City of Glass (The Mortal Instruments, #3)(60)



And she was gone. The scene showed a cellar, the same cellar that Clary knew she was standing in right now. The same scrawled pentagram scarred the floor, and within the center of the star lay the angel. Valentine stood by, once again with a burning seraph blade in his hand. He looked years older now, no longer a young man. “Ithuriel,” he said. “We are old friends now, aren’t we? I could have left you buried alive under those ruins, but no, I brought you here with me. All these years I’ve kept you close, hoping one day you would tell me what I wanted—needed—to know.” He came closer, holding the blade out, its blaze lighting the runic barrier to a shimmer. “When I summoned you, I dreamed that you would tell me why. Why Raziel created us, his race of Shadowhunters, yet did not give us the powers Downworlders have—the speed of the wolves, the immortality of the Fair Folk, the magic of warlocks, even the endurance of vampires. He left us naked before the hosts of hell but for these painted lines on our skin. Why should their powers be greater than ours? Why can’t we share in what they have? How is that just?”

Within its imprisoning star the angel sat silent as a marble statue, unmoving, its wings folded. Its eyes expressed nothing beyond a terrible silent sorrow.

Valentine’s mouth twisted. “Very well. Keep your silence. I will have my chance.” Valentine lifted the blade. “I have the Mortal Cup, Ithuriel, and soon I shall have the Sword—but without the Mirror I cannot begin the summoning. The Mirror is all I need. Tell me where it is. Tell me where it is, Ithuriel, and I will let you die.”

The scene broke apart in fragments, and as her vision faded, Clary caught glimpses of images now familiar to her from her own nightmares—angels with wings both white and black; sheets of mirrored water, gold and blood; and Jace, turning away from her, always turning away. Clary reached out for him, and for the first time the angel’s voice spoke in her head in words that she could understand.

These are not the first dreams I have ever showed you.

The image of a rune burst behind her eyes, like fireworks—not a rune she had ever seen before; it was as strong, simple, and straightforward as a tied knot. It was gone in a breath as well, and as it vanished, the angel’s singing ceased. Clary was back in her own body, reeling on her feet in the filthy and reeking room. The angel was silent, frozen, wings folded, a grieving effigy.

Clary let out her breath in a sob. “Ithuriel.” She reached her hands out to the angel, knowing she couldn’t pass the runes, her heart aching. For years the angel had been down here, sitting silent and alone in the blackness, chained and starving but unable to die….

Jace was beside her. She could see from his stricken face that he’d seen everything she had. He looked down at the seraph blade in his hand and then back at the angel. Its blind face was turned toward them in silent supplication.

Jace took a step forward, and then another. His eyes were fixed on the angel, and it was as if, Clary thought, there were some silent communication passing between them, some speech she couldn’t hear. Jace’s eyes were bright as gold disks, full of reflected light.

“Ithuriel,” he whispered.

The blade in his hand blazed up like a torch. Its glow was blinding. The angel raised its face, as if the light were visible to its blind eyes. It reached out its hands, the chains that bound its wrists rattling like harsh music.

Jace turned to her. “Clary,” he said. “The runes.”

The runes. For a moment she stared at him, puzzled, but his eyes urged her onward. She handed Jace the witchlight, took his stele from her pocket, and knelt down by the scrawled runes. They looked as if they’d been gouged into the stone with something sharp.

She glanced up at Jace. His expression startled her, the blaze in his eyes—they were full of faith in her, of confidence in her abilities. With the tip of the stele she traced several lines into the floor, changing the runes of binding to runes of release, imprisonment to openness. They flared up as she traced them, as if she were dragging a match tip across sulphur.

Done, she rose to her feet. The runes shimmered before her. Abruptly Jace moved to stand beside her. The witchlight stone was gone, the only illumination coming from the seraph blade that he’d named for the angel, blazing in his hand. He stretched it out, and this time his hand passed through the barrier of the runes as if there were nothing there.

The angel reached its hands up and took the blade from him. It shut its blind eyes, and Clary thought for a moment that it smiled. It turned the blade in its grasp until the sharp tip rested just below its breastbone. Clary gave a little gasp and moved forward, but Jace grabbed her arm, his grip like iron, and yanked her backward—just as the angel drove the blade home.

The angel’s head fell back, its hands dropping from the hilt, which protruded from just where its heart would be—if angels had hearts; Clary didn’t know. Flames burst from the wound, spreading outward from the blade. The angel’s body shimmered into white flame, the chains on its wrists burning scarlet, like iron left too long in a fire. Clary thought of medieval paintings of saints consumed in the blaze of holy ecstasy—and the angel’s wings flew wide and white before they, too, caught and blazed up, a lattice of shimmering fire.

Clary could no longer watch. She turned and buried her face in Jace’s shoulder. His arm came around her, his grip tight and hard. “It’s all right,” he said into her hair, “it’s all right,” but the air was full of smoke and the ground felt like it was rocking under her feet. It was only when Jace stumbled that she realized it wasn’t shock: The ground was moving. She let go of Jace and staggered; the stones underfoot were grinding together, and a thin rain of dirt was sifting down from the ceiling. The angel was a pillar of smoke; the runes around it glowed painfully bright. Clary stared at them, decoding their meaning, and then looked wildly at Jace. “The manor—it was tied to Ithuriel. If the angel dies, the manor—”

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