City of Bones (The Mortal Instruments, #1)(126)
Pangborn chuckled musically. “I thought you didn’t care.”
“I don’t see what he wants with her now,” Luke went on, ignoring the jibe. “He’s got the Cup. She can’t be of further use. Valentine was never one for pointless murder. Murder with a point. Now, that might be a different story.”
Pangborn shrugged indifferently. “It makes no difference to us what he does with her,” he said. “She was his wife. Perhaps he hates her. That’s a point.”
“Let her go,” said Luke, “and we’ll leave with her, call the clan off. I’ll owe you one.”
“No!” Clary’s furious outburst made Pangborn and Blackwell swing their stares to her. Both looked faintly incredulous, as if she were a talking cockroach. She turned to Luke. “There’s still Jace. He’s here somewhere.”
Blackwell was chuckling. “Jace? Never heard of a Jace,” he said. “Now, I could ask Pangborn to let her out. But I’d rather not. She was always a bitch to me, Jocelyn was. Thought she was better than the rest of us, with her looks and her lineage. Just a pedigreed bitch, that’s all. She only married him so she could turn it around on us all—”
“Disappointed you didn’t get to marry him yourself, Blackwell?” was all Luke said in reply, though Clary could hear the cold rage in his voice.
Blackwell, his face purpling, took an angry step forward into the room.
And Luke, moving so swiftly that Clary almost did not see him do it, seized a scalpel from the bedside table and flung it. It flipped twice in the air and sank point-first into Blackwell’s throat, cutting off his growling retort. He gagged, eyes rolling up to the whites, and fell to his knees, hands at his throat. Scarlet liquid pulsed between his spread fingers. He opened his mouth as if to speak, but only a thin line of blood dribbled out. His hands slipped from his throat, and he crashed to the ground like a tree falling.
“Oh, dear,” said Pangborn, gazing at the fallen body of his comrade with fastidious distaste. “How unpleasant.”
Blood from Blackwell’s cut throat was spreading across the floor in a viscous red pool. Luke, taking Clary’s shoulder, whispered something in her ear. It meant nothing. Clary was aware only of a numb buzzing in her head. She remembered another poem from English class, something about how after the first death you saw, no other deaths mattered. That poet hadn’t known what he was talking about.
Luke let her go. “The keys, Pangborn,” he said.
Pangborn nudged Blackwell with a foot, and glanced up. He looked irritable. “Or what? You’ll throw a syringe at me? There was only one blade on that table. No,” he added, reaching behind him and drawing from his shoulder a long and wicked-looking sword, “I’m afraid that if you want the keys, you’ll have to come and get them. Not because I care about Jocelyn Morgenstern one way or the other, you understand, but only because I, for one, have been looking forward to killing you … for years.”
He drew the last word out, savoring it with a delicious exultation as he moved forward into the room. His blade flashed, a spear of lightning in the moonlight. Clary saw Luke thrust a hand out toward her—a strangely elongated hand, tipped with nails like tiny daggers—and she realized two things: that he was about to Change, and that what he had whispered in her ear was a single word.
Run.
She ran. She zigzagged around Pangborn, who barely glanced at her, skirted Blackwell’s body, and was out the door and in the corridor, heart pounding, before Luke’s transformation was complete. She didn’t glance back, but she heard a howl, long and piercing, the sound of metal on metal, and a shattering fall. Breaking glass, she thought. Perhaps they had knocked over the bedside table.
She dashed down the hall to the weapons room. Inside, she reached for a weathered steel-hafted ax. It stuck firmly to the wall, no matter how hard she yanked at it. She tried a sword, and then a featherstaff—even a small dagger—but not a single blade would come free in her hand. At last, nails torn and fingers bloodied with effort, she had to give up. There was magic in this room, and not runic magic either: something wild and strange, something dark.
She backed out of the room. There was nothing on this floor that could help her. She limped down the corridor—she was beginning to feel the ache of true exhaustion in her legs and arms—and found herself at the junction of the stairs. Up or down? Down, she recalled, had been lightless, empty. Of course, there was the witchlight in her pocket, but something in her quailed at the thought of entering those black spaces alone. Upstairs she saw the blaze of more lights, caught a flicker of something that might have been movement.
She went up. Her legs hurt, her feet hurt, everything hurt. Her cuts had been bandaged, but that didn’t stop them from stinging. Her face ached where Hugo had slashed her cheek, and her mouth tasted metallic and bitter.
She reached the last landing. It was curved gently like the bow of a ship, as silent here as it had been downstairs; no sound of the fighting outside reached her ears. Another long corridor stretched out in front of her, with the same multiple doors, but here some were open, spilling even more light out into the hallway. She went forward, and some instinct drew her to the last door on her left. Cautiously she glanced inside.
At first the room reminded her of one of the period reconstruction displays in the Metropolitan Museum of Art. It was as if she had stepped into the past—the paneled walls gleamed as if recently polished, as did the endlessly long dining table set with delicate china. An ornate gold-framed mirror adorned the far wall, between two oil portraits in heavy frames. Everything glittered under the torchlight: the plates on the table, heaped with food, the fluted glasses shaped like calla lilies, the linens so white they were blinding. At the end of the room were two wide windows, draped with swags of heavy velvet. Jace stood at one of the windows, so still that for a moment she imagined he was a statue, until she realized she could see the light shining on his hair. His left hand held the curtain aside, and in the dark window she saw the reflection of the dozens of candles inside the room, trapped in the glass like fireflies.
Cassandra Clare's Books
- Cast Long Shadows (Ghosts of the Shadow Market #2)
- Son of the Dawn (Ghosts of the Shadow Market #1)
- Learn about Loss (Ghosts of the Shadow Market #4)
- Son of the Dawn (Ghosts of the Shadow Market #1)
- Welcome to Shadowhunter Academy (Tales from the Shadowhunter Academy #1)
- Lady Midnight (The Dark Artifices #1)
- Clockwork Princess (The Infernal Devices, #3)
- City of Heavenly Fire (The Mortal Instruments, #6)
- The City of Fallen Angels (Mortal Instruments 4)
- City of Glass (The Mortal Instruments, #3)