Clockwork Princess (The Infernal Devices, #3)(12)



Gideon whirled, pointing his bloody sword at Gabriel. “Not ‘him.’ It. That is not our father any longer, Gabriel. If you cannot countenance that fact—”

“I shot him with an arrow!” Gabriel shouted. “What more do you want of me, Gideon?”

Gideon shook his head as if disgusted with his brother; even Will, who did not like Gabriel, felt a twinge of sympathy for him. He had shot the beast.

“We must pursue it,” said Gideon. “It has gone behind the folly—”

“The what?” said Will.

“A folly, Will,” said Jem. “It is a decorative structure. I assume there is no real interior.”

Gideon shook his head. “It is merely plaster. If we two were to go around one side of it, and you and James the other—”

“Cecily, what are you doing?” Will demanded, interrupting Gideon; he knew he sounded like a distracted parent, but he didn’t care. Cecily had slid her blade into her belt and appeared to be trying to climb one of the small yew trees inside the first row of hedges. “Now is not the time for climbing trees!”

She looked toward him angrily, her black hair blowing across her face. She opened her mouth to answer, but before she could speak, there was a sound like an earthquake, and the folly burst apart in shards of plaster. The worm hurtled forth, heading straight toward them with the terrifying speed of an out-of-control train.

By the time they reached the front courtyard of Lightwood House, Tessa’s neck and back were aching. She was tightly laced into her corset beneath the heavy wedding dress, and the weight of the sobbing Tatiana dragged down her left shoulder painfully.

She was relieved to see the carriages come into view—relieved, and also startled. The scene in the courtyard was so peaceful—the carriages where they had left them, the horses cropping grass, the facade of the house undisturbed. After half-carrying, half-dragging Tatiana to the first carriage, Tessa wrenched the door open and helped her in, wincing when the other girl’s sharp nails dug into her shoulders as she heaved herself and her skirts into the space inside.

“Oh, God,” Tatiana moaned. “The shame of it, the terrible shame. That the Clave might know of what has befallen my father. For pity’s sake, could he not have thought of me, even for a moment?”

Tessa blinked. “That thing,” she said. “I do not think it was capable of thinking of anyone, Mrs. Blackthorn.”

Tatiana looked at her dizzily, and for a moment Tessa was ashamed of the resentment she had felt toward the other girl. She had not liked being sent away from the gardens, where she might perhaps have helped—but Tatiana had just seen her husband torn to pieces before her eyes by her own father. She was deserving of more sympathy than Tessa had been feeling.

Tessa made her voice more gentle. “I know you have had a bad shock. If you would lie down—”

“You are very tall,” Tatiana said. “Do gentlemen complain of it?”

Tessa stared.

“And you are dressed as a bride,” said Tatiana. “Is that not very odd? Would not gear suit the task better? I understand it is unflattering, and needs must as the devil drives, but—”

There was a sudden loud crash. Tessa detached herself from the carriage and glanced about; the sound had come from inside the house. Henry, Tessa thought. Henry had gone into the house, alone. Of course, the creature was out in the gardens, but nevertheless—it was Benedict’s house. She thought of the ballroom, full of demons the last time Tessa had been there, and she gathered up her skirts in both hands. “Remain here, Mrs. Blackthorn,” she said. “I must discover the cause of that noise.”

“No!” Tatiana sat bolt upright. “Do not leave me!”

“I am sorry.” Tessa backed away, shaking her head. “I must. Please stay inside the carriage!”

Tatiana cried something after her, but Tessa had already turned to dash up the steps. She pushed her way through the front doors and emerged in a grand entryway floored with alternating squares of black and white marble, like a checkerboard. A massive chandelier hung from the ceiling, though none of its tapers were lit; the only light in the place came from the daylight flooding in through the high windows. A curving staircase of great grandeur wound its way upward. “Henry!” Tessa cried. “Henry, where are you?”

An answering cry and another crash came from the floor above. Tessa dashed up the stairs, stumbling as her foot caught on the hem of her dress and ripped a seam wide open. She switched the skirt out of the way impatiently and continued running, down a long corridor whose walls were painted powder blue and were hung with dozens of gilt-framed etchings, through a pair of doors, and into another room.

It was most assuredly a man’s room, a library or an office: the curtains a heavy dark fabric, oil paintings of great ships of war hung on the walls. Rich green wallpaper covered the walls, though it appeared to be mottled with odd dark stains. There was a strange smell to the place—a smell like the one down by the banks of the Thames, where odd things rotted in the weak daylight. And laid over that, the coppery tang of blood. A bookcase had tipped over, a welter of smashed glass and broken wood, and on the Persian rug beside it was Henry, locked in a wrestling match with a thing with gray skin and an unnerving number of arms. Henry was yelling and kicking out with his long legs, and the thing—a demon, no doubt—was tearing at his gear with claws, its wolflike snout snapping at his face.

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