Authority (Southern Reach, #2)(9)

“Just close your eyes and you will remember me.”

I do, Dad. I do remember you, but you’re fading. There’s too much interference, and all of this is becoming much too real.

* * *

Control’s father’s side of the family came originally from Central America, Hispanic and Indian; he had his father’s hands and black hair, his mother’s slight nose and height, a skin color somewhere in between. His paternal grandfather had died before Control was old enough to know him, but he had heard the epic stories. The man had sold clothespins door-to-door as a kid, in certain neighborhoods, and been a boxer in his twenties, not good enough to be a contender but good enough to be a paid opponent and take a beating. Afterward, he’d been a construction worker, and then a driving instructor, before an early death from a heart attack at sixty-five. His wife, who worked in a bakery, passed on just a year later. His eldest child, Control’s father, had grown up to be an artist in a family mostly composed of carpenters and mechanics, and used his heritage to create abstract sculptures. He had humanized the abstractions by painting over them in the bright palette favored by the Mayans and by affixing to them bits of tile and glass—bridging some gap between professional and outsider art. That was his life, and Control never knew a time that his father was not that person and only that person.

The story of how Control’s father and mother fell in love was also the happy story of how his father had risen, for a time, as a favorite in high-end art galleries. They had met at a reception for his work and, as they told it, had been enamored with each other right from the first glance, although later Control found that difficult to believe. At the time, she was based in New York and had what amounted to a desk job, although she was rising fast. His father moved up north to be with her, and they had Control and then only a year or two later she was reassigned, from a desk job to active duty in the field, and that was the start of the end of it all, the story that anchored Control as a kid soon revealed as just a brief moment set against a landscape of unhappiness. Not unique: the kind of depressingly familiar painting you’d find in a seaside antique store but never buy.

The silence was punctuated by arguments, a silence created not just by the secrets she carried with her but by those she could not divulge, and, Control realized as an adult, by her inner reserve, which after a time could not be bridged. Her absences tore at his father, and by the time Control was ten, that was the subtext and sometimes the transcript of their dispute: She was killing his art and that wasn’t fair, even though the art scene had moved on and what his father did was expensive and required patrons or grants to sustain.

But still his father would sit there with his schematics, his plans for new work, spread out around him like evidence when she came back between field assignments. She bore the recrimination, Control remembered, with calm and a chilly, aloof compassion. She was the unstoppable force that came blowing in—not there, there—with presents bought at the last minute in far-off airports and an innocent-sounding cover story about what she’d been up to, or a less innocent story that Control realized years later, when faced with a similar dilemma, had been coming to them from a time delay. Something declassified she could now share but that had happened to her long ago. The stories, and the aloofness, agitated his father, but the compassion infuriated him. He could not read it as anything other than condescending. How can you tell if a streak of light across the sky is sincere?

When they divorced, Control went south to live with his dad, who became embedded in a community that felt comfortable because it included some of his relatives and fed his artistic ambitions even as his bank account starved. Control could remember the shock when he realized how much noise and motion and color could be found in someone’s house, once they’d moved. How suddenly he was part of a larger family.

Yet during those hot summers in that small town not very far from the Southern Reach, as a thirteen-year-old with a rusty bike and a few loyal friends, Control kept thinking about his mother, out in the field, in some far-off city or country: that distant streak of light that sometimes came down out of the night sky and materialized on their doorstep as a human being. Exactly in the same way as when they’d been together as a family.

One day, he believed, she would take him with her, and he would become the streak of light, have secrets no one else could ever know.

* * *

Some rumors about Area X were elaborate and in their complexity seemed to Control like schools of the most deadly and yet voluminous jellyfish at the aquarium. As you watched them, in their undulating progress, they seemed both real and unreal framed against the stark blue of the water. Invasion site. Secret government experiments. How could such an organism actually exist? The simple ones that echoed the official story—variations on a human-made ecological disaster area—were by contrast so commonplace these days that they hardly registered or elicited curiosity. The petting-zoo versions that ate out of your hand.

But the truth did have a simple quality to it: About thirty-two years ago, along a remote southern stretch known by some as as the “forgotten coast,” an Event had occurred that began to transform the landscape and simultaneously caused an invisible border or wall to appear. A kind of ghost or “permeable pre-border manifestation” as the files put it—light as fog, almost invisible except for a flickering quality—had quickly emanated out in all directions from an unknown epicenter and then suddenly stopped at its current impenetrable limits.