Boy, Snow, Bird(6)
Our misunderstanding worried me. I thought: I should talk to him. I should tell him it isn’t vanity. If it was vanity, I’d have been able to disguise it, all this insipid smirking at myself. Other women did it all the time; it was just that they didn’t get caught. No, the only behaviors we can’t control are those caused by nerves. I rehearsed an offhand explanation. It began with the words: “Hand me some nerve tonic, Whitman.” But I didn’t know for sure that it wasn’t vanity running the show. What I did know was that I wouldn’t be able to stand it if I tried to explain myself in good faith and his only answer was “Indeed.”
The other two date nights Webster and I spent with bachelors eligible enough to stop Ted from taking her for granted but not so eligible that he quit competing. As for me, I knew I was onto a good thing. I was guaranteed three moderately fancy dinners a week, including dessert, and I was mingling with the locals. The only cost was a little of my pride. I had one dress that was fit for a dinner date, a deep red shantung number the rat catcher’s girlfriend had outgrown. Each time I went to a restaurant, that dress came too. My dates cracked jokes about it, and I acknowledged the jibes with an affable but distant smile. Every other young person I met was an apprentice at this studio or that workshop. The potters scrubbed up pretty well but never managed to shed every last bit of clay; there’d always be just a little daub of it on their chins or wrists. My favorite potter, whose name I forget, said, “Awww, not again,” when I told him there was clay on his forehead. He said: “You know how possessive clay is.” His tone of voice made me wish I could agree with him. As far as he was concerned, he was talking about something as true as thunder, as true as his thumb. So clay leaves hickeys. Who knew . . .
I told Arturo Whitman about it, just to make conversation. He shrugged, and said: “You should go back to New York.”
In my head I counted slowly to five before answering. “Oh, I should, should I?”
“Yup.” He cracked his knuckles. Maybe he just felt a little stiff at that moment, but as a gesture made while telling someone to leave town, I didn’t like it.
“And just why is that?”
He finished his lunch and started on mine, methodically, without enthusiasm. He didn’t seem to approve of lamb chops and spinach. “You must’ve thought you’d get an easy ride around here. You must’ve thought you could show up and say ‘Hey, I’m from the big city’ and everyone would just roll over—”
“Would it kill you to get to the point?” I inquired.
“All right,” he said. “I’ll keep it simple. People make beautiful things here. We’re interested in the process, not the end product. Now, you—you don’t have what it takes to start that kind of process, let alone see it through. So. There’s nothing here for you.”
I looked him in the eye and said slowly: “Oh, isn’t there?” I wasn’t referring to anything in particular—all I was conscious of was the desire to give him a gigantic scare, right there in the diner, with the rest of the Sunday lunch crowd all around us, happy young families and grandpas carefully chewing the pasta in their minestrone as they listened to the baseball scores.
Arturo didn’t turn a hair. “What were you at home, a dressmaker’s model?”
“No,” I said, amazed that he could have got it so wrong. That “big city” stuff too. New York wasn’t a big city to me. It was no bigger than a Novak rat cage. The nearest of those blinded creatures always knew when I was nearby, and would turn their heads toward me if I made the slightest movement, just as if I’d called their names.
“Well, you could probably do that kind of work here. I know someone who—”
“I’ll find my own job. Thanks.”
That evening I told Webster she should find someone else for her double dates. It was just one of those things, I said.
I found it easy to disregard the suggestion that I didn’t belong in Flax Hill. The town woke something like a genetic memory in me . . . after a couple of weeks, the air tasted right. To be more specific, the air took on a strong flavor of palinka, that fiery liquor I used to sneak capfuls of whenever the rat catcher forgot to keep it under lock and key. But now, here, clear smoke rose from my soul every time I breathed in. A taste of the old country. Of course I knew better than to mention this to anybody.
Arturo was right about the way Flax Hill worked, though. I swept the floors of European-style ateliers and watched luxury made before my very eyes. Brocade gloves in quarter sizes for a perfect fit, peau de soie slippers with a platinum sheen, hall-length tapestries woven from hand-dyed thread, wooden doorknobs shaped like miniature tigers midleap—the people of Flax Hill made all these things, packed them up in crates with no more emotion than if they were hen’s eggs, and sent them to department stores and private clients across the country. The town should really have been called Flax Hills, since it was huddled up between two of them, but maybe that was the locals’ way of instructing one of the hills to scram. The hills are ringed round with old, dark, thick-trunked trees. They’re so tall you feel a false stillness standing under them; when you look all the way up, you see the wind crashing through the topmost branches, but you hear all the commotion only distantly, if at all. I met men out among those trees. Bearded men who carried axes, and drove carthorses, occasionally stopping to deftly bind logs of wood more tightly together. The woodcutters didn’t seem surprised to see me. They’d just say hello and point, reminding me where north was so I wouldn’t lose my way. Light fell through the leaves, liquid in some places, sometimes stopping to hang in long necklaces—but only for a second or two, as if aware it wouldn’t get much admiration in Flax Hill.