City of Bones (The Mortal Instruments, #1)(15)



“Luke isn’t—”

“The skylight needs washing too. It’s filthy. No wonder it’s nearly pitch-black in here.”

Luke is NOT the landlord, Clary wanted to say, but didn’t. This was typical of her elderly neighbor. Once she got Luke to come around and change the lightbulb, she’d ask him to do a hundred other things—pick up her groceries, grout her shower. Once she’d made him chop up an old sofa with an ax so she could get it out of the apartment without taking the door off the hinges.

Clary sighed. “I’ll ask.”

“You’d better.” Dorothea snapped her fan shut with a flick of her wrist.

Clary’s sense that something was wrong only increased when she reached the apartment door. It was unlocked, hanging slightly open, spilling a wedge-shaped shaft of light onto the landing. With a feeling of increasing panic she pushed the door open.

Inside the apartment the lights were on, all the lamps, everything turned up to full brightness. The glow stabbed into her eyes.

Her mother’s keys and pink handbag were on the small wrought-iron shelf by the door, where she always left them. “Mom?” Clary called out. “Mom, I’m home.”

There was no reply. She went into the living room. Both windows were open, yards of gauzy white curtains blowing in the breeze like restless ghosts. Only when the wind dropped and the curtains settled did Clary see that the cushions had been ripped from the sofa and scattered around the room. Some were torn lengthwise, cotton innards spilling onto the floor. The bookshelves had been tipped over, their contents scattered. The piano bench lay on its side, gaping open like a wound, Jocelyn’s beloved music books spewing out.

Most terrifying were the paintings. Every single one had been cut from its frame and ripped into strips, which were scattered across the floor. It must have been done with a knife—canvas was almost impossible to tear with your bare hands. The empty frames looked like bones picked clean. Clary felt a scream rising up in her chest. “Mom!” she shrieked. “Where are you? Mommy!”

She hadn’t called Jocelyn “Mommy” since she was eight.

Heart pumping, she raced into the kitchen. It was empty, the cabinet doors open, a smashed bottle of Tabasco sauce spilling peppery red liquid onto the linoleum. Her knees felt like bags of water. She knew she should race out of the apartment, get to a phone, call the police. But all those things seemed distant—she needed to find her mother first, needed to see that she was all right. What if robbers had come, what if her mother had put up a fight—?

What kind of robbers didn’t take a wallet with them, or the TV, the DVD player, or the expensive laptops?

She was at the door to her mother’s bedroom now. For a moment it looked as if this room, at least, had been left untouched. Jocelyn’s handmade flowered quilt was folded carefully on the duvet. Clary’s own face smiled back at her from the top of the bedside table, five years old, gap-toothed smile framed by strawberry hair. A sob rose in Clary’s chest. Mom, she cried inside, what happened to you?

Silence answered her. No, not silence—a noise sounded through the apartment, raising the short hairs along the nape of her neck. Like something being knocked over—a heavy object striking the floor with a dull thud. The thud was followed by a dragging, slithering noise—and it was coming toward the bedroom. Stomach contracting in terror, Clary scrambled to her feet and turned around slowly.

For a moment she thought the doorway was empty, and she felt a wave of relief. Then she looked down.

It was crouched against the floor, a long, scaled creature with a cluster of flat black eyes set dead center in the front of its domed skull. Something like a cross between an alligator and a centipede, it had a thick, flat snout and a barbed tail that whipped menacingly from side to side. Multiple legs bunched underneath it as it readied itself to spring.

A shriek tore itself out of Clary’s throat. She staggered backward, tripped, and fell, just as the creature lunged at her. She rolled to the side and it missed her by inches, sliding along the wood floor, its claws gouging deep grooves. A low growl bubbled from its throat.

She scrambled to her feet and ran toward the hallway, but the thing was too fast for her. It sprang again, landing just above the door, where it hung like a gigantic malignant spider, staring down at her with its cluster of eyes. Its jaws opened slowly, showing a row of fanged teeth spilling greenish drool. A long black tongue flickered out between its jaws as it gurgled and hissed. To her horror Clary realized that the noises it was making were words.

“Girl,” it hissed. “Flesh. Blood. To eat, oh, to eat.”

It began to slither slowly down the wall. Some part of Clary had passed beyond terror into a sort of icy stillness. The thing was on its feet now, crawling toward her. Backing away, she seized a heavy framed photo off the bureau beside her—herself and her mother and Luke at Coney Island, about to go on the bumper cars—and flung it at the monster.

The photograph hit its midsection and bounced off, striking the floor with the sound of shattering glass. The creature didn’t seem to notice. It came on toward her, broken glass splintering under its feet. “Bones, to crunch, to suck out the marrow, to drink the veins …”

Clary’s back hit the wall. She could back up no farther. She felt a movement against her hip and nearly jumped out of her skin. Her pocket. Plunging her hand inside, she drew out the plastic thing she’d taken from Jace. The Sensor was shuddering, like a cell phone set to vibrate. The hard material was almost painfully hot against her palm. She closed her hand around the Sensor just as the creature sprang.

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