Broken Whispers (Perfectly Imperfect #2)(56)



“Oh? What is it?”

I let my lips widen in a smug smile, take a hold of his tie, and take a step backward, pulling him toward me. Mikhail’s eyebrow lifts, but he follows me, taking one step forward for every two of mine as he allows me to lead him across the living room to the gym. Without letting go of his tie, I turn the knob and drag him inside, waiting for his reaction when he sees the setup I’ve prepared. He stops at the threshold to look at the blinds I pulled all the way down over the floor-to-ceiling windows. The only light in the room is from two lamps I moved from the living room and placed in opposing corners. His lips lift when he spots the chair I placed in the middle of the room, but he doesn’t comment. Curling my finger at him, I draw him into my makeshift theater, leading him until we reach the chair.

“Sit down,” I sign and push lightly at his chest.

Mikhail lowers himself to the chair and cocks his head to the side, pursing his lips as if trying to read my intentions.

“Close your eyes. And no peeking.”

“Alright.” He smiles and leans back in the chair.

I place a light kiss on his lips, then rush toward the corner, where I left my tulle skirt and ballet slippers hidden under a towel. It takes me less than two minutes to get out of my dress and put on the slippers, cropped top, and skirt. At first, I planned on wearing a leotard but that would get in the way later. After debating for a few seconds, I take off my panties and throw them over the discarded dress. With a glance over my shoulder at Mikhail, I smile in anticipation as I set the PA system to play at max volume. In the pause I included before my playlist begins, I assume an open fourth position with one arm outstretched in a soft arc.

The opening sounds of Chopin’s Nocturne No.9 fill the room, and Mikhail’s eye snaps open. I smile, blow him a kiss, and begin. I draw myself into a pirouette, slowly extend my leg in a suspended developpé, my opening sequence from Swan Lake, then continue into a series of different choreographies. Mikhail’s eye watches me without blinking, following my every move. I grew accustomed to having men looking at me, both on stage and off, but no one ever looked at me the way Mikhail does. Like I am something precious, and he is afraid that if he moves his eye from me, I might disappear. Such a silly man, my husband. No one will make me let go of him. Ever. I perform an arabesque and a few smaller steps until I am standing right in front of him, then do a fouetté and stop at the same moment when the Chopin piece ends.

There are a few seconds of silence, during which he just watches me with a small smile on his lips. He probably thinks this was all I’ve prepared, and when the sound of John Legend’s All Of Me fills the room, he quirks his eyebrow . I smile and step forward, coming to stand between his legs. The first verse passes with us staring at each other without even touching, but when the choir sings, I place my left palm over his right cheek and, without breaking the eye contact, remove his eyepatch with my free hand.

“All of me,” I whisper and place a kiss on his lips. “All of you . . . baby.”

He regards me as his hand comes to the back of my neck, threading my hair through his fingers and squeezing. I remove his tie and unbutton his shirt. Mikhail doesn’t say a word, only watches me while his grip on my hair keeps my head unmoving. As if he wants to keep my face in sight.

When the chorus starts again, I remove his shirt and bend to press my lips over his scarred right eyelid. “All your . . . imperfections.”

He takes a deep breath and cups my face between his huge rough palms, his touch so impossibly tender. I smile and, with my finger, trace a heart shape on his chest.

I can’t believe I almost lost him. The nightmares of that day still plague me, and I wake up in the middle of the night with panic squeezing my chest. Leaning forward, I slam my lips into his while my hands travel to his bare back, heedless of his older scars. But when I feel the raised round mark under my fingers, I shudder and squeeze him tighter to me.





There is not much light in the room, but, even with my slightly blurred vision, I can see the tears gathering in the corners of Bianca’s eyes.

“Baby? What’s wrong?”

She presses her lips together and touches her forehead to mine while her finger traces a pattern around the already healed gunshot wound on my back.

“Bianca, look at me, baby.”

She lifts her head, and I take her chin between my fingers. “I am okay. Can you please try to forget about it?”

Her hand rests at the nape of my neck and she nods, but I know she’s lying because one tear escapes and rolls down her cheek. I can’t take it. For years, I believed there was nothing I couldn’t endure, but seeing Bianca cry because of me . . . I can’t take that.

“Do you want me to reassure you, my little lamb?” I ask as I trail my hand down the center of her chest and stomach, then reach under her tulle skirt to press my fingers at her pussy.

She takes a deep breath and nods, and I slide my finger inside of her. Standing up from the chair, I start unbuttoning my pants with my right hand, without removing the left one from her pussy. When I manage to get rid of my pants, I take the waistband of her skirt and pull it up and over her head, then turn her around and press her back to me, wrapping my free hand around her waist.

“Ready?” I ask and nuzzle her neck.

She nods, and I tighten the arm around her, then lift her and head out of the gym. Bianca squeezes my forearm and presses her legs together, panting as I carry her. I make sure I go slow, teasing the inside of her all the way to the bedroom, and by the time we reach the bed, she is already close to coming.

Neva Altaj's Books