Doctor Sleep (The Shining, #2)(35)

John didn’t question this. Most babies loved music, and they had their ways of letting you know.

“The book had all the hits—‘Hey Jude,’ ‘Lady Madonna,’ ‘Let It Be’—but the one Abra liked best was one of the minor songs, a B-side called ‘Not a Second Time.’ Do you know it?”

“Not offhand,” John said. “I might if I heard it.”

“It’s upbeat, but unlike most of the Beatles’ fast stuff, it’s built around a piano riff rather than the usual guitar sound. It isn’t a boogie-woogie, but close. Abra loved it. She wouldn’t just kick her feet when Lucy played that one, she’d actually bicycle them.” Dave smiled at the memory of Abra on her back in her bright purple onesie, not yet able to walk but crib-dancing like a disco queen. “The instrumental break is almost all piano, and it’s simple as pie. The left hand just picks out the notes. There are only twenty-nine—I counted. A kid could play it. And our kid did.”

John raised his eyebrows until they almost met his hairline.

“It started in the spring of 2002. Lucy and I were in bed, reading. The weather report was on TV, and that comes about halfway through the eleven p.m. newscast. Abra was in her room—fast asleep, as far as we knew. Lucy asked me to turn off the TV because she wanted to go to sleep. I clicked the remote, and that’s when we heard it. The piano break of ‘Not a Second Time,’ those twenty-nine notes. Perfect. Not a single miss, and coming from downstairs.

“Doc, we were scared shitless. We thought we had an intruder in the house, only what kind of burglar stops to play a little Beatles before grabbing the silverware? I don’t have a gun and my golf clubs were in the garage, so I just picked up the biggest book I could find and went down to confront whoever was there. Pretty stupid, I know. I told Lucy to grab the phone and dial 911 if I yelled. But there was no one, and all the doors were locked. Also, the cover was down over the piano keys.

“I went back upstairs and told Lucy I hadn’t found anything or anyone. We went down the hall to check the baby. We didn’t talk about it, we just did it. I think we knew it was Abra, but neither of us wanted to say it right out loud. She was awake, just lying there in her crib and looking at us. You know the wise little eyes that they have?”

John knew. As if they could tell you all the secrets of the universe, if they were only able to talk. There were times when he thought that might even be so, only God had arranged things in such a way so that by the time they could get beyond goo-goo-ga-ga, they had forgotten it all, the way we forget even our most vivid dreams a couple of hours after waking.

“She smiled when she saw us, closed her eyes, and dropped off. The next night it happened again. Same time. Those twenty-nine notes from the living room . . . then silence . . . then down to Abra’s room and finding her awake. Not fussing, not even sucking her bink, just looking at us through the bars of her crib. Then off to sleep.”

“This is the truth,” John said. Not really questioning, only wanting to get it straight. “You’re not pulling my leg.”

David didn’t smile. “Not even twitching the cuff of your pants.”

John turned to Chetta. “Have you heard it yourself???”

“No. Let David finish.”

“We got a couple of nights off, and . . . you know how you say that the secret of successful parenting is always make a plan?”

“Sure.” This was John Dalton’s chief sermon to new parents. How are you going to handle night feedings? Draw up a schedule so someone’s always on call and no one gets too ragged. How are you going to handle bathing and feeding and dressing and playtime so the kid has a regular—and hence comforting—routine? Draw up a schedule. Make a plan. Do you know how to handle an emergency? Anything from a collapsed crib to a choking incident? If you make a plan, you will, and nineteen times out of twenty, things will turn out fine.

“So that’s what we did. For the next three nights I slept on the sofa right across from the piano. On the third night the music started just as I was snugging down for the night. The cover on the Vogel was closed, so I hustled over and raised it. The keys weren’t moving. Which didn’t surprise me much, because I could tell the music wasn’t coming from the piano.”

“Beg pardon?”

“It was coming from above it. From thin air. By then, Lucy was in Abra’s room. The other times we hadn’t said anything, we were too stunned, but this time she was ready. She told Abra to play it again. There was a little pause . . . and then she did. I was standing so close I almost could have snatched those notes out of the air.”

Silence in John Dalton’s office. He had stopped writing on the pad. Chetta was looking at him gravely. At last he said, “Is this still going on?”

“No. Lucy took Abra on her lap and told her not to play anymore at night, because we couldn’t sleep. And that was the end of it.” He paused to consider. “Almost the end. Once, about three weeks later, we heard the music again, but very soft and coming from upstairs this time. From her room.”

“She was playing to herself,” Concetta said. “She woke up . . . she couldn’t get back to sleep right away . . . so she played herself a little lullaby.”


6

One Monday afternoon just about a year after the fall of the Twin Towers, Abra—walking by now and with recognizable words beginning to emerge from her all-but-constant gabble—teetered her way to the front door and plopped down there with her favorite doll in her lap.