City of Glass (The Mortal Instruments, #3)(153)
“What’s in the box?” she asked. He was still clutching the silver rectangle tightly in one hand. It was an expensive-looking object, delicately carved with a pattern of birds.
“I went to Amatis’s earlier today, looking for you,” he said. “But you weren’t there. So I talked to Amatis. She gave me this.” He indicated the box. “It belonged to my father.”
For a moment she just looked at him uncomprehendingly. This was Valentine’s? she thought, and then, with a jolt, No, that’s not what he means. “Of course,” she said. “Amatis was married to Stephen Herondale.”
“I’ve been going through it,” he said. “Reading the letters, the journal pages. I thought if I did that, I might feel some sort of connection to him. Something that would leap off the pages at me, saying, Yes, this is your father. But I don’t feel anything. Just bits of paper. Anyone could have written these things.”
“Jace,” she said softly.
“And that’s another thing,” he said. “I don’t have a name anymore, do I? I’m not Jonathan Christopher—that was someone else. But it’s the name I’m used to.”
“Who came up with Jace as a nickname? Did you come up with it yourself?”
Jace shook his head. “No. Valentine always called me Jonathan. And that’s what they called me when I first got to the Institute. I was never supposed to think my name was Jonathan Christopher, you know—that was an accident. I got the name out of my father’s journal, but it wasn’t me he was talking about. It wasn’t my progress he was recording. It was Seb—It was Jonathan’s. So the first time I ever told Maryse that my middle name was Christopher, she told herself that she’d just remembered wrong, and Christopher had been Michael’s son’s middle name. It had been ten years, after all. But that was when she started calling me Jace: It was like she wanted to give me a new name, something that belonged to her, to my life in New York. And I liked it. I’d never liked Jonathan.” He turned the box over in his hands. “I wonder if maybe Maryse knew, or guessed, but just didn’t want to know. She loved me … and she didn’t want to believe it.”
“Which is why she was so upset when she found out you were Valentine’s son,” said Clary. “Because she thought she ought to have known. She kind of did know. But we never do want to believe things like that about people we love. And, Jace, she was right about you. She was right about who you really are. And you do have a name. Your name is Jace. Valentine didn’t give that name to you. Maryse did. The only thing that makes a name important, and yours, is that it’s given to you by someone who loves you.”
“Jace what?” he said. “Jace Herondale?”
“Oh, please,” she said. “You’re Jace Lightwood. You know that.”
He raised his eyes to hers. His lashes shadowed them thickly, darkening the gold. She thought he looked a little less remote, though perhaps she was imagining it.
“Maybe you’re a different person than you thought you were,” she went on, hoping against hope that he understood what she meant. “But no one becomes a totally different person overnight. Just finding out that Stephen was your biological father isn’t going to automatically make you love him. And you don’t have to. Valentine wasn’t your real father, but not because you don’t have his blood in your veins. He wasn’t your real father because he didn’t act like a father. He didn’t take care of you. It’s always been the Lightwoods who have taken care of you. They’re your family. Just like Mom and Luke are mine.” She reached to touch his shoulder, then drew her hand back. “I’m sorry,” she said. “Here I am lecturing you, and you probably came up here to be alone.”
“You’re right,” he said.
Clary felt the breath go out of her. “All right, then. I’ll go.” She stood up, forgetting to hold her dress up, and nearly stepped on the hem.
“Clary!” Setting the box down, Jace scrambled to his feet. “Clary, wait. That wasn’t what I meant. I didn’t mean I wanted to be alone. I meant you were right about Valentine—about the Lightwoods—”
She turned and looked at him. He was standing half in and half out of the shadows, the bright, colored lights of the party below casting strange patterns across his skin. She thought of the first time she’d seen him. She’d thought he looked like a lion. Beautiful and deadly. He looked different to her now. That hard, defensive casing he wore like armor was gone, and he wore his injuries instead, visibly and proudly. He hadn’t even used his stele to take away the bruises on his face, along the line of his jaw, at his throat where the skin showed above the collar of his shirt. But he looked beautiful to her still, more than before, because now he seemed human—human, and real.
“You know,” she said, “Aline said maybe you wouldn’t be interested anymore. Now that it isn’t forbidden. Now that you could be with me if you wanted to.” She shivered a little in the flimsy dress, gripping her elbows with her hands. “Is that true? Are you not … interested?”
“Interested? As if you were a—a book, or a piece of news? No, I’m not interested. I’m—” He broke off, groping for the word the way someone might grope for a light switch in the dark. “Do you remember what I said to you before? About feeling like the fact that you were my sister was a sort of cosmic joke on me? On both of us?”
Cassandra Clare's Books
- Cast Long Shadows (Ghosts of the Shadow Market #2)
- Son of the Dawn (Ghosts of the Shadow Market #1)
- Learn about Loss (Ghosts of the Shadow Market #4)
- Son of the Dawn (Ghosts of the Shadow Market #1)
- Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy #1)
- Lady Midnight (The Dark Artifices #1)
- Clockwork Princess (The Infernal Devices, #3)
- City of Heavenly Fire (The Mortal Instruments, #6)
- The City of Fallen Angels (Mortal Instruments 4)
- City of Bones (The Mortal Instruments, #1)