City of Bones (The Mortal Instruments, #1)(113)

A mirror hung over the cot, dangling from a nail driven between two stones. She glanced in it and was appalled. No wonder her face hurt—long parallel scratches ran from the corner of her right eye down to the edge of her mouth. Her right cheek was crusted with blood, and blood was smeared on her neck and all down the front of her shirt and jacket. In a sudden panic she grabbed for her pocket, then relaxed. The stele was still there.

It was then that she realized what was odd about the room. One wall of it was bars: thick iron floor-to-ceiling bars. She was in a jail cell.

Veins surging with adrenaline, Clary staggered to her feet. A wave of dizziness washed over her, and she caught at the table to steady herself. I will not faint, she told herself grimly. Then she heard the footsteps.

Someone was coming down the hallway outside the cell. Clary backed up against the table.

It was a man. He was carrying a lamp, its light brighter than the candle, which made her blink and turned him into a backlit shadow. She saw height, square shoulders, ragged hair; it was only when he pushed the door of the cell open and came inside that she realized who he was.

He looked the same: worn jeans, denim shirt, work boots, same uneven hair, same glasses pushed down to the bridge of his nose. The scars she’d noticed along the side of his throat last time she’d seen him were healing patches of shiny skin now.

Luke.

It was all too much for Clary. Exhaustion, lack of sleep and food, terror and blood-loss, caught up with her in a rushing wave. She felt her knees buckle as she slid toward the ground.

In seconds Luke was across the room. He moved so fast, she didn’t have time to hit the floor before he caught her, swinging her up the way he’d done when she was a little girl. He set her down on the cot and stepped back, eyes anxious. “Clary?” he said, reaching for her. “Are you all right?”

She flinched away, throwing up her hands to ward him off. “Don’t touch me.”

An expression of profound hurt crossed his face. Wearily he drew a hand across his forehead. “I guess I deserve that.”

“Yeah. You do.”

The look on his face was troubled. “I don’t expect you to trust me—”

“That’s good. Because I don’t.”

“Clary …” He began to pace the length of the cell. “What I did … I don’t expect you to understand. I know you feel that I abandoned you—”

“You did abandon me,” she said. “You told me never to call you again. You never cared about me. You never cared about my mother. You lied about everything.”

“Not,” he said, “about everything.”

“So your name really is Luke Garroway?”

His shoulders drooped perceptibly. “No,” he said, then glanced down. A dark red patch was spreading across the front of his blue denim shirt.

Clary sat up straight. “Is that blood?” she demanded. She forgot for a moment to be furious.

“Yes,” said Luke, his hand against his side. “The wound must have torn open when I lifted you.”

“What wound?” Clary couldn’t help asking.

He said with deliberation: “Hodge’s disks are still sharp, though his throwing arm is not what it once was. I think he may have nicked a rib.”

“Hodge?” Clary said. “When did you …?”

He looked at her, not saying anything, and she remembered suddenly the wolf in the alley, all black except for that one gray streak down its side, and she remembered the disk hitting it, and she realized.

“You’re a werewolf.”

He took his hand away from his shirt; his fingers were stained red. “Yep,” he said laconically. He moved to the wall and rapped sharply on it: once, twice, three times. Then he turned back to her. “I am.”

“You killed Hodge,” she said, remembering.

“No.” He shook his head. “I hurt him pretty badly, I think, but when I went back for the body, it was gone. He must have dragged himself away.”

“You tore at his shoulder,” she said. “I saw you.”

“Yes. Though it’s worth noting that he was trying to kill you at the time. Did he hurt anyone else?”

Clary sank her teeth into her lip. She tasted blood, but it was old blood from where Hugo had attacked her. “Jace,” she said in a whisper. “Hodge knocked him out and handed him over to … to Valentine.”

“To Valentine?” Luke said, looking astonished. “I knew Hodge had given Valentine the Mortal Cup, but I hadn’t realized—”

“How did you know that?” Clary began, before remembering. “You heard me talking to Hodge in the alley,” she said. “Before you jumped him.”

“I jumped him, as you put it, because he was about to slice your head off,” Luke said, then looked up as the cell door opened again and a tall man came in, followed by a tiny woman, so short she looked like a child. Both of them wore plain, casual clothes: jeans and cotton shirts, and both had the same untidy, flyaway hair, though the woman’s was fair and the man’s was a badgery gray and black. Both had the same young-old faces, unlined but with tired eyes. “Clary,” said Luke, “meet my second and third, Gretel and Alaric.”

Alaric inclined his massive head to her. “We have met.”