Authority (Southern Reach, #2)(46)



“I thought I would visit you this time, since you don’t feel well,” he said, through his surgical mask. The attendant had already said she had given her permission.

“You thought you’d crash my sickness party and take advantage of me not being at full strength,” she said. Her eyes were bloodshot and hooded with shadow, her face drawn. She was still wearing the same odd janitorial-military outfit, this time with red socks. Even sick, she looked strong. She must do push-ups and pull-ups at a ferocious rate, was all he could think.

“No,” he said, spinning an ovoid plastic chair so, before he’d thought through the visual, he could lean against the back, legs awkwardly splayed to either side. Did they not allow real chairs for the same reason airports only had plastic knives? “No, I was concerned. I didn’t want to drag you to the debriefing room.” He wondered if the medication for her sickness had made her fuzzy, if he should come back later. Or not at all. He had become uncomfortably aware of the power imbalance between them in this setting.

“Of course. Phorus snails are known for their courtesy.”

“If you’d read further in your biology text, you would have discovered this is true.”

That earned him half a laugh, but also her turning away from him on the bed-cot as she hugged an extra yellow pillow. Her V of a back faced him, the fabric of her shirt pulled tight, the delicate hairs on the smooth skin of her neck revealed to him with an almost microscopic precision.

“We could go into the common area if you would prefer?”

“No, you should see me in my unnatural environment.”

“It seems nice enough,” he said, then wished he hadn’t.

“The Ghost Bird has a usual daily range of ten to twenty square miles, not a cramped space for pacing of, say, forty feet.”

He winced, nodded in recognition, changed the subject. “I thought maybe today we’d talk about your husband and also the director.”

“We won’t talk about my husband. And you’re the director.”

“Sorry. I meant the psychologist. I misspoke.” Cursing and forgiving himself at the same time.

She swiveled enough to give him a raised eyebrow, right eye hidden by the pillow, then fell back into contemplating the wall. “Misspoke?”

“I meant the psychologist.”

“No, I think you meant director.”

“Psychologist,” he said stubbornly. Perhaps with too much irritation. There was something about the casualness of the situation that alarmed him. He should not have come anywhere near her private quarters.

“If you say so.” Then, as if playing on his discomfort, she turned again so she was on her side facing him, still clutching the pillow. She peered up at him and said with a kind of sleepy cheekiness, “What if we share information?”

“What do you mean?” He knew exactly what she meant.

“You answer a question and I’ll answer a question.”

He said nothing, weighing the threat of that versus the reward. He could lie to her. He could lie to her all day long, and she’d never know.

“Okay,” he said.

“Good. I’ll start. Are you married or ever been married?”

“No and no.”

“Zero for two. Are you gay?”

“That’s another question—and no.”

“Fair enough. Now ask away.”

“What happened at the lighthouse?”

“Too general. Be more specific.”

“When you went inside the lighthouse, did you climb to the top? What did you find?”

She sat up, back to the wall. “That’s two questions. Why are you looking at me that way?”

“I’m not looking at you in any particular way.” He’d just become aware of her breasts, which hadn’t happened during prior sessions, and now was trying to become unaware of them again.

“But that’s two questions.” Apparently, he’d given the correct response.

“Yes, you’re right about that.”

“Which one do you want answered?”

“What did you find?”

“Who says I remember any of it?”

“You just did. So tell me.”

“Journals. Lots of journals. Dried blood on the steps. A photograph of the lighthouse keeper.”

“A photograph?”

“Yes.”

“Can you describe it?”

“Two middle-aged men, in front of the lighthouse, a girl out to the side. The lighthouse keeper in the middle. Do you know his name?”

“Saul Evans,” he said without thinking. But couldn’t see the harm, was already mulling over the significance of a photograph that hung in the director’s office also existing in the lighthouse. “That’s your question.”

He could tell she was disappointed. She frowned, shoulders slumped. Could tell as readily that the name “Saul Evans” meant nothing to her.

“What else can you tell me about the photo?”

“It was framed, hanging on the wall at the middle landing, and the lighthouse keeper’s face was circled.”

“Circled?” Who had circled it, and why?

“That’s another question.”

“Yes.”

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