City of Heavenly Fire (The Mortal Instruments, #6)(107)
“But I should have gotten to choose,” she said, in a near whisper. “I should have gotten to say yes.”
“Well, you would have, wouldn’t you?” he said, watching the daisies blow across the grass. “Speaking of, do you think Isabelle would go out with me if I asked her?”
Clary’s breath caught. “But what about Simon?”
He looked up at her, the sun bright in his eyes. “Who’s Simon?”
Clary felt the ground give way under her. She reached out, as if to catch at her brother, but her hand went through him. He was as insubstantial as air. The green lawn and the golden mansion and the boy and the girl on the grass flew away from her, and she stumbled, hitting the ground hard, jarring her elbows with a pain she felt flare up her arms.
She rolled to her side, choking. She was lying on a patch of bleak ground. Broken cobblestones jutted up through the earth, and the burned-out shells of stone houses loomed over her. The sky was white-gray steel, shot through with black clouds like vampire veins. It was a dead world, a world with all the color leached out of it, and all the life. Clary curled up on the ground, seeing in front of her not the shell of a destroyed town but the eyes of the brother and the sister that she would never have.
Simon stood at the window, taking in the view of the city of Manhattan.
It was an impressive sight. From the penthouse floor of the Carolina, you could see across Central Park, to the Met museum, to the high-rises of downtown. Night was falling, and the city lights were beginning to shine out one by one, a bed of electric flowers.
Electric flowers. He looked around, frowning thoughtfully. It was a nice turn of phrase; perhaps he should write it down. He never seemed to have time these days to really work on lyrics; time was swallowed up by other things: promotion, touring, signings, appearances. It was hard to remember sometimes that his main job was making music.
Still. A good problem to have. The darkening sky turned the window to a mirror. Simon smiled at his reflection in the glass. Tousled hair, jeans, vintage T-shirt; he could see the room behind him, vast acres of hardwood floor, gleaming steel, and leather furniture, a single elegant gold-framed painting on the wall. A Chagall—Clary’s favorite, all soft roses and blues and greens, incongruous against the apartment’s modernity.
There was a vase of hydrangeas on the kitchen island, a gift from his mother, congratulating him on playing a gig with Stepping Razor the week before. I love you, said the note attached. I’m proud of you.
He blinked at it. Hydrangeas; that was odd. If he had a favorite flower, it was roses, and his mother knew that. He turned away from the window and looked more closely at the vase. They were roses. He shook his head to clear it. White roses. They always had been. Right.
He heard the rattle of keys, and the door swung open, admitting a petite girl with long red hair and a brilliant smile. “Oh, my God,” said Clary, half-laughing, half out of breath. She pushed the door shut behind her and leaned against it. “The lobby is a zoo. Press, photographers; it’s going to be crazy going out tonight.”
She came across the room, dropping her keys on the table. She was wearing a long dress, yellow silk printed with colorful butterflies, and a butterfly clip in her long red hair. She looked warm and open and loving, and as she neared him, she put her arms up, and he went to kiss her.
Just like he did every day when she came home.
She smelled like Clary, perfume and chalk, and her fingers were smudged with color. She wound her fingers in his hair as they kissed, tugging him down, laughing against his mouth as he nearly overbalanced.
“You’re going to have to start wearing heels, Fray,” he said, lips against her cheek.
“I hate heels. You’ll either have to deal or buy me a portable ladder,” she said, letting him go. “Unless you want to leave me for a really tall groupie.”
“Never,” he said, tucking a lock of her hair behind her ear. “Would a really tall groupie know all my favorite foods? Remember when I had a bed shaped like a race car? Know how to beat me mercilessly at Scrabble? Be willing to put up with Matt and Kirk and Eric?”
“A groupie would more than put up with Matt and Kirk and Eric.”
“Be nice,” he said, and grinned down at her. “You’re stuck with me.”
“I’ll survive,” she said, plucking his glasses off and setting them on the table. The eyes she turned up to him were dark and wide. This time the kiss was more heated. He wound his arms around her, pulling her against him as she whispered, “I love you; I’ve always loved you.”
“I love you too,” he said. “God, I love you, Isabelle.”
He felt her stiffen in his arms, and then the world around him seemed to sprout black lines like shattered glass. He heard a high-pitched whine in his ears and staggered back, tripping, falling, not hitting the ground but spinning forever through the dark.
“Don’t look, don’t look . . .”
Isabelle laughed. “I’m not looking.”
There were hands over her eyes: Simon’s hands, slim and flexible. His arms were around her, and they were shuffling forward together, laughing. He’d grabbed her the moment she’d walked in the front door, wrapping his arms around her as her shopping bags dropped from her hands.
“I have a surprise for you,” he’d said, grinning. “Close your eyes. No looking. No, really. I’m not kidding.”
Cassandra Clare's Books
- Cast Long Shadows (Ghosts of the Shadow Market #2)
- Son of the Dawn (Ghosts of the Shadow Market #1)
- Learn about Loss (Ghosts of the Shadow Market #4)
- Son of the Dawn (Ghosts of the Shadow Market #1)
- Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy #1)
- Lady Midnight (The Dark Artifices #1)
- Clockwork Princess (The Infernal Devices, #3)
- The City of Fallen Angels (Mortal Instruments 4)
- City of Glass (The Mortal Instruments, #3)
- City of Bones (The Mortal Instruments, #1)