End of Watch (Bill Hodges Trilogy #3)(120)

I have to take them, he thinks, and not just because they owe me. The SUV Hodges drove down here is the only way out of here, and either he or the bitch probably has the keys. It’s possible they left them in the vehicle, but that’s a chance I can’t afford to take.

Besides, it would mean leaving them alive.

He knows what he has to do, and switches the fire control to FULL AUTO. He socks the butt of the Scar against his good shoulder, and starts shooting, raking the barrel from left to right but concentrating on the great room, where he left them.

Gunfire lights up the night, turning the fast-falling snow into a series of flash photographs. The sound of the overlapping reports is deafening. Windows explode inward. Clapboards rise from the fa?ade like bats. The front door, left half-open in his escape, flies all the way back, rebounds, and is driven back again. Babineau’s face is twisted in an expression of joyful hate that is all Brady Hartsfield, and he doesn’t hear the growl of an approaching engine or the clatter of steel treads from behind him.





33


‘Down!’ Hodges shouts. ‘Holly, down!’

He doesn’t wait to see if she’ll obey on her own, just lands on top of her and covers her body with his. Above them, the living room is a storm of flying splinters, broken glass, and chips of rock from the chimney. An elk’s head falls off the wall and lands on the hearth. One glass eye has been shattered by a Winchester slug, and it looks like it’s winking at them. Holly screams. Half a dozen bottles on the buffet explode, releasing the stench of bourbon and gin. A slug strikes a burning log in the fireplace, busting it in two and sending up a storm of sparks.

Please let him have just the one clip, Hodges thinks. And if he aims low, let him hit me instead of Holly. Only a .308 Winchester slug that hits him will go through them both, and he knows it.

The gunfire stops. Is he reloading, or is he out? Live or Memorex?

‘Bill, get off me, I can’t breathe.’

‘Better not,’ he says. ‘I—’

‘What’s that? What’s that sound?’ And then, answering her own question, ‘Someone’s coming!’

Now that his ears are clearing a little, Hodges can hear it, too. At first he thinks it must be Thurston’s grandson, on one of the snowmobiles the old man mentioned, and about to be slaughtered for trying to play Good Samaritan. But maybe not. The approaching engine sounds too heavy for a snowmobile.

Bright yellow-white light floods in through the shattered windows like the spotlights from a police helicopter. Only this is no helicopter.





34


Brady is ramming his extra clip home when he finally registers the growl-and-clank of the approaching vehicle. He whirls, wounded shoulder throbbing like an infected tooth, just as a huge silhouette appears at the end of the camp road. The headlamps dazzle him. His shadow leaps out long on the sparkling snow as the whatever-it-is comes rolling toward the shot-up house, throwing gouts of snow behind its clanking treads. And it’s not just coming at the house. It’s coming at him.

He depresses the trigger and the Scar resumes its thunder. Now he can see it’s some kind of snow machine with a bright orange cabin sitting high above the churning treads. The windshield explodes just as someone dives for safety from the open driver’s side door.

The monstrosity keeps coming. Brady tries to run, and Babineau’s expensive loafers slip. He flails, staring at those oncoming headlights, and goes down on his back. The orange invader rises above him. He sees a steel tread whirring toward him. He tries to push it away, as he sometimes pushed objects in his room – the blinds, the bedclothes, the door to the bathroom – but it’s like trying to beat off a charging lion with a toothbrush. He raises a hand and draws in breath to scream. Before he can, the left tread of the Tucker Sno-Cat rolls over his midsection and chews it open.





35


Holly has zero doubt concerning the identity of their rescuer, and doesn’t hesitate. She runs through the bullet-pocked foyer and out the front door, crying his name over and over. Jerome looks as if he’s been dusted in powdered sugar when he picks himself up. She’s sobbing and laughing as she throws herself into his arms.

‘How did you know? How did you know to come?’

‘I didn’t,’ he says. ‘It was Barbara. When I called to say I was coming home, she told me I had to go after you or Brady would kill you … only she called him the Voice. She was half crazy.’

Hodges is making his way toward the two of them at a slow stagger, but he’s close enough to overhear this, and remembers that Barbara told Holly some of that suicide-voice was still inside her. Like a trail of slime, she said. Hodges knows what she was talking about, because he’s got some of that disgusting thought-shot in his own head, at least for the time being. Maybe Barbara had just enough of a connection to know that Brady was lying in wait.

Or hell, maybe it was pure woman’s intuition. Hodges actually believes in such a thing. He’s old-school.

‘Jerome,’ he says. The word comes out in a dusty croak. ‘My man.’ His knees unlock. He’s going down.

Jerome frees himself from Holly’s deathgrip and puts an arm around Hodges before he can. ‘Are you all right? I mean … I know you’re not all right, but are you shot?’

‘No.’ Hodges puts his own arm around Holly. ‘And I should have known you’d come. Neither one of you minds worth a tinker’s damn.’