Dead Cold (Chief Inspector Armand Gamache, #2)(17)



‘You’re actually looking for sense in there?’ Myrna asked. Clara had buried her face back in the book and slowly her shoulders started heaving, then her back, and finally she raised her face to the circle of concerned friends.

‘What is it?’ Myrna reached out to Clara, who was crying.

‘The names of her gurus,’ said Clara between sobs. Myrna was no longer sure whether she was crying or laughing.

‘Krishnamurti Das, Ravi Shankar Das, Gandhi Das. Ramen Das. Khalil Das. Gibran Das. They even call her CC Das.’ By now Clara was roaring with laughter as were most of the others.

Most. But not all.

‘I see nothing wrong with that,’ said Olivier, wiping his eyes. ‘Gabri and I follow the way of H?agen Das. It’s occasionally a rocky road.’

‘And one of your favorite movies is Das Boot,’ Clara said to Peter, ‘so you must be enlightened.’

‘True, though that’s Das backward.’

Clara fell laughing against Peter and Henri came over to leap on them both. When she’d regained herself and calmed Henri Clara was surprised to see that Mother had left.

‘Is she all right?’ she asked Kaye, who was watching her friend walk toward the dining room and Em. ‘Did we say something wrong?’

‘No.’

‘We didn’t mean to insult her,’ said Clara, taking Mother’s place beside Kaye.

‘But you didn’t. You weren’t even talking about her.’

‘We were laughing at things Mother takes seriously.’

‘You were laughing at CC, not Mother. She knows the difference.’

But Clara wondered. CC and Mother had both named their businesses Be Calm. They both now lived in Three Pines, and they both followed a similar spiritual path. Clara wondered whether the women were hiding more than their emotions.





Calls of ‘Merry Christmas’ and ‘Joyeux No?l’ faded into the cheerful night as the réveillon broke up. émilie waved to the last of her guests and closed the door.

It was two thirty on Christmas morning and she was exhausted. Putting a hand against a table to steady herself she walked slowly into the living room. Clara, Myrna and the others had cleaned up, quietly doing the dishes while she’d sat with a small glass of Scotch and spoken to Ruth on the sofa.

She’d always liked Ruth. Everyone had seemed stunned more than a decade ago by her first book of poetry, stunned that such an apparently brittle and bitter woman could contain such beauty. But Em knew. Had always known. That was one of the things she shared with Clara, and one of the many reasons Em had taken to Clara, from the first day she’d arrived, young and arrogant and full of piss and talent. Clara saw what others couldn’t. Like that little boy in The Sixth Sense, but instead of seeing ghosts, Clara saw good. Which was itself pretty scary. So much more comforting to see bad in others; gives us all sorts of excuses for our own bad behavior. But good? No, only really remarkable people see the good in others.

Though, as Em well knew, not everyone had good to see.

She walked to the stereo, opened a drawer and delicately lifted out a single woolen mitten. Beneath it she found a record. She put the record on, reaching out to touch the play button, her finger crooked and trembling like a feeble version of Michelangelo’s Creation. Then she walked back to the sofa, delicately holding the mitten as though it still contained a hand.

In the back bedrooms Mother and Kaye slept. For years now the three friends had stayed together on Christmas Eve and celebrated the day in their own quiet way. Em suspected this was her last Christmas. She suspected this was Kaye’s last too, and perhaps Mother’s. Two thirty.

The music began and émilie Longpré closed her eyes.





In the back bedroom Mother could hear the opening notes of Tchaikovsky’s violin concerto in D Major. Christmas Eve was the only time Mother ever heard it, though it had once been her favorite piece. It had once been special to them all. Em most of all, but that was natural. Now she only played it once a year, in the small hours between Christmas Eve and Christmas Day. It broke Mother’s heart to hear it and to think of her friend alone in the living room. But she respected and loved Em too much to deny her this time alone with her grief and her son.

And this night Mother had her own grief to keep her company. She repeated over and over, be calm, be calm. But the mantra which had comforted her for so many years was suddenly empty, its power to heal stolen by that horrible, twisted grotesque of a woman. Damn that CC de Poitiers.





Kaye creaked over in her bed. Even the act of rolling onto her side was unbearable. Her body was giving up. Giving up the ghost, it was called. But it was really the opposite. She was actually becoming a ghost. She opened her eyes and allowed them to adjust to the darkness. Way far away she heard Tchaikovsky. It was as though it entered her body not through her failing ears, but through her chest and straight into her heart, where the notes lodged. It was almost too much to bear. Kaye took a deep, rattling breath, and nearly cried out for émilie to stop. Stop that divine music. But she didn’t. She loved her friend too much to deny her this time with David.

The music made her think of another child. Crie. Who called their child Crie? Cry? Names mattered, Kaye knew. Words mattered. That child had sung like an angel tonight and she’d made them all divine, more than human, for a brief time. But with a few well chosen words her mother had made ugly what minutes before had been exquisite. CC was like an alchemist, with the unlikely gift of turning gold into lead.

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