Darkness Falls (Kate Marshall, #3)(77)

Kate started to laugh. “Okay, I’m your mother—I don’t need to hear that much detail.”

“You’re my mother and my father, so I have to talk about everything with you,” he said.

Kate’s phone rang. She didn’t recognize the number and answered.

“Hi. Kate. It’s Marnie. Jo’s friend.”

Kate swallowed a mouthful of chili.

“Hi,” she said cautiously. There was a long pause.

“Listen. I’m sorry if I put you on the spot the other day, about signing the book . . . It’s just that I’m on disability benefits, and they’ve recently been cut by the government. The kids’ dad doesn’t give me much support. It’s hard trying to bring up two kids on piss-poor money, and I can’t work. If I could work full time, I would.”

Kate felt a sinking feeling in her stomach. Jake mouthed, Who is it? Kate shook her head.

“Marnie. I’m sorry. I’m really sorry, but I feel the same as before. I don’t want to sign that book. I don’t want to be part of this whole ghoulish exploitation,” said Kate.

Marnie went silent on the end of the phone. Kate expected her to unleash a barrage of swearing, but Marnie just said, “Okay. Well, there you go. I thought it was worth a try.”

There was a click, and the line went dead. Kate stared at her phone for a moment, feeling sick.

“What was that about?” asked Jake. Kate told him about Marnie and the copy of No Son of Mine that had already been signed by Peter and Enid.

“I think you should sign it, Mum,” he said.

“But that’s exploiting . . .” Kate couldn’t finish the sentence; she was too shocked. She hadn’t expected him to say that.

“Mum. It’s all in the past. Peter did what he did. So did Enid. The book is written. It’s out there. All this awful stuff that happened to you, to all those poor women. You can make good out of it. You can help this Marnie out just by signing your name. You say she’ll get two grand for the book?”

“Yes.”

“And she’s got young kids?”

“Yes,” said Kate.

“Just sign it, Mum. Two grand will probably go a long way for her,” he said. Chewing the last of his food, he got up. “Thanks for the chili, it was awesome.” He kissed her on top of the head. “Oh, sorry. I just got chili mince in your hair,” he said, wiping his mouth.

Kate reached up and felt the lump of chewed mince sitting in her parting. He picked it off and flicked it into the dunes.

“What a lovely way to say thank you,” she laughed.

“Yuck, sorry, Mum.” Jake’s phone rang, and he picked it up. “Yeah. I can see you; I’ll be down in a sec,” he said into the phone and hung up. “I’m meeting the guys on the beach. Thanks again for dinner.”

Before Kate could say anything, Jake was gone, climbing down the sandy cliffside between the dunes. She could see that the group of young guys and girls from the campsite, including Becca, were on the beach. The boys were building a fire, and two of the girls were sitting on the edge of a giant piece of driftwood.

Kate watched as Jake hurried down the last part of the cliff and ran through the dunes. He slowed when he emerged on the other side.

“How did you turn into such a good kid, Jake?” she said to herself. When Jake reached the group on the beach, Becca got up and gave him a hug and a kiss. “If you tell me I’m going to be a grandma, I’ll kill you.”

She pulled a tiny piece of stray mince from her hair, picked up the bowls, and went indoors to the kitchen; then she phoned Marnie.





43


Kate was up early the next morning. It was already warm at six thirty a.m., and she saw the remnants of the fire when she walked down to the beach. She was pleased to see that there was no litter—just the smoldering remains of the fire surrounded by a rough ring of rocks. She’d heard Jake come in at two twenty a.m., so she’d left him sleeping.

The water was beautiful, and it was getting warmer by the day. After she ate breakfast, showered, and dressed, she texted Tristan to say she’d be a bit late back to the office, and then she drove over to the Moor Side Estate.

The car park was empty. The burned-out cars still there, like pieces of modern art. Kate met Marnie at the entrance to the building—she was moving slowly and leaning on her crutch.

“I’m just back from dropping the kids at school,” she said, not wanting to meet Kate’s eye. The journey up the stairs looked slow and painful for Marnie, and she was out of breath when they reached the front door.

“Would you like a cuppa?” she asked as they went inside.

“Yes, thank you,” said Kate, regretting her answer as soon as it was out of her mouth. She just wanted to sign the book and go.

The door to the living room was closed, and there was the same oppressive smell of stale cigarettes and air freshener. When they got to the kitchen, the book was waiting on the table with a blue ballpoint pen next to it.

Kate sat at the table as Marnie filled the kettle. She pulled the book toward her. It was the hardback edition, and the dustcover was a little yellowed at the edges. The title was in bold black letters over the cover image.

NO SON OF MINE

ENID CONWAY

The cover image was a split-pane photograph. On the right was a picture of a sixteen-year-old Enid Conway cradling baby Peter. The picture was blurred in a nostalgic way, and baby Peter’s eyes were wide and staring at the camera, while Enid looked down at him adoringly. Enid was a hard-faced young woman with a shock of long dark hair. She wore a long flowing dress, and behind her was the sign AULDEARN UNMARRIED MOTHERS’ HOME. Through a window behind Enid and Peter was the blurred image of a nun, in full penguin habit, staring out at them.