City of Glass (The Mortal Instruments, #3)(19)
You have never seen a city until you have seen Alicante of the glass towers.
“What was that?” Luke said, overhearing. “What did you say?”
Clary hadn’t realized she’d spoken out loud. Embarrassed, she repeated her words, and Luke looked at her in surprise. “Where did you hear that?”
“Hodge,” Clary said. “It was something Hodge said to me.”
Luke peered at her more closely. “You’re flushed,” he said. “How are you feeling?”
Clary’s neck was aching, her whole body on fire, her mouth dry. “I’m fine,” she said. “Let’s just get there, okay?”
“Okay.” Luke pointed; at the edge of the city, where the buildings ended, Clary could see an archway, two sides curving to a pointed top. A Shadowhunter in black gear stood watch inside the shadow of the archway. “That’s the North Gate—it’s where Downworlders can legally enter the city, provided they’ve got the paperwork. Guards are posted there night and day. Now, if we were on official business, or had permission to be here, we’d go in through it.”
“But there aren’t any walls around the city,” Clary pointed out. “It doesn’t seem like much of a gate.”
“The wards are invisible, but they’re there. The demon towers control them. They have for a thousand years. You’ll feel it when you pass through them.” He glanced one more time at her flushed face, concern crinkling the corners of his eyes. “Are you ready?”
She nodded. They moved away from the gate, along the east side of the city, where buildings were more thickly clustered. With a gesture to be quiet, Luke drew her toward a narrow opening between two houses. Clary shut her eyes as they approached, almost as if she expected to be smacked in the face with an invisible wall as soon as they stepped onto the streets of Alicante. It wasn’t like that. She felt a sudden pressure, as if she were in an airplane that was dropping. Her ears popped—and then the feeling was gone, and she was standing in the alley between the buildings.
Just like an alley in New York—like every alley in the world, apparently—it smelled like cat pee.
Clary peered around the corner of one of the buildings. A larger street stretched away up the hill, lined with small shops and houses. “There’s no one around,” she observed, with some surprise.
In the fading light Luke looked gray. “There must be a meeting going on up at the Gard. It’s the only thing that could get everyone off the streets at once.”
“But isn’t that good? There’s no one around to see us.”
“It’s good and bad. The streets are mostly deserted, which is good. But anyone who does happen by will be much more likely to notice and remark on us.”
“I thought you said everyone was at the Gard.”
Luke smiled faintly. “Don’t be so literal, Clary. I meant most of the city. Children, teenagers, anyone exempted from the meeting, they won’t be there.”
Teenagers. Clary thought of Jace, and, despite herself, her pulse leaped forward like a horse charging out of the starting gate at a race.
Luke frowned, almost as if he could read her thoughts. “As of now, I’m breaking the Law by being in Alicante without declaring myself to the Clave at the gate. If anyone recognizes me, we could be in real trouble.” He glanced up at the narrow strip of russet sky visible between the rooftops. “We have to get off the streets.”
“I thought we were going to your friend’s house.”
“We are. And she’s not a friend, precisely.”
“Then who—?”
“Just follow me.” Luke ducked into a passage between two houses, so narrow that Clary could reach out and touch the walls of both houses with her fingers as they made their way down it and onto a cobblestoned winding street lined with shops. The buildings themselves looked like a cross between a Gothic dreamscape and a children’s fairy tale. The stone facings were carved with all manner of creatures out of myth and legend—the heads of monsters were a prominent feature, interspersed with winged horses, something that looked like a house on chicken legs, mermaids, and, of course, angels. Gargoyles jutted from every corner, their snarling faces contorted. And everywhere there were runes: splashed across doors, hidden in the design of an abstract carving, dangling from thin metal chains like wind chimes that twisted in the breeze. Runes for protection, for good luck, even for good business; staring at them all, Clary began to feel a little dizzy.
They walked in silence, keeping to the shadows. The cobblestone street was deserted, shop doors shut and barred. Clary cast furtive glances into the windows as they passed. It was strange to see a display of expensive decorated chocolates in one window and in the next an equally lavish display of deadly-looking weapons—cutlasses, maces, nail-studded cudgels, and an array of seraph blades in different sizes. “No guns,” she said. Her own voice sounded very far away.
Luke blinked at her. “What?”
“Shadowhunters,” she said. “They never seem to use guns.”
“Runes keep gunpowder from igniting,” he said. “No one knows why. Still, Nephilim have been known to use the occasional rifle on lycanthropes. It doesn’t take a rune to kill us—just silver bullets.” His voice was grim. Suddenly his head went up. In the dim light it was easy to imagine his ears pricking forward like a wolf’s. “Voices,” he said. “They must be finished at the Gard.”
Cassandra Clare's Books
- Cast Long Shadows (Ghosts of the Shadow Market #2)
- Son of the Dawn (Ghosts of the Shadow Market #1)
- Learn about Loss (Ghosts of the Shadow Market #4)
- Son of the Dawn (Ghosts of the Shadow Market #1)
- Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy #1)
- Lady Midnight (The Dark Artifices #1)
- Clockwork Princess (The Infernal Devices, #3)
- City of Heavenly Fire (The Mortal Instruments, #6)
- The City of Fallen Angels (Mortal Instruments 4)
- City of Bones (The Mortal Instruments, #1)