Big Summer(5)



“What, right now?”

“Please. It would be such an honor,” she said, her smile widening.

Thankfully this coffee shop had a spacious bathroom that was covered in William Morris–style wallpaper, with fancy soap and hand lotion and a verbena-scented candle flickering on the reclaimed-wood table beside the sink. I hung the bag from a hook on the inside of the door. Luscious, I thought, bemused. It sounded like a brand-new code word for fat, like Rubenesque. But I’d take it. I’d always take a well-intentioned gesture toward kindness and inclusion over the rudeness that had underscored too many of my days.

I unzipped the bag. According to the promotional materials, each piece of the capsule collection had been named after a woman in Leela’s life. They were all designed to work together, each could be dressed up or dressed down, and the collection could “keep a working woman covered, from office to evening, seven days a week.” It was the impossible dream. In my limited experience, clothes didn’t work this way. Yoga pants still looked like yoga pants, even if you wore them to the office with a blazer on top; a bridesmaid’s dress was still a bridesmaid’s dress, even if you hemmed it or dyed it or threw a cardigan over it and put it on for a trip to the grocery store.

I told myself to keep an open mind as I removed the first hanger from the bag and gave the dress a shake. It had an A-line silhouette, three-quarter-length sleeves, and a waistline that gathered under the bust. The fabric was a silky blend of cotton and something stretchy and synthetic, light and breathable, but with enough weight to drape well. Best of all, it was navy blue, with white polka dots. I adored polka dots.

I shucked off my leggings and top, pulled the dress off, shut my eyes, and let the fabric fall over my head and shoulders, past my breasts and hips, unspooling with a silky swish. I turned toward the mirror and held my breath.

For all women—or maybe just all plus-size women, or maybe just me—there’s a moment right after you put on a new piece of clothing, after you’ve buttoned the buttons or zipped the zipper, but before you’ve seen how it looks—or, rather, how you look in it. A moment of just sensation, of feeling the fabric on your skin, the garment against your body, knowing here the waistband pinches or if the cuffs are the right length, an instant of perfect faith, of pure, untarnished hope that this dress, this blouse, this skirt, will be the one that transforms you, that makes you look shapely and pretty, and worthy of love, or respect, or whatever you most desire. It’s almost religious, that belief, that faith that a piece of silk or denim or cotton jersey could disguise your flaws and amplify your assets and make you both invisible and seen, just another normal woman in the world; a woman who deserves to get what she wants.

I opened my eyes, gave the skirt a shake, and looked at myself in the mirror.

I saw how my skin glowed, rosy, against the navy blue, and how the bustline draped gracefully and didn’t tug. The V-neck exposed the tiniest hint of cleavage; the wide, sewn-in waistband gripped the narrowest part of my body; and the skirt, hemmed with a cute little flounce of a ruffle that I hadn’t noticed at first, flared out and hit right beneath my knees. The sleeves were fitted, snug without being uncomfortable—I could lift and lower my arms and stretch them out for a hug, and the cuffs sat between my elbows and my wrists, another visual trick, one that made my arms look as long as the skirt made my legs appear.

I turned from side to side, taking in the dress, and me in the dress, from every angle the mirror would give me. I could already imagine it working with my big fake-pearl statement necklace, or with my dainty amethyst choker, with my hair in a bun, or blown out straight. I could wear this with flats, I thought. I could wear it with espadrilles or wedges or stilettos. I could wear it to work, with sneakers and a cardigan… or out on a date with heels and a necklace… or just to go to the park, sit on a bench, and drink my coffee. As Leela had promised, the fabric breathed. The dress moved with me, it didn’t pinch or bind or squeeze. It flattered, which, in my mind, meant that it didn’t make me look thin, or different, but instead like the best version of myself. It made me feel good, made me stand a little straighter. And… I slipped my hands down my sides. Pockets. It even had pockets. “A unicorn,” I breathed.

“Knock knock!” called Leela, her voice merry. “Come out, come out wherever you are!”

I gave myself one last look and stepped out of the restroom. In the coffee shop’s light, the dress looked even better, and I could notice little details, the subtle ruching on the sides of the bodice, the tiny bow at the base of the neckline, the embroidered rickrack along the cuffs.

“So what do you think?”

I thought about trying to be coy. I thought about trying to be as effusive as fashion folk typically were. In the end, I gave her honesty. “It’s amazing. My new favorite dress.”

She clapped, her pretty face delighted. “I’m so glad! The dress—we call her Jane—is the backbone of the collection. And there’s pants… and a blouse…” She clasped her hands together and pressed them against her heart. “Will you try them on for me? Pretty please? I’ve only ever seen them on our fit model. This is my first chance to see them, you know, out in the real world.”

I agreed. And, to my delight, every piece was just as comfortable, just as flattering, and just as thoughtfully made as the Jane. The high-waisted, wide-legged Pamela pants were chic, not frumpy, a world away from the palazzo pants that grandmothers wore on cruises; the white blouse, named Kesha, had princess seams and a clever hook-and-eye construction to guarantee that it wouldn’t gape. I normally hated blazers, which always made me look boxy and approximately the size of a refrigerator, but the Nidia blazer was cut extra-long in the back and made of a stretchy brushed-cotton blend, with cute zipper detailing on the sleeves in a perfect shade of plum.

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