City of Heavenly Fire (The Mortal Instruments, #6)(32)

“I don’t,” he said, and she could hear the dark roughness under the usual smooth glide of his voice. Honey over needles. They were close enough together that when he breathed in, she felt the expansion of his chest. “We can’t.”

She put her hand against his chest; his heart was beating like trapped wings. “Take me home, then,” she whispered, and she leaned up to brush her lips against the corner of his mouth. Or at least she meant it as a brush, a butterfly touch of lips on lips, but he leaned down toward her, and his movement changed the angle swiftly; she pressed up against him harder than she’d meant to, her lips sliding to center against his. She felt him breathe out in surprise against her mouth, and then they were kissing, really kissing, exquisitely slow and hot and intense.

Take me home. But this was home, Jace’s arms surrounding her, the cold wind of Alicante in their clothes, her fingers digging into the back of his neck, the place where his hair curled softly against the skin. His palms were still flat against the stone behind her, but he moved his body against hers, gently pressing her up against the wall; she could hear the harsh undertone of his breathing. He wouldn’t touch her with his hands, but she could touch him, and she let her hands go freely, over the swell of his arms, down to his chest, tracing the ridges of muscle, pressing outward to grip his sides until his T-shirt was rucking up under her fingers. Her fingertips touched bare skin, and then she was sliding her hands up under his shirt, and she hadn’t touched him like this in so long, had nearly forgotten how his skin was soft where it wasn’t scarred, how the muscles in his back jumped under her touch. He gasped into her mouth; he tasted like tea and chocolate and salt.

She had taken control of the kiss. Now she felt him tense as he took it back, biting at her lower lip until she shuddered, nipping at the corner of her mouth, kissing along her jawbone to suck at the pulse point at her throat, swallowing her racing heartbeat. His skin burned under her hands, burned—

He broke away, reeling back almost drunkenly, hitting the opposite wall. His eyes were wide, and for a dizzy moment Clary thought she could see flames in them, like twin fires in the darkness. Then the light went out of them and he was only gasping as if he had been running, pressing the heels of his palms against his face.

“Jace,” she said.

He dropped his hands. “Look at the wall behind you,” he said in a flat voice.

She turned—and stared. Behind her, where he had been leaning, were twin scorch marks in the stone, in the exact shape of his hands.



The Seelie Queen lay upon her bed and looked up at the stone ceiling of her bedchamber. It was wreathed with dangling trellises of roses, thorns still intact, each one perfect and blood-red. Every night they withered and died, and every morning they were replaced, as fresh as the day before.

Faeries slept little, and rarely dreamed, but the Queen liked her bed to be comfortable. It was a wide couch of stone, with a feather mattress laid on top, and covered with thick swathes of velvet and slippery satin.

“Have you ever,” said the boy in the bed beside her, “pricked yourself on one of the thorns, Your Majesty?”

She turned to look at Jonathan Morgenstern sprawled among the covers. Though he had asked her to call him Sebastian, which she respected—no faerie would allow another to address them by their true name either. He was on his stomach, head pillowed on his crossed arms, and even in the dim light the old whip weals across his back were visible.

The Queen had always been fascinated by Shadowhunters—they were part angel, as were the Fair Folk; certainly there should be a kinship between them—but had never thought she would find one whose personality she could stand for more than five minutes, until Sebastian. They were all so dreadfully self-righteous. Not Sebastian. He was most unusual for a human, and for a Shadowhunter especially.

“Not so often as you cut yourself on your wit, I think, my dearest,” she said. “You know I do not wish to be called ‘Your Majesty’ but only ‘Lady,’ or ‘my lady,’ if you must.”

“You do not seem to mind it when I call you ‘beautiful one,’ or ‘my beautiful lady.’?” His tone was not repentant.

“Hmm,” she said, raking her slim fingers through the mass of his silvery hair. He had lovely coloring for a mortal: hair like a blade, eyes like onyx. She recalled his sister, so very different, not nearly so elegant. “Was your sleep refreshing? Are you weary?”

He rolled over onto his back and grinned up at her. “Not quite spent, I think.”

She leaned to kiss him, and he reached up to twine his fingers in her red hair. He looked at a curl of it, scarlet against the scarred skin of his knuckles, and touched the curl to his cheek. Before she could speak another word, a knock came at the door of her bedchamber.

The Queen called out, “What is it? If it is not a matter of importance, be off with you, or I shall have you fed to the nixies in the river.”

The door opened, and one of the younger Court ladies came in—Kaelie Whitewillow. A pixie. She curtsied and said, “My lady, Meliorn is here, and would speak with you.”

Sebastian quirked a pale eyebrow. “A Queen’s work is never done.”

The Queen sighed and rolled from the bed. “Bring him in,” she said, “and bring me one of my dressing gowns as well, for the air is chill.”

Kaelie nodded and left the room. A moment later Meliorn entered, and bowed his head. If Sebastian thought it odd that the Queen greeted her courtiers standing naked in the middle of her bedchamber, he did not evince it by any quirk of expression. A mortal woman would have been embarrassed, might have tried to cover herself, but the Queen was the Queen, eternal and proud, and she knew she was as glorious out of clothes as she was in them. “Meliorn,” she said. “You have news from the Nephilim?”