Clockwork Princess (The Infernal Devices, #3)(88)
His eyes opened and looked into hers. They were blue, achingly blue, the blue of the sky where it meets the sea.
“Tessa?” Will said, and she realized it was Will in her arms, Will who was dying, Will breathing out his last breath—and there was blood on his shirt, just over his heart, a spreading red stain—
Tessa sat bolt upright, gasping. For a moment she stared about her, disoriented. The tiny, dark room, the musty blanket wrapped around her, her own damp clothes and bruised body, seemed foreign to her. Then memory came back in a flood, and with it a wave of nausea.
She missed the Institute piercingly, in a way she had never even missed her home in New York. She missed Charlotte’s bossy but caring voice, Sophie’s understanding touch, Henry’s puttering, and of course—she could not help it—she missed Jem and Will. She was terrified for Jem, for his health, but she was frightened for Will as well. The battle in the courtyard had been bloody, vicious. Any of them could have been hurt or killed. Was that the meaning of her dream, Jem turning into Will? Was Jem ill, was Will’s life in danger? Not either of them, she prayed silently. Please, let me die before harm comes to either of them.
A noise startled her out of her reverie—a sudden dry scraping that sent a brutal shiver down her spine. She froze. Surely it was just the scratching of a branch against the window. But, no—there it came again. A scraping, dragging noise.
Tessa was on her feet in a moment, the blanket still wrapped around her. Terror was like a live thing inside her. All the tales she had ever heard of monsters in the dark woods seemed to be fighting for space in her mind. She closed her eyes, drawing a deep breath, and saw the spindly automatons on the front steps of the Institute, their shadows long and grotesque, like human beings pulled out of shape.
She drew the blanket closer around herself, her fingers closing spasmodically on the material. The automatons had come for her on the Institute steps. But they were not very intelligent—able to follow simple commands, to recognize particular human beings. Still, they could not think for themselves. They were machines, and machines could be fooled.
The blanket was patchwork, the kind that would have been sewed by a woman, a woman who had lived in this house. Tessa drew in her breath and reached—reached into the blanket, searching for a flicker of ownership, the signature of whatever spirit had created and owned it. It was like plunging her hand into dark water and feeling around for an object. After what felt like an age of searching, she lit upon it—a flicker in the darkness, the solidity of a soul.
She concentrated on it, wrapping it around her like the blanket she clung to. The Change was easier now, less painful. She saw her fingers warp and change, becoming the clubbed, arthritic hands of an old woman. Liver spots rose on her skin, her back hunched, and her dress began to hang off her withered form. When her hair fell in front of her eyes, it was white.
The scraping sound came again. A voice echoed in the back of Tessa’s mind, a querulous old woman’s voice demanding to know who was in her house. Tessa stumbled for the door, her breath coming short, her heart fluttering in her chest, and made for the main room of the house.
For a moment she saw nothing. Her eyes were rheumy, filmed over; shapes looked blurred and distant. Then something rose from beside the fire, and Tessa bit back a scream.
It was an automaton. This one was built to look nearly human. It had a thick body, clothed in a dark gray suit, but the arms that protruded from beyond the cuffs were stick-thin, ending in spatulate hands, and the head that rose above the collar was smooth and egglike. Two bulbous eyes were set into the head, but the machine had no other features.
“Who are you?” Tessa demanded in the old woman’s voice, brandishing the sharp pick she had taken earlier. “What are you doing in my house, creature?”
The thing made a whirring, clicking noise, obviously confused. A moment later the front door opened and Mrs. Black swept in. She was wrapped in her dark cloak, her white face blazing under the hood. “What’s going on here?” she demanded. “Did you find—” She broke off, staring at Tessa.
“What’s going on?” Tessa demanded, her voice coming out in the old woman’s high whine. “I ought to ask you that—breaking into perfectly decent folks’ homes—” She blinked, as if to make it clear she couldn’t see very well. “Get out of here, and take your friend”—she jabbed the object she held (A frog pick, said the voice of the old woman in her mind; you use it for cleaning horse’s hooves, silly girl)—“with you. You’ll find nothing here worth stealing.”
For a moment she thought it had worked. Mrs. Black’s face was expressionless. She took a step forward. “You haven’t seen a young girl in these parts, have you?” she asked. “Very finely dressed, brown hair, gray eyes. She would have looked lost. Her people are looking for her and offering a handsome reward.”
“A likely story, looking for some lost girl.” Tessa sounded as surly as she could; it wasn’t difficult. She had a feeling the old woman whose face she was wearing had been a naturally surly sort. “Get out I said!”
The automaton whirred. Mrs. Black’s lips pressed suddenly together, as if she were holding back laughter. “I see,” she said. “Might I say that’s quite a fine necklace you’re wearing, old woman?”
Tessa’s hand flew to her chest, but it was already too late. The clockwork angel was there, clearly visible, ticking gently. “Take her,” said Mrs. Black in a bored voice, and the automaton lurched forward, reaching for Tessa. She dropped the blanket and backed away, brandishing her frog pick. She managed to rake quite a long gash down the automaton’s front as it reached for her and knocked her arm aside. The frog pick clattered to the floor, and Tessa cried out in pain just as the front door burst open and a flood of automatons filled the room, their arms reaching for her, their mechanical hands closing on her flesh. Knowing she was overpowered, knowing it would not do a bit of good, she finally allowed herself to scream.
Cassandra Clare's Books
- Cast Long Shadows (Ghosts of the Shadow Market #2)
- Son of the Dawn (Ghosts of the Shadow Market #1)
- Learn about Loss (Ghosts of the Shadow Market #4)
- Son of the Dawn (Ghosts of the Shadow Market #1)
- Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy #1)
- Lady Midnight (The Dark Artifices #1)
- City of Heavenly Fire (The Mortal Instruments, #6)
- The City of Fallen Angels (Mortal Instruments 4)
- City of Glass (The Mortal Instruments, #3)
- City of Bones (The Mortal Instruments, #1)