Bone Music (Burning Girl #1)(42)

“Huh. Well, you know what my dad always said ’bout men and women.”

“What’d he say?”

“Come on. You know his old joke.”

“Which one?”

“Why’d God give women vaginas?”

“So men would talk to ’em.”

Charlotte lifts her glass to her mouth and drains the rest of her Diet Coke. Then she slams it down hard enough to suggest she’s offended. She is, but in an abstract way. Mostly she’s relieved they’ve set up her next line of attack so nicely. She stands, takes a step toward them.

“You losers have about as much chance of being able to see what’s in my pants as you do of finding a word in the dictionary.”

It’s like she’s thrown ice water in their faces. Maybe it’s the insult, or maybe it’s the confidence with which she hurled it.

Either way it’s time for her to get moving.

When she passes Marty’s table, she locks eyes with him. He holds her gaze briefly, letting her know he’s ready to follow.

She’s outside and headed along the irrigation canal when she hears the door open.

She expects another verbal volley, maybe some shouted taunts or another disgusting joke about women. When she hears their footsteps punching gravel, she realizes this is escalating more quickly than she anticipated.

The realization that they’re only feet behind her now sends a familiar shiver through her entire body. Her hands begin to shake.

It’s a moment in which powerlessness and outrage collide and fight for prominence, producing several seconds of terrified paralysis, and it feels like it’s enough to unleash the drug’s power.

They slam her into the fence from behind—a maelstrom of whiskey breath and wheezing grunts. Just as she’d planned, she reaches out and grabs two of the steel spokes. She forces herself to go limp so they think they’ve got her.

One’s got his arms around her from behind and is grinding his groin against her ass; the other grips the back of her neck with so much pressure it should hurt like hell but doesn’t. His hot breath bathes her ear. They’re laughing because they think they got her, and she’s saying nothing because the bone music is back. This time it feels pleasurable, delicious even. Maybe because she knows what’s really causing it.

“I got an idea how we’re gonna get in those pants, you mouthy little bitch.” It’s the one who has her by the neck. He’s growling right into her ear. Forward Cap.

Backward Cap says, “What’re we gonna do with whatever we find there?”

“Well, if we like it, we help ourselves to a piece. If we don’t, we’ll cut it off.”

Slowly, hoping they won’t notice the motion right away, she begins to pull on both spikes. The resulting sound reminds her of train cars coming to a slow, tortured stop. The sound of steel being bent by a constant and steady force.

“Fuck,” Forward Cap whispers. He releases her neck. “Fuck!” There’s no malice in his voice now, just a kind of dumbstruck horror.

They’re both stumbling away from her. She’s bent the spokes at almost ninety-degree angles. Finally, the one in her right hand snaps free with a sound like a giant guitar string being flicked by a giant finger. A tug and the one in her left hand comes free as well. When she turns, Forward Cap stumbles backward over his own feet.

“Who likes hand jobs?” Charlotte asks.

They run.

A few seconds later, Kayla emerges out of the darkness, lowering the gun she’s drawn. Staring at the steel spikes in Charlotte’s hand. Her jaw’s slack; her eyes are wide. She’s shaking her head back and forth. From the other direction comes Marty. No drawn gun, probably because he had faith the drug would work. But he seems as awestruck as Kayla. And, like her, he seems unwilling to get too close.

“Talk to us,” Kayla says. She sounds winded. “Describe what you’re feeling.”

“What are you feeling?” Charlotte asks.

“Like I’m gonna wet myself. But don’t answer a question with a question. It’s annoying.”

“Bone music,” Charlotte answers.

“What?” Marty asks.

“It’s like there’s music playing inside my bones. Or a beat, at least.”

“Like a waltz beat or a samba beat or a rave beat?”

“Is that a serious question?” Charlotte asks.

“Is it painful, is what I mean?”

“No,” Charlotte says, “it’s like I can’t feel pain. And I’d go with samba if I had to pick.”

She throws the spike in her left hand at the dirt with one downward thrust. It lands like a perfectly aimed spear.

Kayla gasps. Then Charlotte takes the jagged end of the other spear and drives it slowly into her left palm. The pain is a dull, muffled thing. The skin should break, but it doesn’t. Instead it develops an instant dark bruise that comes on too fast, then seems to vanish the second she withdraws the steel. Like her body’s trying to assert its usual response to being stabbed, but the drug suppresses it.

Kayla and Marty flank her now. “Keep talking, Charlotte,” Kayla says.

“OK. What do you want to know?”

“Just keep describing what you’re feeling. Altered vision? Mood changes?”