Educated(35)



At least, that’s what I was told. I never saw them. As Grandpa got older he ranched less and farmed more, until one day he stopped farming. He had no need for horses, so he sold the ones that had value and set the rest loose. They multiplied, and by the time I was born there was a whole herd of wild horses on the mountain.

Richard called them dog-food horses. Once a year, Luke, Richard and I would help Grandpa round up a dozen or so to take to the auction in town, where they’d be sold for slaughter. Some years Grandpa would look out over the small, frightened herd bound for the meat grinder, at the young stallions pacing, coming to terms with their first captivity, and a hunger would appear in his eyes. Then he’d point to one and say, “Don’t load that ’un. That ’un we’ll break.”

But feral horses don’t yield easily, not even to a man like Grandpa. My brothers and I would spend days, even weeks, earning the horse’s trust, just so we could touch it. Then we would stroke its long face and gradually, over more weeks, work our hands around its wide neck and down its muscular body. After a month of this we’d bring out the saddle, and the horse would toss its head suddenly and with such violence that the halter would snap or the rope break. Once a large copper stallion busted the corral fence, smashed through it as if it weren’t there, and came out the other side bloody and bruised.

We tried not to name them, these beasts we hoped to tame, but we had to refer to them somehow. The names we chose were descriptive, not sentimental: Big Red, Black Mare, White Giant. I was thrown from dozens of these horses as they bucked, reared, rolled or leapt. I hit the dirt in a hundred sprawling postures, each time righting myself in an instant and skittering to the safety of a tree, tractor or fence, in case the horse was feeling vengeful.

We never triumphed; our strength of will faltered long before theirs. We got some so they wouldn’t buck when they saw the saddle, and a few who’d tolerate a human on their back for jaunts around the corral, but not even Grandpa dared ride them on the mountain. Their natures hadn’t changed. They were pitiless, powerful avatars from another world. To mount them was to surrender your footing, to move into their domain. To risk being borne away.

The first domesticated horse I ever saw was a bay gelding, and it was standing next to the corral, nibbling sugar cubes from Shawn’s hand. It was spring, and I was fourteen. It had been many years since I’d touched a horse.

The gelding was mine, a gift from a great-uncle on my mother’s side. I approached warily, certain that as I moved closer the horse would buck, or rear, or charge. Instead it sniffed my shirt, leaving a long, wet stain. Shawn tossed me a cube. The horse smelled the sugar, and the prickles from his chin tickled my fingers until I opened my palm.

“Wanna break him?” Shawn said.

I did not. I was terrified of horses, or I was terrified of what I thought horses were—that is, thousand-pound devils whose ambition was to dash brains against rock. I told Shawn he could break the horse. I would watch from the fence.

I refused to name the horse, so we called him the Yearling. The Yearling was already broke to a halter and lead, so Shawn brought out the saddle that first day. The Yearling pawed the dirt nervously when he saw it; Shawn moved slowly, letting him smell the stirrups and nibble curiously at the horn. Then Shawn rubbed the smooth leather across his broad chest, moving steadily but without hurry.

“Horses don’t like things where they can’t see ’em,” Shawn said. “Best to get him used to the saddle in front. Then when he’s real comfortable with it, with the way it smells and feels, we can move it around back.”

An hour later the saddle was cinched. Shawn said it was time to mount, and I climbed onto the barn roof, sure the corral would descend into violence. But when Shawn hoisted himself into the saddle, the Yearling merely skittered. His front hooves raised a few inches off the dirt, as if he’d pondered rearing but thought better of it, then he dropped his head and his paws stilled. In the space of a moment, he had accepted our claim to ride him, to his being ridden. He had accepted the world as it was, in which he was an owned thing. He had never been feral, so he could not hear the maddening call of that other world, on the mountain, in which he could not be owned, could not be ridden.

I named him Bud. Every night for a week I watched Shawn and Bud gallop through the corral in the gray haze of dusk. Then, on a soft summer evening, I stood next to Bud, grasping the reins while Shawn held the halter steady, and stepped into the saddle.



* * *





SHAWN SAID HE WANTED out of his old life, and that the first step was to stay away from his friends. Suddenly he was home every evening, looking for something to do. He began to drive me to my rehearsals at Worm Creek. When it was just the two of us floating down the highway, he was mellow, lighthearted. He joked and teased, and he sometimes gave me advice, which was mostly “Don’t do what I did.” But when we arrived at the theater, he would change.

At first he watched the younger boys with wary concentration, then he began to bait them. It wasn’t obvious aggression, just small provocations. He might flick off a boy’s hat or knock a soda can from his hand and laugh as the stain spread over the boy’s jeans. If he was challenged—and he usually wasn’t—he would play the part of the ruffian, a hardened “Whatcha gonna do about it?” expression disguising his face. But after, when it was just the two of us, the mask lowered, the bravado peeled off like a breastplate, and he was my brother.

Tara Westover's Books