Annihilation (Southern Reach, #1)(45)



The last entry, written upon his return to the lighthouse, read, “I am going back up the coast. But not on foot. There was a boat in the ruined village. Staved in, rotting, but I have enough wood from the wall outside the lighthouse to fix it. I’ll follow the shoreline as far as I can go. To the island, and perhaps beyond. If you ever read this, that is where I am going. That is where I will be.” Could there be, even within all of these transitional ecosystems, one still more transitional—at the limits of the Tower’s influence but not yet under the border’s influence?

After reading the journal, I was left with the comfort of that essential recurring image of my husband putting out to sea in a boat he had rebuilt, out through the crashing surf to the calm just beyond. Of him following the coastline north, alone, seeking in that experience the joy of small moments remembered from happier days. It made me fiercely proud of him. It showed resolve. It showed bravery. It bound him to me in a more intimate way than we had ever seemed to have while together.

In glimmers, in shreds of thought, in the aftermath of my reading, I wondered if he kept a journal still, or if the dolphin’s eye had been familiar for a reason other than that it was so human. But soon enough I banished this nonsense; some questions will ruin you if you are denied the answer long enough.

* * *

My injuries had receded into a constant but manageable ache when I breathed. Not coincidentally, by nightfall, the brightness was thrushing up through my lungs and into my throat again so that I imagined wisps of it misting from my mouth. I shuddered at the thought of the psychologist’s plume, seen from afar, like a distress signal. I couldn’t wait for morning, even if this was just a premonition of a far-distant future. I would return to the Tower now. It was the only place for me to go. I left behind the assault rifle and all but one gun. I left my knife. I left my knapsack, affixed a water canteen to my belt. I took my camera, but then thought better of it and abandoned it by a rock halfway to the Tower. It would just distract, this impulse to record, and photographs mattered no more than samples. I had decades of journals waiting for me in the lighthouse. I had generations of expeditions that had ghosted on ahead of me. The pointlessness of that, the pressure of that, almost got to me again. The waste of it all.

I had brought a flashlight but found I could see well enough by the green glow that emanated from my own body. I crept quickly through the dark, along the path leading to the Tower. The black sky, free of clouds, framed by the tall narrow lines formed by pine trees, reflected the full immensity of the heavens. No borders, no artificial light to obscure the thousands of glinting pinpricks. I could see everything. As a child, I had stared up at the night sky and searched for shooting stars like everyone else. As an adult, sitting on the roof of my cottage near the bay, and later, haunting the empty lot, I looked not for shooting stars but for fixed ones, and I would try to imagine what kind of life lived in those celestial tidal pools so far from us. The stars I saw now looked strange, strewn across the dark in chaotic new patterns, where just the night before I had taken comfort in their familiarity. Was I only now seeing them clearly? Was I perhaps even farther from home than I had thought? There shouldn’t have been a grim sort of satisfaction in the thought.

* * *

The heartbeat came to me more distantly as I entered the Tower, my mask tied tightly in place over my nose and mouth. I did not know if I was keeping further contamination out or just trying to contain my brightness. The bioluminescence of the words on the wall had intensified, and the glow from my exposed skin seemed to respond in kind, lighting my way. Otherwise, I sensed no difference as I descended past the first levels. If these upper reaches had become familiar that feeling was balanced by the sobering fact that this was my first time alone in the Tower. With each new curve of those walls down into further darkness, dispelled only by the grainy, green light, I came more and more to expect something to erupt out of the shadows to attack me. I missed the surveyor in those moments and had to tamp down my guilt. And, despite my concentration, I found I was drawn to the words on the wall, that even as I tried to concentrate on the greater depths, those words kept bringing me back. There shall be in the planting in the shadows a grace and a mercy that shall bloom dark flowers, and their teeth shall devour and sustain and herald the passing of an age …

Sooner than expected, I came to the place where we had found the anthropologist dead. Somehow it surprised me that she still lay there, surrounded by the debris of her passage—scraps of cloth, her empty knapsack, a couple of broken vials, her head forming a broken outline. She was covered with a moving carpet of pale organisms that, as I stooped close, I discovered were the tiny hand-shaped parasites that lived among the words on the wall. It was impossible to tell if they were protecting her, changing her, or breaking her body down—just as I could not know whether some version of the anthropologist had indeed appeared to the surveyor near base camp after I had left for the lighthouse …

I did not linger but continued farther down.

Now the Tower’s heartbeat began to echo and become louder. Now the words on the wall once again became fresher, as if only just “dried” after creation. I became aware of a hum under the heartbeat, almost a staticky buzzing sound. The brittle mustiness of that space ceded to something more tropical and cloying. I found that I was sweating. Most important, the track of the Crawler beneath my boots became fresher, stickier, and I tried to favor the right-hand wall to avoid the substance. That right-hand wall had changed, too, in that a thin layer of moss or lichen covered it. I did not like having to press my back up against it to avoid the substance on the floor, but I had no choice.

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