Anything Is Possible(52)

It was also the year Jamie saved up his money and gave his father a tape recorder for his birthday. This turned into a terrible moment because his father, after unwrapping the present with barely any rips to the wrapping paper, the way he always unwrapped things, said, “You’re the one who wants a tape recorder, James. It’s indecent to give someone a present you want yourself, though it happens all the time.”

“Elgin,” Sylvia murmured. It was true that Jamie had wanted a tape recorder, and his pale cheeks burned red. The tape recorder was put away on the top shelf of the coat closet.

Annie, talkative as she was, did not mention this to anyone, including her grandmother next door. Her grandmother’s house was a small square house, and in the long white months of winter the house seemed stark and bare naked, the windows like eyes stuck open, looking toward the farm. The old woman was from the St. John Valley and was said to have been beautiful in her day. Annie’s mother had once been beautiful too, photos showed that. Now the old woman was stick-thin, and tiny wrinkles covered her face. “I would like to die,” she said languidly from where she lay on her couch. Annie sat cross-legged in the big chair nearby. Her grandmother drew in the air with her finger. “I would like to close my eyes right now and pass away.” She lifted her head of white hair and looked over at Annie. “I’m blue,” she added. She put her head back down.

“I’d miss you,” said Annie. It was a Saturday and it had snowed all day, the flakes big and wet and thick, sticking to the lower windowpanes in curves.

“You wouldn’t. You only come over here to get a piece of candy. You have a brother and a sister to talk to. I don’t know why the three of you don’t play together.”

“We’re not in the appetite.” Annie had once asked her brother to play cards and he had said he was not in the appetite. She picked at a hole in her sock. “Our teacher says if you look at the fields right after it snows and the sun is shining hard you can get blind.” Annie craned her neck to see out the window.

“Then don’t look,” her grandmother said.



When Annie was in the fifth grade, she began staying at Charlene Daigle’s house more. Annie was still lively and talked incessantly, but there had been an incident with the long-forgotten tape recorder—a secret she shared with Jamie—and ever since the incident it was as though a skin was compressed round her own family: the farm, her quiet brother, her sulky sister, her smiling mother, who often said, “I feel sorry for the Daigles. He’s always so grumpy and he yells at the kids. We’re awfully lucky to have a happy family.” All of it made Annie picture a sausage, and she had poked a small hole in the casing and was trying to squirm out. Mr. Daigle did not really yell at his kids; in fact, when Annie and Charlene took a bath he often came in to wash them with a washcloth. Annie’s own father thought bodies were private and had recently become red-faced and yelled—yelled hard!—because Cindy had not wrapped her sanitary pad adequately with toilet paper before putting it in the garbage. He had made her come and get it and wrap it up more. It caused Annie to tremble inside; the skin of the sausage was shame. Her family was encased in shame. She felt this more than she thought it, the way children do. But she thought that when she was old enough for this awful thing to happen to her own body she would bury the things outside in the woods.

So she went to Charlene’s house after school and they made large snowpeople that Mr. Daigle sprayed with the hose so they would turn icy and glasslike by the morning. When it was too cold to be outside, Annie and Charlene made up stories and acted them out. Annie’s father, stopping by to get her, would stand with Mrs. Daigle and watch them. Mrs. Daigle wore red lipstick, there was something fierce about her; Elgin Appleby got a twinkle in his eye when he talked with her. It was not a look he got when he talked to his wife, and one Saturday afternoon Annie said quite suddenly, “This is a dumb play we made up. I want to go home.” Walking back up the road to their house she still held her father’s hand, as she had always done. Around them the fields were endless and white, edged by the dark trunks of spruce trees and their boughs weighed down with the snow. “Daddy,” she said, blurting it out, “what’s the most important thing to you?”

“You, of course.” He did not break his stride. “My family.” His answer was immediate and calm.

“And Mama?”

“The most important of all.”

Joy spilled around Annie, and in her memory it stayed that way for years. The walk back up the road to her house, holding her father’s hand, the fields quieting in their brightness, the trees darkening to a navy green, the milky sun that was the color of the snow. Once inside the house she knocked softly on the door of her brother’s room. He was in high school, and small hairs were on his upper lip. She closed the door behind her and said, “Nana’s just a mean old witch. Nobody likes her. Not one person.”

Her brother kept looking at the comic book he held open. “I don’t know what you’re talking about,” he said. But when Annie sighed and turned to go, he said, “Of course she’s an old hag. And don’t worry about her. You always exaggerate everything.” He was quoting his mother, who said that Annie exaggerated things.

The farm had belonged to Sylvia’s father. Elgin had lived three towns away, though he had originally come from Illinois; he had been raised in a trailer with a family that had no money, farm, or religion. He had worked on farms, though, and knew the business, and after he married Sylvia he took over the farm when his father-in-law died. At some point, before Annie’s memory, the house for her grandmother had been built. Until then she had lived in the main house with the rest of the family.