City of Glass (The Mortal Instruments, #3)(4)
“Oh, come on,” Clary protested. “Stay—”
“I can’t.” His tone was final. “I’m meeting Maia.”
“Oh. Great,” Clary said. Maia, she told herself, was nice. She was smart. She was pretty. She was also a werewolf. A werewolf with a crush on Simon. But maybe that was as it should be. Maybe his new friend should be a Downworlder. After all, he was a Downworlder himself now. Technically, he shouldn’t even be spending time with Shadowhunters like Clary. “I guess you’d better go, then.”
“I guess I’d better.” Simon’s dark eyes were unreadable. This was new—she’d always been able to read Simon before. She wondered if it was a side effect of the vampirism, or something else entirely. “Good-bye,” he said, and bent as if to kiss her on the cheek, sweeping her hair back with one of his hands. Then he paused and drew back, his expression uncertain. She frowned in surprise, but he was already gone, brushing past Luke in the doorway. She heard the front door bang in the distance.
“He’s acting so weird,” she exclaimed, hugging the velvet coat against herself for reassurance. “Do you think it’s the whole vampire thing?”
“Probably not.” Luke looked faintly amused. “Becoming a Downworlder doesn’t change the way you feel about things. Or people. Give him time. You did break up with him.”
“I did not. He broke up with me.”
“Because you weren’t in love with him. That’s an iffy proposition, and I think he’s handling it with grace. A lot of teenage boys would sulk, or lurk around under your window with a boom box.”
“No one has a boom box anymore. That was the eighties.” Clary scrambled off the bed, pulling the coat on. She buttoned it up to the neck, luxuriating in the soft feel of the velvet. “I just want Simon to go back to normal.” She glanced at herself in the mirror and was pleasantly surprised—the green made her red hair stand out and brightened the color of her eyes. She turned to Luke. “What do you think?”
He was leaning in the doorway with his hands in his pockets; a shadow passed over his face as he looked at her. “Your mother had a coat just like that when she was your age,” was all he said.
Clary clutched the cuffs of the coat, digging her fingers into the soft pile. The mention of her mother, mixed with the sadness in his expression, was making her want to cry. “We’re going to see her later today, right?” she asked. “I want to say good-bye before I go, and tell her—tell her what I’m doing. That she’s going to be okay.”
Luke nodded. “We’ll visit the hospital later today. And, Clary?”
“What?” She almost didn’t want to look at him, but to her relief, when she did, the sadness was gone from his eyes.
He smiled. “Normal isn’t all it’s cracked up to be.”
Simon glanced down at the paper in his hand and then at the cathedral, his eyes slitted against the afternoon sun. The Institute rose up against the high blue sky, a slab of granite windowed with pointed arches and surrounded by a high stone wall. Gargoyle faces leered down from its cornices, as if daring him to approach the front door. It didn’t look anything like it had the first time he had ever seen it, disguised as a run-down ruin, but then glamours didn’t work on Downworlders.
You don’t belong here. The words were harsh, sharp as acid; Simon wasn’t sure if it was the gargoyle speaking or the voice in his own mind. This is a church, and you are damned.
“Shut up,” he muttered halfheartedly. “Besides, I don’t care about churches. I’m Jewish.”
There was a filigreed iron gate set into the stone wall. Simon put his hand to the latch, half-expecting his skin to sear with pain, but nothing happened. Apparently the gate itself wasn’t particularly holy. He pushed it open and was halfway up the cracked stonework path to the front door when he heard voices—several of them, and familiar—nearby.
Or maybe not that nearby. He had nearly forgotten how much his hearing, like his sight, had sharpened since he’d been Turned. It sounded as if the voices were just over his shoulder, but as he followed a narrow path around the side of the Institute, he saw that the people were standing quite a distance away, at the far end of the grounds. The grass grew wild here, half-covering the branching paths that led among what had probably once been neatly arranged rosebushes. There was even a stone bench, webbed with green weeds; this had been a real church once, before the Shadowhunters had taken it over.
He saw Magnus first, leaning against a mossy stone wall. It was hard to miss Magnus—he was wearing a splash-painted white T-shirt over rainbow leather trousers. He stood out like a hothouse orchid, surrounded by the black-clad Shadowhunters: Alec, looking pale and uncomfortable; Isabelle, her long black hair twisted into braids tied with silver ribbons, standing beside a little boy who had to be Max, the youngest. Nearby was their mother, looking like a taller, bonier version of her daughter, with the same long black hair. Beside her was a woman Simon didn’t know. At first Simon thought she was old, since her hair was nearly white, but then she turned to speak to Maryse and he saw that she probably wasn’t more than thirty-five or forty.
And then there was Jace, standing off at a little distance, as if he didn’t quite belong. He was all in Shadowhunter black like the others. When Simon wore all black, he looked like he was on his way to a funeral, but Jace just looked tough and dangerous. And blonder. Simon felt his shoulders tighten and wondered if anything—time, or forgetfulness—would ever dilute his resentment of Jace. He didn’t want to feel it, but there it was, a stone weighting down his unbeating heart.
Cassandra Clare's Books
- Cast Long Shadows (Ghosts of the Shadow Market #2)
- Son of the Dawn (Ghosts of the Shadow Market #1)
- Learn about Loss (Ghosts of the Shadow Market #4)
- Son of the Dawn (Ghosts of the Shadow Market #1)
- Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy #1)
- Lady Midnight (The Dark Artifices #1)
- Clockwork Princess (The Infernal Devices, #3)
- City of Heavenly Fire (The Mortal Instruments, #6)
- The City of Fallen Angels (Mortal Instruments 4)
- City of Bones (The Mortal Instruments, #1)