Come Tumbling Down (Wayward Children #5)(2)

He knew he didn’t get to choose.

Maybe that’s why he was stretched out on his bed like a corpse prepared for autopsy, with his hands folded across his chest and his fingers wrapped loosely around a flute carved from a single bone. There were no holes, only indentations etched into its surface, but something about its shape made its purpose perfectly clear.

The single small basement window was open, letting a breeze whisper through. The glass was dark and leaded, letting little light inside. Christopher didn’t mind. He could always go outside when he wanted to feel the sun on his face. Most of his free time was spent in the grove behind the school, perched in the high branches and playing silent songs on his flute.

Sometimes the skeletal bodies of local wildlife—squirrels and rats and, on one surprising occasion, a deer—would rise from their unmarked graves and dance for him. When that happened, Christopher would lead them away from the school and pipe them to their final rest in a place no one would stumble across by mistake. It was weird how much some of his fellow students disliked bones, but whatever. He wouldn’t have liked their worlds either, and it wasn’t like they went out of their way to cover his clothes with glitter or rainbows or other reminders of their lost fairytale dreams. Keeping the grounds free of skeletal surprises seemed like the least he could do.

Sometimes being the last person on campus whose door had led to a world most of the student body dismissed as “creepy” really sucked. It hadn’t been like that when he’d first arrived. Back then he’d shared the “creepy” designation with the Wolcott twins, who’d traveled together to the Moors—a world arguably even creepier than his own Mariposa—and had gone back to their heart’s chosen home the same way.

Jack would have appreciated his skeleton dancers. Jack had appreciated his skeleton dancers, on the rare occasions when she’d been able to take her eyes off Jill long enough to see what he was doing. Jill had always been the more dangerous, less predictable Wolcott, for all that she was the one who dressed in pastel colors and lace and sometimes remembered that people liked it when you smiled. Something about the way she’d wrapped her horror movie heart in ribbons and bows had reminded him of a corpse that hadn’t been properly embalmed, like she was pretty on the outside and rotten on the inside. Terrifying and subtly wrong.

Jack had been a monster, too: she’d just been more honest about it. She’d never tried to hide what she was, from anyone. The world they’d found on the other side of their door had made monsters of them both.

Jill had always talked about the Moors like a treasured toy, something she could polish and plunder as she saw fit. Jack had always talked about them with a wistful wildness in her eyes, like they were the most beautiful place she could imagine, so incredible she didn’t know quite how to put it into words. Jill had been terrifying. Jack had been … familiar.

Sometimes Christopher thought any chance he’d had of falling for a girl with ordinary things like “skin” and “muscle tissue” and “a pulse” had ended with the soft, moist sound of Jack driving a pair of scissors through her sister’s horrible heart. He could have loved her in that moment, had loved her when she’d pulled the scissors free and used them to cut a hole in the wall of the world. She’d called her door out of nothingness, out of sororicide and hope, and she’d carried her sister’s body through it, into the bleeding light of a crimson moon.

He’d seen the Moors spreading out around her like a mother’s arms, welcoming their wayward daughter home. Sometimes he still saw them when he closed his eyes at night. And then the door had slammed, and the Wolcott sisters had been gone, and he’d been left behind. He’d hated her for having the chance to go home, and he’d loved her for taking it without looking back or hesitating, and his fate, such as it was, had been sealed. If Jack could go home, so could he. All he had to do was figure out how.

He ran his fingers along the surface of his flute, caressing it. When he closed his eyes, he could almost see the Skeleton Girl sitting next to him, clapping her opaline hands, delighted by his artistry. He could almost touch her.

The overhead light flickered as he was raising the flute to his mouth. He paused, looking at it quizzically. It flickered again before spitting a great, uneven bolt of lightning that struck the concrete floor with a crack so loud it was like the whole world was being broken.

Christopher had survived quite a few things in his seventeen years, from public school to cancer to a stint in a world peopled entirely by sentient, animate skeletons. He rolled to the side before the echoes of the crack had faded, pressing himself against the wall and hopefully out of the path of any further impossible lightning strikes. Not that “impossible” meant much around here. One of his closest friends was a temporarily bipedal mermaid; another was the crown prince of a goblin kingdom, and yet another was technically a candy construct brought back to life by a sort of demigoddess with a really large oven. Judging things based on their possibility wasn’t a good way to stay alive.

It certainly wouldn’t have worked in this case. Wide-eyed, Christopher watched another bolt of lightning lance down from the ceiling. It was followed by another, and another, until the air crackled with ozone and his hair stood on end and the floor was blackened and charred from successive impacts.

The door to the basement slammed open. A girl with blue and green hair rushed inside and started down the stairs, stopping halfway. Her eyes went terribly round as she stared at the lightning. It ignored her, continuing to draw a hot white line down the center of the room.