly Gibney’s face. It’s a photo he took himself, catching her in one of her rare smiles.

‘Hey, Holly, how are you? I’ll have to call you back in a few, it’s been a crazy morning here, but—’

‘I need you to come home,’ Holly says. She sounds calm, but Jerome knows her of old, and in just those six words he can sense strong emotions held in check. Fear chief among them. Holly is still a very fearful person. Jerome’s mother, who loves her dearly, once called fear Holly’s default setting.