City of Glass (The Mortal Instruments, #3)(51)
Without another word she slid from the horse’s back. She heard Sebastian call out to her, but she was already half-running, half-sliding down the low hill. The ground evened out where the house had once stood; the blackened stones of what had once been a walkway lay dry and cracked at her feet. In among the weeds she could see a set of stairs that ended abruptly a few feet from the ground.
“Clary—” Sebastian followed her through the weeds, but she was barely aware of his presence. Turning in a slow circle, she took it all in. Burned, half-dead trees. What had probably once been a shady lawn, stretching away down a sloping hill. She could see the roof of what was probably another nearby manor house in the distance, just above the tree line. The sun sparked off broken bits of window glass in the one full wall that was still standing. She stepped into the ruins over a shelf of blackened stones. She could see the outline of rooms, of doorways—even a scorched cabinet, almost intact, flung on its side with smashed bits of china spilling out, mixing with the black earth.
Once this had been a real house, inhabited by living, breathing people. Her mother had lived here, gotten married here, had a baby here. And then Valentine had come and turned it all to dust and ash, leaving Jocelyn thinking her son was dead, leading her to hide the truth about the world from her daughter…. A sense of piercing sadness invaded Clary. More than one life had been wrecked in this place. She put her hand to her face and was almost surprised to find it damp: She had been crying without knowing it.
“Clary, I’m sorry. I thought you’d want to see this.” It was Sebastian, crunching toward her across the rubble, his boots kicking up puffs of ash. He looked worried.
She turned to him. “Oh, I do. I did. Thank you.”
The wind had picked up. It blew strands of his dark hair across his face. He gave a rueful smile. “It must be hard to think about everything that happened in this place, about Valentine, about your mother—she had incredible courage.”
“I know,” Clary said. “She did. She does.”
He touched her face lightly. “So do you.”
“Sebastian, you don’t know anything about me.”
“That’s not true.” His other hand came up, and now he was cupping her face. His touch was gentle, almost tentative. “I’ve heard all about you, Clary. About the way you fought your father for the Mortal Cup, the way you went into that vampire-infested hotel after your friend. Isabelle’s told me stories, and I’ve heard rumors, too. And ever since the first one—the first time I heard your name—I’ve wanted to meet you. I knew you’d be extraordinary.”
She laughed shakily. “I hope you’re not too disappointed.”
“No,” he breathed, sliding his fingertips under her chin. “Not at all.” He lifted her face to his. She was too surprised to move, even when he leaned toward her and she realized, belatedly, what he was doing: Reflexively she shut her eyes as his lips brushed gently over hers, sending shivers through her. A sudden fierce longing to be held and kissed in a way that would make her forget everything else surged through her. She put her arms up, twining them around his neck, partly to steady herself and partly to draw him closer.
His hair tickled her fingertips, not silky like Jace’s but fine and soft, and she shouldn’t be thinking about Jace. She pushed back thoughts of him as Sebastian’s fingers traced her cheeks and the line of her jaw. His touch was gentle, despite the calluses on his fingertips. Of course, Jace had the same calluses from fighting; probably all Shadowhunters had them—
She clamped down on the thought of Jace, or tried to, but it was no good. She could see him even with her eyes closed—see the sharp angles and planes of a face she could never properly draw, no matter how much the image of it had burned itself into her mind; see the delicate bones of his hands, the scarred skin of his shoulders—
The fierce longing that had surged up in her so swiftly receded with a sharp recoil that was like an elastic band springing back. She went numb, even as Sebastian’s lips pressed down on hers and his hands moved to cup the back of her neck—she went numb with an icy shock of wrongness. Something was terribly wrong, something even more than her hopeless longing for someone she could never have. This was something else: a sudden jolt of horror, as if she’d been taking a confident step forward and suddenly plunged into a black void.
She gasped and jerked away from Sebastian with such force that she almost stumbled. If he hadn’t been holding her, she would have fallen.
“Clary.” His eyes were unfocused, his cheeks flushed with a high bright color. “Clary, what’s wrong?”
“Nothing.” Her voice sounded thin to her own ears. “Nothing—it’s just, I shouldn’t have—I’m not really ready—”
“Did we go too fast? We can take it slower—” He reached for her, and before she could stop herself, she flinched away. He looked stricken. “I’m not going to hurt you, Clary.”
“I know.”
“Did something happen?” His hand came up, stroked her hair back; she bit back the urge to jerk away. “Did Jace—”
“Jace?” Did he know she’d been thinking about Jace; had he been able to tell? And at the same time … “Jace is my brother. Why would you bring him up like that? What do you mean?”
“I just thought—” He shook his head, pain and confusion chasing each other across his features. “That maybe someone else had hurt you.”
Cassandra Clare's Books
- Cast Long Shadows (Ghosts of the Shadow Market #2)
- Son of the Dawn (Ghosts of the Shadow Market #1)
- Learn about Loss (Ghosts of the Shadow Market #4)
- Son of the Dawn (Ghosts of the Shadow Market #1)
- Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy #1)
- Lady Midnight (The Dark Artifices #1)
- Clockwork Princess (The Infernal Devices, #3)
- City of Heavenly Fire (The Mortal Instruments, #6)
- The City of Fallen Angels (Mortal Instruments 4)
- City of Bones (The Mortal Instruments, #1)