City of Bones (The Mortal Instruments, #1)(36)

Clary’s heart had begun to beat hard inside her chest. “Do you think Luke is all right?”

Jace lowered the witchlight. “I think we’d better find out.”

The door to the apartment was unlocked. It led into Luke’s living room. Despite the hundreds of books in the store itself, there were hundreds more in the apartment. Bookshelves rose to the ceiling, the volumes on them “double-parked,” one row blocking another. Most were poetry and fiction, with plenty of fantasy and mystery thrown in. Clary remembered plowing through the entirety of The Chronicles of Prydain here, curled up in Luke’s window seat as the sun went down over the East River.

“I think he’s still around,” called Simon, standing in the doorway of Luke’s small kitchenette. “The percolator’s on and there’s coffee here. Still hot.”

Clary peered around the kitchen door. Dishes were stacked in the sink. Luke’s jackets were hung neatly on hooks inside the coat closet. She walked down the hallway and opened the door of his small bedroom. It looked the same as ever, the bed with its gray coverlet and flat pillows unmade, the top of the bureau covered in loose change. She turned away. Some part of her had been absolutely certain that when they walked in they’d find the place torn to pieces, and Luke tied up, injured or worse. Now she didn’t know what to think.

Numbly she crossed the hall to the little guest bedroom where she’d so often stayed when her mother was out of town on business. They’d stay up late watching old horror movies on the flickering black-and-white TV. She even kept a backpack full of extra things here so she didn’t have to lug her stuff back and forth from home.

Kneeling down, she tugged it out from under the bed by its olive-green strap. It was covered with buttons, most of which Simon had given her. GAMERS DO IT BETTER. OTAKU WENCH. STILL NOT KING. Inside were some folded clothes, a few spare pairs of underwear, a hairbrush, even shampoo. Thank God, she thought, and kicked the bedroom door closed. Quickly she changed, stripping off Isabelle’s too-big—and now grass-stained and sweaty—clothes, and pulling on a pair of her own sandblasted cords, soft as worn paper, and a blue tank top with a design of Chinese characters across the front. She tossed Isabelle’s clothes into her backpack, yanked the cord shut, and left the bedroom, the pack bouncing familiarly between her shoulder blades. It was nice to have something of her own again.

She found Jace in Luke’s book-lined office, examining a green duffel bag that lay unzipped across the desk. It was, as Simon had said, full of weapons—sheathed knives, a coiled whip, and something that looked like a razor-edged metal disk.

“It’s a chakram,” said Jace, looking up as Clary came into the room. “A Sikh weapon. You whirl it around your index finger before releasing it. They’re rare and hard to use. Strange that Luke would have one. They used to be Hodge’s weapon of choice, back in the day. Or so he tells me.”

“Luke collects stuff. Art objects. You know,” Clary said, indicating the shelf behind the desk, which was lined with bronze Indian and Russian idols. Her favorite was a statuette of the Indian goddess of destruction, Kali, brandishing a sword and a severed head as she danced with her head thrown back and her eyes slitted closed. To the side of the desk was an antique Chinese screen, carved out of glowing rosewood. “Pretty things.”

Jace moved the chakram aside gingerly. A handful of clothes spilled out of the untied end of Luke’s duffel bag, as if they had been an afterthought. “I think this is yours, by the way.”

He drew out a rectangular object hidden among the clothes: a wooden-framed photograph with a long vertical crack along the glass. The crack threw a network of spidery lines across the smiling faces of Clary, Luke, and her mother. “That is mine,” Clary said, taking it out of his hand.

“It’s cracked,” Jace observed.

“I know. I did that—I smashed it. When I threw it at the Ravener demon.” She looked at him, seeing the dawning realization on his face. “That means Luke’s been back to the apartment since the attack. Maybe even today—”

“He must have been the last person to come through the Portal,” said Jace. “That’s why it took us here. You weren’t thinking of anything, so it sent us to the last place it had been.”

“Nice of Dorothea to tell us he was there,” said Clary.

“He probably paid her off to be quiet. Either that or she trusts him more than she trusts us. Which means he might not be—”

“Guys!” It was Simon, dashing into the office in a panic. “Someone’s coming.”

Clary dropped the photo. “Is it Luke?”

Simon peered back down the hall, then nodded. “It is. But he’s not by himself—there are two men with him.”

“Men?” Jace crossed the room in a few strides, peered through the door, and spat a curse under his breath. “Warlocks.”

Clary stared. “Warlocks? But—”

Shaking his head, Jace backed away from the door. “Is there some other way out of here? A back door?”

Clary shook her head. The sound of footsteps in the hallway was audible now, striking pangs of fear into her chest.

Jace looked around desperately. His eyes came to rest on the rosewood screen. “Get behind that,” he said, pointing. “Now.”

Clary dropped the fractured photo on the desk and slipped behind the screen, pulling Simon after her. Jace was right behind them, his stele in his hand. He had barely concealed himself when Clary heard the door swing wide open, the sound of people walking into Luke’s office—then voices. Three men speaking. She looked nervously at Simon, who was very pale, and then at Jace, who had raised the stele in his hand and was moving the tip lightly, in a sort of square shape, across the back of the screen. As Clary stared, the square went clear, like a pane of glass. She heard Simon suck in his breath—a tiny sound, barely audible—and Jace shook his head at them both, mouthing words: They can’t see us through it, but we can see them.