City of Bones (The Mortal Instruments, #1)(95)



“Because I see the way you look at him!” he shouted. “And I never looked at any of those girls like that! It was just something to do, a way to practice, until—”

“Until what?” Clary knew dimly that she was being horrible, the whole thing was horrible; they’d never even had a fight before that was more serious than an argument about who’d eaten the last Pop-Tart from the box in the tree house, but she didn’t seem able to stop. “Until Isabelle came along? I can’t believe you’re lecturing me about Jace when you made a complete fool of yourself over her!” Her voice rose to a scream.

“I was trying to make you jealous!” Simon screamed, right back. His hands were fists at his sides. “You’re so stupid, Clary. You’re so stupid, can’t you see anything?”

She stared at him in bewilderment. What on earth did he mean? “Trying to make me jealous? Why would you try to do that?”

She saw immediately that this was the worst thing she could have asked him.

“Because,” he said, so bitterly that it shocked her, “I’ve been in love with you for ten years, so I thought it seemed like time to find out whether you felt the same about me. Which, I guess, you don’t.”

He might as well have kicked her in the stomach. She couldn’t speak; the air had been sucked out of her lungs. She stared at him, trying to frame a response, any response.

He cut her off sharply. “Don’t. There’s nothing you can say.”

She watched him walk to the door as if paralyzed; she couldn’t move to hold him back, much as she wanted to. What could she say? I love you, too? But she didn’t—did she?

He paused at the door, hand on the knob, and turned to look at her. His eyes, behind the glasses, looked more tired than angry now. “You really want to know what else it was my mom said about you?” he asked.

She shook her head.

He didn’t seem to notice. “She said you’d break my heart,” he told her, and left. The door closed behind him with a decided click, and Clary was alone.


After he was gone, she sank down onto the bed and picked up her sketchbook. She cradled it to her chest, not wanting to draw in it, just craving the feel and smell of familiar things: ink, paper, chalk.

She thought about running after Simon, trying to catch him. But what would she say? What could she possibly say? You’re so stupid, Clary, he’d said to her. Can’t you see anything?

She thought of a hundred things he’d said or done, jokes Eric and the others had made about them, conversations hushed when she’d walked into the room. Jace had known from the beginning. I was laughing at you because declarations of love amuse me, especially when unrequited. She hadn’t stopped to wonder what he was talking about, but now she knew.

She had told Simon earlier that she’d only ever loved three people: her mother, Luke, and him. She wondered if it was actually possible, within the space of a week, to lose everyone that you loved. She wondered if it was the sort of thing you survived or not. And yet—for those brief moments, up on the roof with Jace, she’d forgotten her mother. She’d forgotten Luke. She’d forgotten Simon. And she’d been happy. That was the worst part, that she’d been happy.

Maybe this, she thought, losing Simon, maybe this is my punishment for the selfishness of being happy, even for just a moment, when my mother is still missing. None of it had been real, anyway. Jace might be an exceptional kisser, but he didn’t care about her at all. He’d said as much.

She lowered the sketchbook slowly into her lap. Simon had been right; it was a good picture of Jace. She’d caught the hard line of his mouth, the incongruously vulnerable eyes. The wings looked so real she imagined that if she brushed her fingers across them, they’d be soft. She let her hand trail across the page, her mind wandering …

And jerked her hand back, staring. Her fingers had touched not dry paper but the soft down of feathers. Her eyes flashed up to the runes she’d scrawled in the corner of the page. They were shining, the way she’d seen the runes Jace drew with his stele shine.

Her heart had begun to beat with a rapid, steady sharpness. If a rune could bring a painting to life, then maybe—

Not taking her eyes off the drawing, she fumbled for her pencils. Breathless, she flipped to a new, clean page and hastily began to draw the first thing that came to mind. It was the coffee mug sitting on the nightstand next to her bed. Drawing on her memories of still life class, she drew it in every detail: the smudged rim, the crack in the handle. When she was done, it was as exact as she could make it. Driven by some instinct she didn’t quite understand, she reached for the cup and set it down on top of the paper. Then, very carefully, she began to sketch the runes beside it.





18

THE MORTAL CUP


JACE WAS LYING ON HIS BED PRETENDING TO BE ASLEEP—FOR his own benefit, not anyone else’s—when the banging on the door finally got to be too much for him. He hauled himself off the bed, wincing. Much as he’d pretended to be fine up in the greenhouse, his whole body still ached from the beating it had taken last night.

He knew who it was going to be before he opened the door. Maybe Simon had managed to get himself turned into a rat again. This time Simon could stay a goddamned rat forever, for all he, Jace Wayland, was prepared to do about it.

She was clutching her sketchpad, her bright hair escaping out of its braids. He leaned against the door frame, ignoring the kick of adrenaline the sight of her produced. He wondered why, not for the first time. Isabelle used her beauty like she used her whip, but Clary didn’t know she was beautiful at all. Maybe that was why.

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