City of Heavenly Fire (The Mortal Instruments, #6)(80)
“I’ll kill him,” Jace said. Some color had washed back into his face, and he looked gray. “I’ll cut him into pieces. I’ll cut his hands off for touching you—”
“Jace,” Clary said, feeling suddenly exhausted. “We have a million reasons to want him dead. Besides,” she added with a mirthless laugh, “Isabelle already cut his hand off, and it didn’t work.”
Jace closed his hand into a fist, drew it up against his stomach, and dug it into his solar plexus as if he could cut off his own breath. “All that time I was connected to him, I thought I knew his mind, his desires, what he wanted. But I didn’t guess, I didn’t know. And you didn’t tell me.”
“This isn’t about you, Jace—”
“I know,” he said. “I know.” But his hand was so tightly fisted that it was white, the veins standing out in a stark topography across the back of it. “I know, and I don’t blame you for not telling me. What could I have done? How am I not completely useless here? I was just standing five feet from him, and I have fire in my veins that ought to be able to kill him, and I tried and it didn’t work. I couldn’t make it work.”
“Jace.”
“I’m sorry. It’s just—you know me. I only have two reactions to bad news. Uncontrollable rage and then a sharp left turn into boiling self-hatred.”
She was silent. Above everything else she was tired, so tired. Telling him what Sebastian had done had been like lifting an impossible weight, and now all she wanted was to close her eyes and disappear into the darkness. She had been so angry for so long—anger always under the surface of everything. Whether she was shopping for presents with Simon or sitting in the park or alone at home trying to draw, the anger was always with her.
Jace was visibly struggling; he wasn’t trying to hide anything from her, at least, and she saw the quick flicker of emotions behind his eyes: rage, frustration, helplessness, guilt, and, finally, sadness. It was a surprisingly quiet sadness, for Jace, and when he spoke at last, his voice was surprisingly quiet too. “I just wish,” he said, not looking at her but at the floor, “that I could say the right thing, do the right thing, to make this easier for you. Whatever you want from me, I want to do it. I want to be there for you in whatever the right way is for you, Clary.”
“There,” she said softly.
He looked up. “What?”
“What you just said. That was perfect.”
He blinked. “Well, that’s good, because I’m not sure I have an encore in me. What part of it was perfect?”
She felt her lip quirk slightly at the side. There was something so Jace about his reaction, his strange mixture of arrogance and vulnerability, of resilience and bitterness and devotion. “I just want to know,” she said, “that you don’t think any differently of me. Any less.”
“No. No,” he said, appalled. “You’re brave and brilliant, and you’re perfect and I love you. I just love you and I always have. And the actions of some lunatic aren’t going to change that.”
“Sit down,” she said, and he sat down on the creaking leather sofa, his head tipped back, looking up at her. The reflected firelight clustered like sparks in his hair. She took a deep breath and walked over to him, settled herself carefully in his lap. “Could you hug me?” she said.
He put his arms around her, held her against him. She could feel the muscles in his arms, the strength in his back as he put his hands on her gently, so gently. He had hands made for fighting, and yet he could be so gentle with her, with his piano, with all the things he cared about.
She settled against him, sideways in his lap, her feet on the sofa, and leaned her head against his shoulder. She could feel the rapid beat of his heart. “Now,” she said. “Kiss me too.”
He hesitated. “Are you sure?”
She nodded. “Yes. Yes,” she said. “God knows we haven’t exactly been able to do all that much lately, but every time I kiss you, every time you touch me, it’s a victory, if you ask me. Sebastian, he did what he did because—because he doesn’t understand the difference between loving and having. Between giving yourself and taking. And he thought that if he could make me give myself, then he’d have me, I’d be his, and to him that’s love, because he doesn’t know anything else. But when I touch you, I do it because I want to, and that’s all the difference. And he doesn’t get to have that or take it away from me. He doesn’t,” she said, and she leaned up to kiss him, a light touch of lips to lips, bracing her hand against the back of the sofa.
She felt him draw in his breath at the slight spark that jumped between their skins. He brushed his cheek against hers, the strands of their hair tangling together, red and gold.
She settled back down against him. The flames leaped in the grate, and some of their warmth soaked into Clary’s bones. She was resting against the shoulder that was marked with the white star of the men of the Herondale family, and she thought of all those who had gone before Jace, whose blood and bones and lives had made him what he was.
“What are you thinking?” he said. He was drawing his hand through her hair, letting the loose curls slip between his fingers.
“That I’m glad I told you,” she said. “What are you thinking?”
Cassandra Clare's Books
- Cast Long Shadows (Ghosts of the Shadow Market #2)
- Son of the Dawn (Ghosts of the Shadow Market #1)
- Learn about Loss (Ghosts of the Shadow Market #4)
- Son of the Dawn (Ghosts of the Shadow Market #1)
- Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy #1)
- Lady Midnight (The Dark Artifices #1)
- Clockwork Princess (The Infernal Devices, #3)
- The City of Fallen Angels (Mortal Instruments 4)
- City of Glass (The Mortal Instruments, #3)
- City of Bones (The Mortal Instruments, #1)