City of Bones (The Mortal Instruments, #1)(30)
“You may be the only guy my age I’ve ever met who knows what bergamot is, much less that it’s in Earl Grey tea.”
“Yes, well,” Jace said, with a supercilious look, “I’m not like other guys. Besides,” he added, flipping a book off the shelf, “at the Institute we have to take classes in basic medicinal uses for plants. It’s required.”
“I figured all your classes were stuff like Slaughter 101 and Beheading for Beginners.”
Jace flipped a page. “Very funny, Fray.”
Clary, who had been studying the palmistry poster, whirled on him. “Don’t call me that.”
He glanced up, surprised. “Why not? It’s your last name, isn’t it?”
The image of Simon rose up behind her eyes. Simon the last time she had seen him, staring after her as she ran out of Java Jones. She turned back to the poster, blinking. “No reason.”
“I see,” Jace said, and she could tell from his voice that he did see, more than she wanted him to. She heard him drop the book back onto the shelf. “This must be the trash she keeps up front to impress credible mundanes,” he said, sounding disgusted. “There’s not one serious text here.”
“Just because it’s not the kind of magic you do—” Clary began crossly.
He scowled furiously, silencing her. “I do not do magic,” he said. “Get it through your head: Human beings are not magic users. It’s part of what makes them human. Witches and warlocks can only use magic because they have demon blood.”
Clary took a moment to process this. “But I’ve seen you use magic. You use enchanted weapons—”
“I use tools that are magical. And just to be able to do that, I have to undergo rigorous training. The rune tattoos on my skin protect me too. If you tried to use one of the seraph blades, for instance, it’d probably burn your skin, maybe kill you.”
“What if I got the tattoos?” Clary asked. “Could I use them then?”
“No,” Jace said crossly. “The Marks are only part of it. There are tests, ordeals, levels of training—look, just forget it, okay? Stay away from my blades. In fact, don’t touch any of my weapons without my permission.”
“Well, there goes my plan for selling them all on eBay,” Clary muttered.
“Selling them on what?”
Clary smiled blandly at him. “A mythical place of great magical power.”
Jace looked confused, then shrugged. “Most myths are true, at least in part.”
“I’m starting to get that.”
The bead curtain rattled again, and Madame Dorothea’s head appeared. “Tea’s on the table,” she said. “There’s no need for you two to keep standing there like donkeys. Come into the parlor.”
“There’s a parlor?” Clary said.
“Of course there’s a parlor,” said Dorothea. “Where else would I entertain?”
“I’ll just leave my hat with the footman,” said Jace.
Madame Dorothea shot him a dark look. “If you were half as funny as you thought you were, my boy, you’d be twice as funny as you are.” She disappeared back through the curtain, her loud “Hmph!” nearly drowned out by rattling beads.
Jace frowned. “I’m not quite sure what she meant by that.”
“Really,” said Clary. “It made perfect sense to me.” She marched through the bead curtain before he could reply.
The parlor was so dimly lit that it took several blinks for Clary’s eyes to adjust. Faint light outlined the black velvet curtains drawn across the entire left wall. Stuffed birds and bats dangled from the ceiling on thin cords, shiny dark beads where their eyes should have been. The floor was layered with frayed Persian rugs that spit up puffs of dust underfoot. A group of overstuffed pink armchairs were gathered around a low table: A stack of tarot cards bound with a silk ribbon occupied one end of the table, a crystal ball on a gold stand the other. In the middle of the table was a silver tea service, laid out for company: a neat plate of stacked sandwiches, a blue teapot unfurling a thin stream of white smoke, and two teacups on matching saucers set carefully in front of two of the armchairs.
“Wow,” Clary said weakly. “This looks great.” She took a seat in one of the armchairs. It felt good to sit down.
Dorothea smiled, her eyes glinting with a sly humor. “Have some tea,” she said, hefting the pot. “Milk? Sugar?”
Clary looked sideways at Jace, who was sitting beside her and who had taken possession of the sandwich plate. He was examining it closely. “Sugar,” she said.
Jace shrugged, took a sandwich, and set the plate down. Clary watched him warily as he bit into it. He shrugged again. “Cucumber,” he said, in response to her stare.
“I always think cucumber sandwiches are just the thing for tea, don’t you?” Madame Dorothea inquired, of no one in particular.
“I hate cucumber,” Jace said, and handed the rest of his sandwich to Clary. She bit into it—it was seasoned with just the right amount of mayonnaise and pepper. Her stomach rumbled in grateful appreciation of the first food she’d tasted since the nachos she’d eaten with Simon.
“Cucumber and bergamot,” Clary said. “Is there anything else you hate that I ought to know about?”
Cassandra Clare's Books
- Cast Long Shadows (Ghosts of the Shadow Market #2)
- Son of the Dawn (Ghosts of the Shadow Market #1)
- Learn about Loss (Ghosts of the Shadow Market #4)
- Son of the Dawn (Ghosts of the Shadow Market #1)
- Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy #1)
- Lady Midnight (The Dark Artifices #1)
- Clockwork Princess (The Infernal Devices, #3)
- City of Heavenly Fire (The Mortal Instruments, #6)
- The City of Fallen Angels (Mortal Instruments 4)
- City of Glass (The Mortal Instruments, #3)