Alone (Bone Secrets, #4)(61)
She’d been dead for a while. He could smell the rot.
Why had Cesare been visiting a dead body?
The handcuffs were carelessly cast aside. The mattress foul. The room showed signs of occupancy. A water bucket, a waste bucket. Some empty cracker boxes. More handcuffs and rope attached to various metal rings in the walls and floors. The room had been strengthened. From the outside, it looked like a shed about to collapse. Inside the walls were closer than they should be. A sign of thick space between the inner and outer wall, no doubt filled with an insulating material. He’d tapped on a wall. They’d been dense two-by-eights. A room meant to imprison.
The next day he’d returned, and the woman had vanished. A few days of wandering in the woods behind Cesare’s home had revealed a plot of freshly turned dirt. Nearby were other sunken depressions in the ground. He’d read that an amateur grave will first be a raised area of dirt, but then sink where the torso collapses as it rots, leaving the concavity. He’d counted five possible sites.
Cesare wasn’t the holy man he presented to his flock.
He’d kept his knowledge to himself, watching as the old man preached to the dwindling congregation. Now the group was small, mostly older men like Cesare whose wives had abandoned them to their faith, unable to live the oppressive role their husbands laid out for them.
Leo wondered if Cesare had always been so bitter toward women, or if it’d grown after his own wife left. Had he intensified his hatred because of what his wife had done to him?
He’d snooped thoroughly through the shed and discovered a locked fire box of photos. The key hadn’t been hard to find. Cesare kept his keys in the same drawer he’d used all his life. His confidence in keeping his secrets safe was laughable.
The pictures were of women. Some dead, some still alive. All with long dark hair and white dresses. But the photos that struck him the most were of the circle. The women laid out as if they were daisy petals. Their white dresses echoing the flower. Some pictures showed them flush with life. But others showed their cheeks and eyes starting to sink as they lay lifeless in their circle day after day.
How many days in a row had Cesare returned to photograph the women?
He pictured Victoria Peres in the circle. Her life’s essence destroyed.
Not yet.
First he wanted to emotionally rip her to shreds.
The bones were done. Victoria stretched the kinks out of her back, shuddering at the series of loud cracks. Everything was inventoried. Samples were removed for testing. Full records written and photographed. Frustratingly, she hadn’t found an earth-shattering lead to use as a tool to hunt down the women’s identities. From an anthropologist’s perspective, these were a bunch of nondescript women. Sadly missing their skulls.
She closed her eyes for a long moment.
It was a process she’d done since her first anatomy class: imagining her own bones without their flesh. She could see her skull. Its forehead high, its eye sockets slightly angular, and the zygomatic arches high and well defined. Cool and bare. Lifeless.
“Need some sleep?”
Victoria smiled as she opened her eyes. Seth’s voice. It was low and rumbly and sexy. It’d taken her all of one second to get used to hearing it again. That first night in Forest Park, the sound of his voice rang in her ears like hearing a beloved song from long ago. At first the sound was a small, stunning surprise, and then came the realization that she knew every melody and lyric.
She turned. He’d changed out of scrubs and lab coat into a faded pair of jeans. His hair was slightly messy, and she knew instantly he’d been running a hand through it in mild frustration. But his eyes looked happy and relaxed. Hmmm.
“What’s up?” She could tell he had news. He was so easy to read.
“Anita asked me to give you this. It just came via messenger.” He handed over the white cardboard document envelope.
Victoria glanced at the front, verifying it was for her. Weird. No return address.
She ripped open the envelope and shook the single sheet of paper onto her desk. Seth leaned against her doorjamb, his arms crossed, casually watching. She flipped over the paper. It had two sentences.
Your mother’s name is Isabel Favero.
The second line was an address in Portland.
Victoria’s vision tunneled on the paper, reading the name over and over. Seth spoke as if from a great distance. She couldn’t move.
My mother?
Is this a joke?
Isabel Favero.
“Tori!” His tone grabbed her attention. “What is that?” He moved behind her and read, his hands heavy on her shoulders.
“What the hell?”
Her thoughts exactly.
“I thought someone had died, by the look on your face. Can I see that?”
She nodded, and Seth tugged the paper from her frozen fingers.
My mother?
Seth glanced at the back of the paper. Blank. “I don’t think this is how Michael would deliver any information he found, right?”
Victoria shook her head. “No. He’d call.”
Seth picked up the messenger envelope. “I’ll call them and find out who had this delivered.” Frowning, he pulled out his cell and started tapping, searching for the messenger service number. “I don’t like this. Who would send you something like this?”
“I don’t know.” Victoria shook her head. Her spinning brain made her stomach queasy. She leaned forward on her desk. Why now? Why send this within a day of her wondering about her birth mother? She listened as Seth spoke on the phone. He wasn’t getting an answer he liked.
Kendra Elliot's Books
- Close to the Bone (Widow's Island #1)
- A Merciful Silence (Mercy Kilpatrick #4)
- A Merciful Death (Mercy Kilpatrick #1)
- A Merciful Secret (Mercy Kilpatrick #3)
- A Merciful Death (Mercy Kilpatrick #1)
- Kendra Elliot
- On Her Father's Grave (Rogue River #1)
- Her Grave Secrets (Rogue River #3)
- Dead in Her Tracks (Rogue Winter #2)
- Death and Her Devotion (Rogue Vows #1)