Acclaim for Yann Martel's Life of Pi(55)

Nature is preoccupied with balance, so it did not surprise me that nearly right away I felt the urge to urinate. I relieved myself in the beaker. I produced so exactly the amount I had just downed that it was as if a minute hadn't passed and I were still considering Richard Parker's rainwater. I hesitated. I felt the urge to tilt the beaker into my mouth once more. I resisted the temptation. But it was hard. Mockery be damned, my urine looked delicious! I was not suffering yet from dehydration, so the liquid was pale in colour. It glowed in the sunlight, looking like a glass of apple juice. And it was guaranteed fresh, which certainly couldn't be said of the canned water that was my staple.

But I heeded my better judgment. I splashed my urine on the tarpaulin and over the locker lid to stake my claim.

I stole another two beakers of water from Richard Parker, without urinating this time. I felt as freshly watered as a potted plant.

Now it was time to improve my situation. I turned to the contents of the locker and the many promises they held.

I brought out a second rope and tethered the raft to the lifeboat with it.

I discovered what a solar still is. A solar still is a device to produce fresh water from salt water. It consists of an inflatable transparent cone set upon a round lifebuoy-like buoyancy chamber that has a surface of black rubberized canvas stretched across its centre. The still operates on the principle of distillation: sea water lying beneath the sealed cone on the black canvas is heated by the sun and evaporates, gathering on the inside surface of the cone. This salt-free water trickles down and collects in a gully on the perimeter of the cone, from which it drains into a pouch. The lifeboat came equipped with twelve solar stills. I read the instructions carefully, as the survival manual told me to.

I inflated all twelve cones with air and I filled each buoyancy chamber with the requisite ten litres of sea water. I strung the stills together, tying one end of the flotilla to the lifeboat and the other to the raft, which meant that not only would I not lose any stills should one of my knots become loose, but also that I had, in effect, a second emergency rope to keep me tethered to the lifeboat. The stills looked pretty and very technological as they floated on the water, but they also looked flimsy, and I was doubtful of their capacity to produce fresh water.

I directed my attention to improving the raft. I examined every knot that held it together, making sure each was tight and secure. After some thought, I decided to transform the fifth oar, the footrest oar, into a mast of sorts. I undid the oar. With the sawtoothed edge of the hunting knife I painstakingly cut a notch into it, about halfway down, and with the knife's point I drilled three holes through its flat part. Work was slow but satisfying. It kept my mind busy. When I had finished I lashed the oar in a vertical position to the inside of one of the corners of the raft, flat part, the masthead, rising in the air, handle disappearing underwater. I ran the rope tightly into the notch, to prevent the oar from slipping down. Next, to ensure that the mast would stand straight, and to give myself lines from which to hang a canopy and supplies, I threaded ropes through the holes I had drilled in the masthead and tied them to the tips of the horizontal oars. I strapped the life jacket that had been attached to the footrest oar to the base of the mast. It would play a double role: it would provide extra flotation to compensate for the vertical weight of the mast, and it would make for a slightly raised seat for me.

I threw a blanket over the lines. It slid down. The angle of the lines was too steep. I folded the lengthwise edge of the blanket over once, cut two holes midway down, about a foot apart, and linked the holes with a piece of string, which I made by unweaving a length of rope. I threw the blanket over the lines again, with the new girdle string going around the masthead. I now had a canopy.

It took me a good part of the day to fix up the raft. There were so many details to look after. The constant motion of the sea, though gentle, didn't make my work any easier.

And I had to keep an eye on Richard Parker. The result was no galleon. The mast, so called, ended hardly a few inches above my head. As for the deck, it was just big enough

to sit on cross-legged or to lie on in a tight, nearly-to-term fetal position. But I wasn't complaining. It was seaworthy and it would save me from Richard Parker.



By the time I had finished my work, the afternoon was nearing its end. I gathered a can of water, a can opener, four biscuits of survival ration and four blankets. I closed the locker (very softly this time), sat down on the raft and let out the rope. The lifeboat drifted away.

The main rope tensed, while the security rope, which I had deliberately measured out longer, hung limply. I laid two blankets beneath me, carefully folding them so that they didn't touch the water. I wrapped the other two around my shoulders and rested my back against the mast. I enjoyed the slight elevation I gained from sitting on the extra life jacket. I was hardly higher up from the water than one would be from a floor sitting on a thick cushion; still, I hoped not to get wet so much.

I enjoyed my meal as I watched the sun's descent in a cloudless sky. It was a relaxing moment. The vault of the world was magnificently tinted. The stars were eager to participate; hardly had the blanket of colour been pulled a little than they started to shine through the deep blue. The wind blew with a faint, warm breeze and the sea moved about kindly, the water peaking and troughing like people dancing in a circle who come together and raise their hands and move apart and come together again, over and over.

Richard Parker sat up. Only his head and a little of his shoulders showed above the gunnel. He looked out. I shouted, "Hello, Richard Parker!" and I waved. He looked at me.